100 Books Like What Is History?

A Passion for History is a conversation between Natalie Zemon Davis, a prominent historian and an extraordinary woman, with Denis Crouzet, also a historian and a sharp observer. Above all, they discuss how to do research, write, and teach history. In addition, Natalie Zemon Davis shares her memories of being an ambitious Jewish girl in America of the 40s and her way to combine academic aspirations with family life, and her views on other subjects, such as politics, feminism, cinema, and freedom. This lively dialogue of two remarkable intellectuals is a thrilling read.

In a biography of a person whose occupation was to think, the most exciting part is how their thought evolved. Robin G. Collingwood is a prominent philosopher and a historian of Roman Britain. His autobiography is precious because it is an earnest reflection on how his perception of history and the approaches to its study developed over his lifetime - a door open into the mind of a philosopher of history.

I read this book as a college student while on a spur-of-the-moment trip to Athens, Greece. As I sat reading while intermittently gazing at the view of the Acropolis from my hotel balcony, a frappe at my side, the book captivated me.

Written by a world-renowned historian in response to his son’s question, “What is history?”, this book opened vistas of reflection about our connections with past cultures and why we do history.

In a present where we are often being pushed to look forward, to innovate, and move on, The Historian’s Craft helped me to better articulate the value of understanding history. Surrounded by the rich cultural heritage of ancient Greece, this book just made perfect sense.

This book is a reflection on the nature of historical research and the perils of history in the postmodern age. An influential current in the study of history has abandoned the aspiration of getting close to the truth and accepts ideologically motivated accounts of the past as equally valuable narratives. The repercussions of the controversy on ‘post-truth’ reach far beyond the limits of the academic world and are ubiquitous in contemporary Western society. Richard J. Evans knows that from his own experience, having served as an expert witness in Irwing v Penguin Books and Lipstadt libel case, relating to Holocaust denial. The book offers a lucid analysis of the conflicting trends in the theory and practice of historical research. It links between the study of the past and the possibility of attaining certainty on present-day issues.

This book is a treasury of significant but unknown historical information. Even if you are well-read on the Cold War, the global perspective which the book gives will change what you think you know.

Structuring his argument chronologically and thematically, O. Westad makes the most comprehensive case for the Cold War’s impact on the Global South. I learned more about the modern history of Africa and East Asia and their subsequent decolonization and state-building than in any other book.

I also appreciated how the author does not take an ideological stance for the USA or the USSR but allows the readers to explore the political argumentation that arose in decisive historical moments.

When I first read this book as a history student, it just blew my mind.

Keith Jenkins is an expert at criticizing the roots of historiography in the clearest but also most hilarious way. I learned so much about understanding historical texts and was excited by Jenkin’s urge to move historical thinking beyond narratives of good and evil.

Main lesson learned: Don’t take things too seriously, especially if they already happened!

It’s a tough nut to crack, but totally worth it when you finally read it.

Although I write historical texts myself, I hadn’t considered how these texts are structured and mediated by historians. H. White showed me and many others that writing a historical text does not differ in form from writing a literary one.

Through a thoroughly structured argument, the book is a trip in the history of historiography and a careful analysis of the most important people who formed the way we look at our past today. Definitely one of the most influential theoretical texts of the last century.

You don’t often come across a history of the Holocaust given from the perpetrator’s perspective. Both a masterful historical novel and a marvellous piece of literary historiography, it's a hard book to put down. 

Following SS Officer Max Aue through all the horrors of the Second World War and the Holocaust, the book provokes you to think in contradictory terms about the events narrated. 

A journey through the inevitability and impossibility of empathy, this book reflects on what is considered good and evil and how we can judge what happened in the past.

Fascism always holds out a promise of belonging to the tribe, the race, and, most importantly, the nation. Lepore’s very short and beautifully readable history of the US explicitly rejects the right-wing and fascist assumption that the nation and nationalism are theirs.

This America retells US history from the perspective that the country has not lived up to its promises of equality, but the first step to making that happen is acknowledging its painful history. The book contextualizes the invocations of some of its greatest critics, such as DuBois, Douglass, and Baldwin, in their clear-eyed pronouncements of the United States’ failures of justice and democracy.

Lepore’s hope rests on the belief that a pluralistic, truly democratic United States is possible if Americans own the nation’s failures to live up to its stated standards and commit to the painful work of holding ourselves and the structures of civic life accountable to… show more.

I’m not a fan of theory, which Amos Morris-Reich is, but I loved how he embedded his theory in five fascinating cases that would not normally be considered together.

One case involved a Nazi photographer, one concerned a Jewish promoter and collector of photographs, one looked at Jewish photographers in Eastern Europe, and two considered very different Jewish photographers: Helmar Lerski and Robert Frank. The combination is thought-provoking.