Here are 100 books that The Tragedy of Titus Andronicus fans have personally recommended if you like
The Tragedy of Titus Andronicus.
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My work has always been interested in the ways in which systems can be disrupted and subverted by taking radical fresh approaches to them, even where the prevailing view is that overturning them can only lead to the dreaded chaos.
A comprehensive, elegantly written survey of the territory from a genuine polymath, Chaos Imagined considers the philosophical issues raised by the turn to disorder and chance in everything from cutting-edge artistic movements to mathematical chaos theory. Meisel moves with agile ease from historical narrative to considerations of some quite knotty theoretical problems in a style that is genuinely readable and elegant, rather than academically abstruse. He is as assured on avant-garde art movements as he is on the more elusive aspects of western philosophy.
The stories we tell in our attempt to make sense of the world-our myths and religion, literature and philosophy, science and art-are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent. In this book, Martin Meisel considers the long effort to conjure, depict, and rationalize extreme disorder, with all the passion, excitement, and compromises the act provokes. Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos.…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
My work has always been interested in the ways in which systems can be disrupted and subverted by taking radical fresh approaches to them, even where the prevailing view is that overturning them can only lead to the dreaded chaos.
Foucault’s groundbreaking work from the 1960s looks at how systems of order and classification came into being during the age of rationalism with Descartes, culminating in the 18th-century Enlightenment’s project of subjecting every field of knowledge to its own self-enclosed order. It remains of the great works of theoretical synthesis, patiently dissecting the structures of knowledge, of order and priority, that western learning continues to take for granted. At half a century’s distance, Foucault is the one French thinker whose legacy remains intact for his lucidity, polemical edge, and refusal of esoteric linguistic games.
When one defines "order" as a sorting of priorities, it becomes beautifully clear as to what Foucault is doing here. With virtuoso showmanship, he weaves an intensely complex history of thought. He dips into literature, art, economics and even biology in The Order of Things, possibly one of the most significant, yet most overlooked, works of the twentieth century. Eclipsed by his later work on power and discourse, nonetheless it was The Order of Things that established Foucault's reputation as an intellectual giant. Pirouetting around the outer edge of language, Foucault unsettles the surface of literary writing. In describing the…
My work has always been interested in the ways in which systems can be disrupted and subverted by taking radical fresh approaches to them, even where the prevailing view is that overturning them can only lead to the dreaded chaos.
In a study of great conceptual daring, Hayles examines the links between scientific chaos theory and the representations of disorder in modern literature, from Stanislaw Lem to Doris Lessing. She is more or less unique in the present day in being able to align hard science with contemporary aesthetics, a world away from the half-digested appropriation of scientific chatter by those who love nothing better than an algorithm. Her grasp of contemporary theory is sound, and her readings of modern literature are sensitive and enlightening.
N. Katherine Hayles here investigates parallels between contemporary literature and critical theory and the science of chaos. She finds in both scientific and literary discourse new interpretations of chaos, which is seen no longer as disorder but as a locus of maximum information and complexity. She examines structures and themes of disorder in The Education of Henry Adams, Doris Lessing's Golden Notebook, and works by Stanislaw Lem. Hayles shows how the writings of poststructuralist theorists including Barthes, Lyotard, Derrida, Serres, and de Man incorporate central features of chaos theory.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
A great book can supplant your consciousness and bring you into a new headspace of altered mood and perception. Good writing about elevated human experiences can elevate the reader, as the words on the page inspire the release of "feel-good" neurochemicals like endorphins, serotonin, and dopamine. These are the effects I seek to produce in my readers’ experience – I want them to feel the buzzes and the highs and lows my characters feel. In Death By Cannabis, by focusing on the legalization of weed in Canada, I sought to tap into the passionate subculture and complex emotions the emancipation of pot brought to the surface after simmering so long underground.
Early in this book, a character uses his kitchen oven to dry out some psychedelic mushrooms harvested from the rooftop garden at his flat in World War II London. Dosing the characters (and somehow the reader) with Amanita Muscaria is an appropriate way to set the tone of this book.
Mushroom experiences are fun and giggly and clever, at times, but they can also open the mind to the evils mankind is capable of and the intricate conspiracies seemingly hiding in plain sight. Which is what I love about Gravity’s Rainbow – Pynchon’s writing is hilarious, but then he’ll hit you with a gut punch so poignant it will linger in your mind for decades.
Hailed by many as the major experimental nov el of the post-war period, Gravity''s Rainbow is a bizarre co mic masterpiece in which linguistic virtuosity creates a who le other world. '
I have a Ph.D. in English from Lehigh University, and I have taught English for 30 years. I have studied and taught Shakespeare, Tudor drama, English linguistics, the Reformation, and various other aspects in the literary and cultural history of the 16th century. The 16th century is a time of great upheaval and the more I study it, the more I am fascinated by how pivotal this epoch is in the creation of the modern world, for better and for worse. I seek out books that chart, from grandest to most intimate, this momentous time’s transformations.
Shakespeare’s Dogis the craziest Shakespearean book I’ve ever read. Not only is the young Stratford Shakespeare’s tale told by his dog, Hooker ̶ the dog speaks a kind of faux-Shakespearean: full of Elizabethan-esque vocabulary and syntax, Anglo-Saxon bawdry, new-coined usages of common words (“the wind flummoxed”; “I knelled the truth”). Moreover, Rooke must really know his dogs. Because the dog-viewpoint (a frustrated Shakespeare “bites his toenails”) seems right on the money. The struggle of a prodigy youth and his prodigy dog to escape the tawdry, shallow, raucous banality of provincial small-town life is told with vividness, wit, and pathos.
Will Shakespeare's dog, named Hooker, reports on the young poet and playwright's tumultuous Stratford household and on his and his master's shared and growing desire to be away to London
My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.
Shakespeare scholars hate discussing the “authorship question” for the same reason astronomers hate discussing whether space aliens kidnap human beings. There is no real “question.” But because guessing who wrote the plays has become such a parlor game, James Shapiro took on the challenge. His book tells the crazy history of the “authorship question” and makes irrefutably clear that yes, the fellow from Stratford really did write those plays. This should settle the issue forever—but of course it won’t.
For two hundred years after William Shakespeare's death, no one thought to argue that somebody else had written his plays.
Since then dozens of rival candidates - including The Earl of Oxford, Sir Francis Bacon and Christopher Marlowe - have been proposed as their true author. Contested Will unravels the mystery of when and why so many people began to question whether Shakespeare wrote the plays (among them such leading writers and artists as Sigmund Freud, Henry James, Mark Twain, Helen Keller, Orson Welles, and Sir Derek Jacobi)
Shakespeare scholar James Shapiro's fascinating search for the source of this controversy…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I started watching animals as soon as I could walk. That eventually led to a PhD in animal behavior and a career in animal protection. I now focus my energies on writing books that seek to improve our understanding of, and most importantly our relations with, other animals. I've written four previous books:Pleasurable Kingdom, Second Nature, The Exultant Ark, and What a Fish Knows (a New York Times best-seller now available in fifteen languages). I live in Belleville, Ontario where I enjoy biking, baking, birding, Bach, and trying to understand the neighborhood squirrels.
An electrician and his wife rescue an orphaned baby house sparrow and raise him into adulthood and beyond. This beautifully and at times hilariously told story is full of precious revelations about the rich personality of a bird routinely overlooked by us.
“There’s a special providence in the fall of a sparrow.” --William Shakespeare, Hamlet
B fell twenty-five feet from his nest into the life of Chris Chester. The encounter was providential for both of them. B and Chester spent hours together playing games like bottle-cap fetch or hide-and-seek. They learned “words” in each other’s vocabularies. B developed a fetish for nostrils and a dislike of the color yellow. He grew anxious if Chester came home late from work. At bedtime he would rub his sleepy eyes on Chester’s thumb and settle to sleep in his palm. Chester ended up turning part…
I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.
Every time I wade into a play or see a production, I discover the language that describes the human condition perfectly. Pithy moments of insight juxtaposed and embedded in meaningful testimonies of why we do the things we do. As a writer, I believe there is no better teacher of the magic of the English language.
This ebook contains Shakespeare's complete plays and complete poems in a new, easy-to-read and easy-to-navigate format. This is the most reader-friendly introduction to Shakespeare available today. 'The Complete Works of William Shakespeare' collects all thirty-seven of the immortal Bard's comedies, tragedies, and historical plays in a Collectible Edition. This volume also features Shakespeare's complete poetry, including the sonnets. With this beautiful Collectible Edition, you can enjoy Shakespeare's enduring literary legacy again and again.
As a fiction writer, poet, essayist, and (now) a playwright, I am a staunch believer in applying the “Three Es” in all of my work in equal quantities: to entertain, to enlighten, and to educate. My passion to create stories has been ongoing throughout my life, courtesy of my love for the written word, cinema, and the theater, all of which have impacted and influenced my stories in amazing ways. My background and accolades as a writer and publisher are listed on my personal website, but it’s my life experiences and the books that I have recommended that helped me evolve as a storyteller.
Speaking as a playwright, this selection is a must. It not only contains all of the Bard’s plays, it also includes all of his beloved sonnets. His collected works not only serve as a foundation regarding dramatic structure and poetics, but his eloquence is fuel for any lover of the written word.
The Second Edition of this complete collection of Shakespeare's plays and poems features two essays on recent criticism and productions, fully updated textual notes, a photographic insert of recent productions, and two works recently attributed to Shakespeare. The authors of the essays on recent criticism and productions are Heather DuBrow, University of Wisconsin at Madison, and William Liston, Ball State University, respectively.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
While I taught Shakespeare’s plays all my teaching career, I stayed in my lanes: Hamlet, Othello, The Merchant of Venice, King Lear. As a poetry teacher, I used his sonnets as examples of metaphor and form, but never did I consider myself an expert. However, when the idea for my novel popped into my head, I realized I had some serious reading to do. Not only did I study the facts, I delved into the fiction. While some of these books came out during my writing and others after, I didn’t lose my interest, picking up whatever new Shakespeare book appeared. These are some of my favorites.
One of the best ways to learn about a character is to listen to what other characters say (or think) about him, in this case, Shakespeare. As with Hamnet, much of this book focuses on Anne Hathaway, and we learn about Shakespeare as a very young man making his way in the world—not only as a writer—but as a lover and husband. Once in the writing world, we see the ripple effects of his writing, as fellow playwrights Christopher Marlowe and Ben Jonson provide their perspectives. A great look into Shakespeare and Elizabethan England.
The greatest writer of them all, brought to glorious life.
How well do you know the man you love? How much do you think you know about Shakespeare? What if they were one and the same? He is an ordinary man: unwilling craftsman, ambitious actor, resentful son, almost good-enough husband. And he is also a genius. The story of how a glove-maker from Warwickshire became the greatest writer of them all is vaguely known to most of us, but it would take an exceptional modern novelist to bring him to life. And now at last Jude Morgan, acclaimed author of…
