Books like A Companion to Shakespeare's Works, Volume II — picked by fans

I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present. 

I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present. 

I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present. 

I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present. 

My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.

I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïveté and caprice. You might say it would lose its raison d’être… My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain. Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.

For me a story with richly developed non-humanoid aliens is mind-stretching. Much of modern Western culture starts with the ingrained concept that humans are at the top, whether by divine right or as the peak of evolution or whatever. Well-developed non-humanoid aliens—especially if they’re not super advanced or charmingly primitive—challenge this assertion. When that assertion topples, so do a lot of other preconceived notions. An abiding fascination in my work is for the “other,” from the wolves and Wise Beasts of my Firekeeper Saga (first book, Through Wolf’s Eyes) to expanding and exploring treecat culture with David Weber in the Star Kingdom book, and a lot in between. 

When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.

As a fiction writer, poet, essayist, and (now) a playwright, I am a staunch believer in applying the “Three Es” in all of my work in equal quantities: to entertain, to enlighten, and to educate. My passion to create stories has been ongoing throughout my life, courtesy of my love for the written word, cinema, and the theater, all of which have impacted and influenced my stories in amazing ways. My background and accolades as a writer and publisher are listed on my personal website, but it’s my life experiences and the books that I have recommended that helped me evolve as a storyteller. 

Fake news is not new. Biographies, in particular, are fraught with fallacies and fake stories. When fake news slanders individuals, reputations are ruined and lives destroyed. That’s what happened to Elizabeth Wydeville, Queen Consort to Edward IV, and mother of the two princes who disappeared during Richard III’s reign. When I discovered the slander that destroyed Queen Elizabeth’s reputation, I began a 5-year research project to set the record straight. Some fallacies are deliberate, originating in envy or power putsches. Others derive from historical laziness or incompetence. What I learned from my research has determined my choices of biographies, stories that tell previously unrevealed truths about individuals.