Books like Shakespeare's Planet

In my day job, I’m immersed either with technical equipment or managing people and I enjoy the duality of both challenges. It’s difficult to say which I like best, but because part of my job is people focused, I’ve enjoyed learning to understand the social and interpersonal dynamics between coworkers and clients alike. So books with strong character relationships and stories that are driven by their wants and desires, however right or wrong they may be, are a favorite of mine. The science fiction aspect comes with my love for technology, mainly in music and film and I find many parallels between those arts and writing books. 

I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.

I became hooked into science fiction as a kid the day I read an illustrated book of 20,000 Leagues Under the Sea. From then on, science fiction became an important part of my reading repertoire. Having wide-ranging interests, I enjoy military techno-thrillers, Anglo-French naval warfare, Greek/Egyptian/Roman mythology, most sciences, history of religions, with an occasional novel that strays from the norm and adds a sparkle to my reading. Mary Stewart’s The Crystal Cave and The Hollow Hills are very close to my heart. Just shows that I’m different. After all, I must do something when I am not writing my own novels! Although I have an extensive library of modern science fiction works, I am fond of many oldies.

I love to cheer for underdogs, and young women who are in this category have my special devotion. As a child of the 1960s, I remember a time when women didn’t have the same rights and opportunities as men, and we still seem to be fighting it today. Coming from a trauma-based childhood myself, I find myself comparing and contrasting coping mechanisms. Luckily, I haven’t found it necessary to kill anyone with dragon stone or jacked-up hornets so far. It delights me when these girls win, whether they game the system or fight their way with guns and knives.

My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.

I am a Regents Professor of Psychology at the University of Arizona. Ever since I was a child growing up in the South Bronx, I have been interested in why people are so driven to believe they are right and good, and why there is so much prejudice in the world. This has led to me to a lifelong exploration of the basic motivations that guide people’s actions, and how these motivations influence how people view themselves and others, and the goals they pursue.

I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, and Songs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.

When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.

Having grown up on the south coast of Hampshire, I love both the countryside and the sea. After studying ancient history, archaeology, and Latin at the University of Bristol, I worked for many years as a field archaeologist and met my husband Roy on an excavation of a Roman villa at Milton Keynes. We have worked together ever since, as archaeologists and as authors of books on archaeology, ancient history, naval history, and social history. Our wide-ranging interests proved invaluable when writing our book When There Were Birds.

I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.