100 Books Like Ezra's Ghosts

Another essayist from my book, Ai Jiang, writes a heartbreaking story. I think a lot of us trapped in debt can feel in our core. Ai’s book captures the essence of human connection in a world increasingly dominated by technological advancement and capitalist pursuits.

Despite the sci-fi story, Ai focuses on the human, everyday interactions that truly define our collective experience. She emphasizes the value of the moments we share with those closest to us—our families, friends, and neighbors. Often overlooked in the hustle of getting ahead, these interactions keep a community alive.

A wonderful author and person, her story digs deep into all the feels.

K.P. Kulski is one of the essayists in my book and an enthusiastic supporter of Asian women’s voices, and she brings it all out in this powerful novel. Set in a mysterious Joseon-era palace and told from the pov of three generations of women, the story's strength is its blend of cultural heritage and feminist themes.

Kristi draws inspiration for this book from the Korean folk tale A Tiger’s Whisker. I greatly respect KP Kulski for daring to use menstruation as an integral part of the plot. This book is compelling for those interested in a unique blend of historical setting, folklore, and a poignant examination of female identity—all three are a win for me.

Don’t let the title put you off! It’s a play on the pronunciation of an island in the Philipines called Siquijor (sounds like “seek ye whore”), but the titular story is still pretty titillating.

Yvette Tan is another of the essayists in my book. Her writing vividly portrays Filipino culture, replete with its myths and legends and drenched in the complexities of human emotion. I appreciate that Tan didn’t just make another horror collection; it's a lens through which the rich tapestry of Filipino life, with its blend of the mundane and the magical, is explored.

The collection is a good pick for those who enjoy horror with a cultural twist. This book gives a panoramic and multifaceted experience of Filipino life with which I was unfamiliar.

I have read this book by Alma Katsu three times now. About the often-forgotten period in US history where American citizens of Japanese and Okinawan blood were locked up in internment camps, Alma does a fabulous job of telling the story without picking sides.

From an Asian-mixed family myself, I could see aspects of my relationship with my mother mixed in the story. A brilliant blend of historical events and elements of Japanese folklore, Alma’s skillful storytelling not only entertains but also educates, shedding light on a dark period in American history when the humanity of certain groups was unjustly questioned because of their race.

This book is more than just a dark story; it explores identity, demonization, and the human spirit's resilience. 

I picked this book up on a whim, I’m glad I did. It was a pleasant surprise with no expectations. A simple, easy-to-read story with art guiding you frame by frame from artist Ann Xu. The smooth art guides you through the effortless story. It shines a light from a different perspective of life. It is soft, warm, and enlightening as we question death around the corner (especially close for the elderly woman in this story who literally vacuums up death). If you are looking for something different from a harsh dystopian/superhero graphic novel, pick up Shadow Life.

I suggest that you read this one on a Sunday morning.

Natsuki is an outsider to polite Japanese society. She is content with an asexual-by-design marriage and comfortable questioning the norms and expectations of marriage and babies. She also has an alien called Piyyut living in her backpack, which happens to be a talking plush hedgehog.

Wherever you think this bizarre, bonkers novel is going, it goes even further–I read the final pages with my jaw basically detached.

I came across this novel after I started following the author on Instagram. It was my first time dabbling in magical realism, and I found myself instantly hooked. Angie is an overweight, fifty-year-old housecleaner with a special skill—she can see the dead. Despite her best efforts to ignore her intuition, the spirits follow her, seek her out, and try to absorb and siphon her human powers. I love the arc of this novel, following the most unlikely of heroines into a death-defying struggle, where she learns that she is stronger than she ever thought possible and more importantly, she doesn’t need anyone else to save her. I rooted for her the entire way through, and now I’m excited to hear the author is making this into a trilogy.

Tyger grabbed me with its opening lines: "It happened in the 21st century, when London was still the capital of an Empire, and the Empire still ruled the world…"

Adam, our young hero is running from a thief when he comes across a magical creature, a wounded Tyger. Powerful enemies are hunting the Tyger, to save her, Adam and his friend Zadie must develop the power to open their own ‘doors of perception’ and overcome the forces of evil.

Tyger is a vivid, beautifully written adventure that feels timeless, with philosophical echoes of William Blake and stunning illustrations by Dave McKean.

Besides having one of the best book titles ever, this novel immediately draws readers in and is hard to put down; the action is matched by its intelligence. In it, freedom-seekers create a fast-growing, virtual society on the Internet that grows so fast it terrifies governments and their “security.” With no possibility of oversight and control, the System fights to co-opt this cyber-society before it undermines and overwhelms the dominance of corruptocrat governing elites. The free souls in this novel lead us through a clever plot wherein principles of economic freedom, individuality, and justice lead to a free market uncontrolled by tax-hungry government lackeys. Profiled here are a group of individuals determined to transcend paradigms that the human psyche often forms for us, almost autonomically, as a reaction to fear.

Kelsey stifles her creative side, for she’s struggling to pay the bills and has to be practical. But in the hidden garden next door, she finds the answers to who she really is, and learns to embrace her creative side and value her gifts. I want to give a copy of this book to every creative person I know, to everyone who has been touched by the imposter syndrome (it’s a real thing with all artistic endeavors!) In this exquisite book, Higley shored up my inspiration as she gently shows us that all of our gifts are welcome.