Here are 100 books that Scars Of Independence fans have personally recommended if you like
Scars Of Independence.
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I was always interested in history but didn’t pay much attention to the American Revolution because I thought I knew the story. When I began to read more on the topic, I found it was far more complex and more interesting than I’d realized. Eventually I wanted to go beyond the standard storyline of Lexington-Concord-Bunker Hill-Washington’s road to victory at Yorktown. I started researching the Revolution, looking at original documents, including British materials that historians did not often consult. I found a treasure trove of fascinating stories and perspectives that I hadn’t been aware of. I’ve been researching and writing on the topic ever since.
This is the book that sparked my interest in the American Revolution. I’d been taught in school and always heard that the Americans rebelled because of high taxes imposed by the British government, but Bailyn showed this wasn’t the case. I was surprised to learn that the various taxes were quite small and that it was the mindset of the colonists, influenced by British writers, that caused them to see the taxes as signs of a larger effort to take away their liberty.
By the time I finished the book, I was convinced that the author had found the key to colonial opposition. I loved the way he laid out the colonists’ political beliefs, and I reread this book often.
The Ideological Origins of the American Revolution, awarded both the Pulitzer and the Bancroft prizes, has become a classic of American historical literature. Hailed at its first appearance as "the most brilliant study of the meaning of the Revolution to appear in a generation," it was enlarged in a second edition to include the nationwide debate on the ratification of the Constitution, hence exploring not only the Founders' initial hopes and aspirations but also their struggle to implement their ideas in constructing the national government.
Now, in a new preface, Bernard Bailyn reconsiders salient features of the book and isolates…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I was always interested in history but didn’t pay much attention to the American Revolution because I thought I knew the story. When I began to read more on the topic, I found it was far more complex and more interesting than I’d realized. Eventually I wanted to go beyond the standard storyline of Lexington-Concord-Bunker Hill-Washington’s road to victory at Yorktown. I started researching the Revolution, looking at original documents, including British materials that historians did not often consult. I found a treasure trove of fascinating stories and perspectives that I hadn’t been aware of. I’ve been researching and writing on the topic ever since.
After having read so much on George Washington and the Continental Army, I found this book on the British army to be a refreshing change as well as highly informative. I was impressed with how the author humanized British soldiers, challenging the stereotype that they were the dregs of British society who only fought because of the brutal discipline imposed on them by their officers.
Spring shows that most British soldiers were patriotic, skilled fighters who fought very well despite a host of hardships. They quickly adapted to American conditions and achieved much success in battle, even though they were usually outnumbered. I was pleased with the author’s perspective on a subject that hasn’t received much attention.
The image is indelible: densely packed lines of slow-moving Redcoats picked off by American sharpshooters. Now Matthew H. Spring reveals how British infantry in the American Revolutionary War really fought.
This groundbreaking book offers a new analysis of the British Army during the ""American rebellion"" at both operational and tactical levels. Presenting fresh insights into the speed of British tactical movements, Spring discloses how the system for training the army prior to 1775 was overhauled and adapted to the peculiar conditions confronting it in North America.
First scrutinizing such operational problems as logistics, manpower shortages, and poor intelligence, Spring then…
I was always interested in history but didn’t pay much attention to the American Revolution because I thought I knew the story. When I began to read more on the topic, I found it was far more complex and more interesting than I’d realized. Eventually I wanted to go beyond the standard storyline of Lexington-Concord-Bunker Hill-Washington’s road to victory at Yorktown. I started researching the Revolution, looking at original documents, including British materials that historians did not often consult. I found a treasure trove of fascinating stories and perspectives that I hadn’t been aware of. I’ve been researching and writing on the topic ever since.
I loved the author’s conversational style, which made me feel as if I was accompanying him on his journey to Revolutionary War sites. I also enjoyed the way he presented events, his witty commentary, and the way he made people of the past come alive.
Another aspect of this book that I thought was great was how the author showed that American victory in the fight for independence wasn’t a sure thing—one different decision here or one minor mistake there could have completely changed the outcome.
Even though I’m very familiar with the people and events of this era, the author’s fresh approach meant that I was never bored when I read this book.
In the ride-along tradition of Sarah Vowell, Tony Horwitz and Bill Bryson, this insightful history revisits the pivotal figures and key turning points of the American Revolutionary War.
Revolutionary Roads takes readers on a time-traveling adventure through the crucial places American independence was won and might have been lost. You'll ride shotgun with Bob Thompson as he puts more than 20,000 miles on his car, not to mention his legs; walks history-shaping battlefields from Georgia to Quebec; and hangs out with passionate lovers of revolutionary history whose vivid storytelling and deep knowledge of their subject enrich his own. Braiding these…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I was always interested in history but didn’t pay much attention to the American Revolution because I thought I knew the story. When I began to read more on the topic, I found it was far more complex and more interesting than I’d realized. Eventually I wanted to go beyond the standard storyline of Lexington-Concord-Bunker Hill-Washington’s road to victory at Yorktown. I started researching the Revolution, looking at original documents, including British materials that historians did not often consult. I found a treasure trove of fascinating stories and perspectives that I hadn’t been aware of. I’ve been researching and writing on the topic ever since.
I was drawn into this book from the moment I started reading. Gilbert shows that there were two revolutions taking place at the same time, one for American independence and the other for the abolition of slavery. I was impressed with how the author detailed the efforts of African Americans to secure freedom, acting on their own initiative, some by supporting the Americans, others by supporting the British.
I also liked the way he showed how the Continental Congress and the British government grappled with the issue of slavery. While more authors have recently addressed the topic of slavery and enslaved people during the Revolution, I don’t think anyone has done a better job than Gilbert.
We commonly think of the American Revolution as simply the war for independence from British colonial rule. But, of course, that independence actually applied to only a portion of the American population - African Americans would still be bound in slavery for nearly another century. Alan Gilbert asks us to rethink what we know about the Revolutionary War, to realize that while white Americans were fighting for their freedom, many black Americans were joining the British imperial forces to gain theirs. Further, a movement led by sailors - both black and white - pushed strongly for emancipation on the American…
I began my career as a journalist, including working as a reporter on an international newspaper. I left full-time journalism to write fiction where I can combine an interest in international affairs with stories of characters and issues of the heart which drive individuals and often shape events. Over the years I’ve worked and traveled with international organizations, serving as Vice President of PEN International, and on the boards and in other roles focusing on human rights, education, and refugees. I’ve been able to travel widely and witness events up close, walking along the edge of worlds and discovering the bonds that keep us from falling off.
This story is set in Sudan among rebel leaders in a war-torn country with hardened guerillas, idealistic aid workers, evangelical young women, and a pilot responsible for bringing aid and people in and out of the area. I was quickly drawn into this complex world through the varied voices and life experiences of the characters, especially as an unlikely and tragic romance emerges.
History, politics, and the human heart are all in play. As a reader I struggled along with the characters as the narrative took on fraught moments of international intrigue and probed the hearts and emotions of the characters, suggesting that in the end, politics is an extension of the human heart in conflict, often in conflict with itself.
Philip Caputo’s tragic and epically ambitious new novel is set in Sudan, where war is a permanent condition. Into this desolate theater come aid workers, missionaries, and mercenaries of conscience whose courage and idealism sometimes coexist with treacherous moral blindness. There’s the entrepreneurial American pilot who goes from flying food and medicine to smuggling arms, the Kenyan aid worker who can’t help seeing the tawdry underside of his enterprise, and the evangelical Christian who comes to Sudan to redeem slaves and falls in love with a charismatic rebel commander.
As their fates intersect and our understanding of their characters deepens,…
I’m a historian who loves watching the Founding Fathers do not-so-Founding-Fatherish things, like John Adams and Thomas Jefferson bonding over how awful Alexander Hamilton was, James Madison reporting how the king of Spain liked to relieve himself daily by the same oak tree, and George Washington losing his temper, asking his cousin to look for the teeth he just knew he’d left in his desk drawer, or spinning out a conspiracy theory. It’s details like this that reveal that even the most revealed figures were real people, like us but often very different. Figuring out how it all makes sense is a challenge I enjoy.
A classic statement of the mentality of the men who fought the American Revolution, A Revolutionary People at War documents how the enthusiasm of the war’s early days, the “rage militaire” in Royster’s memorable phrase, waxed and waned during the brutal conflict as soldiers and civilians settled into an uneasy relationship often in danger of collapsing into anarchy or a military despotism as everyone feared. Royster seems to have read every scrap a soldier or officer produced across the war’s 8 years, and researching the book in the 1970s, he someone kept track of everything, deploying a deft quote time after time, without the aid of a computer. How?
In this highly acclaimed book, Charles Royster explores the mental processes and emotional crises that Americans faced in their first national war. He ranges imaginatively outside the traditional techniques of analytical historical exposition to build his portrait of how individuals and a populace at large faced the Revolution and its implications. The book was originally published by UNC Press in 1980.
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I write character-driven thrillers, including my latest novel: Rough Justice. How did I come to write psychological character-driven thrillers? It began years ago when I went to Hollywood in 1977. This was the New Hollywood (1967 -1980), and I worked with writers whose work grabbed viewers viscerally, not with explosions but with multi-dimensional characters that would draw you into a deeply moving story. I spent countless hours working out the stories and shaping the people in them. Working closely with these great screenwriters was a rare opportunity to learn how to create complicated characters and to see how these complex people enriched storytelling.
When I was thinking about the second book I wrote in my trilogy, I knew I had to learn about violence, particularly violence in prison. What causes it, its impact, and why some people hurt themselves in prison. My brother recommended James Gilligan, a prison psychiatrist, and his insights and understanding of it shaped the central character in my book. It’s troubling but fascinating reading for anyone who’s interested in understanding this.
An eye-opening, revisionist analysis of the social and psychological roots of violence argues that violence should be approached as a problem in public health and preventative medicine, rather than one of biological or moral origins, and that shame is the common denominator that links violent perpetrators.
Michelle Coles is a novelist, public speaker, and former civil rights attorney with the U.S. Department of Justice. As a 9th generation Louisianan, she is highly attuned to the struggles that African Americans have faced in overcoming the legacy of slavery and the periods of government-sanctioned discrimination that followed. Her goal in writing is to empower young people by educating them about history and giving them the tools to shape their own destiny. Michelle, named to the John Lewis Foundation’s 2022 list of Good Troublemakers, lives in Maryland with her husband and their five sons.
Angel of Greenwood is a fantastic young adult novel about two young kids who fall in love in Tulsa, Oklahoma on the cusp of the Tulsa Massacre, a harrowing event in which their prosperous Black community was burnt to the ground by white vigilantes.
By setting a normal teen romance against this backdrop, the reader can appreciate how disruptive racism is to people’s attempts to live a normal life and how lasting the damage can be.
Angel of Greenwood by Randi Pink is a piercing, unforgettable love story set in Greenwood, Oklahoma, also known as the “Black Wall Street,” and against the Tulsa Race Massacre of 1921.
Isaiah Wilson is, on the surface, a town troublemaker, but is hiding that he is an avid reader and secret poet, never leaving home without his journal. Angel Hill is a loner, mostly disregarded by her peers as a goody-goody. Her father is dying, and her family’s financial situation is in turmoil.
Though they’ve attended the same schools, Isaiah never noticed Angel as anything but a dorky, Bible toting…
I’ve been studying dehumanization, and its relationship to racism, genocide, slavery, and other atrocities, for more than a decade. I am the author of three books on dehumanization, one of which was awarded the 2012 Anisfield-Wolf award for non-fiction, an award that is reserved for books that make an outstanding contribution to understanding racism and human diversity. My work on dehumanization is widely covered in the national and international media, and I often give presentations at academic and non-academic venues, including one at the 2012 G20 economic summit where I spoke on dehumanization and mass violence.
Most people’s idea of lynching is the sanitized version that they have picked up from movies and TV. However, the practice of lynching, as it was carried out in the United States from the late 19th to well into the 20th century, was far more hideous than a few people hanging a man from a tree. This classic contribution concentrates on spectacle lynchings. These were public lynchings attended by hundreds or even thousands of spectators. They involved hours of torture and bodily mutilation, often culminating in the victim being burned alive. Lynching and Spectacleis a vital read for anyone wishing to understand the full horror of American Racism.
This title presents public reinforcement of white supremacy. Lynch mobs in late nineteenth- and early twentieth-century America often exacted horrifying public torture and mutilation on their victims. In ""Lynching and Spectacle"", Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and what they derived from them. Lynching, Wood argues, overlapped with a wide range of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema. The connections between lynching and these practices encouraged the horrific violence committed and gave it social acceptability.Wood expounds on the critical role…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This is an immensely readable book and a wonderful introduction to the very different ways in which violence might be interpreted from a dizzying range of perspectives.
Schinkel urges us to reflect on our appetites for violence in our reading matter, our cinema and theatre-going, and our hunger for news. He also poses thorny questions about the ‘productive’ potential of violent action.
This book provides a novel approach to the social scientific study of violence. It argues for an 'extended' definition of violence in order to avoid subscribing to commonsensical or state propagated definitions of violence, and pays specific attention to 'autotelic violence' (violence for the sake of itself), as well as to terrorism.
