Books like Violent Land — picked by fans

When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people really care about? Surveys and interviews elicit cheap talk; killing someone is drastic action.  

When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people really care about? Surveys and interviews elicit cheap talk; killing someone is drastic action.  

I selected the five works below, as each highlights different themes explored in my latest work. Taken together, this collection delivers a well-rounded, multi-dimensional view into a world that is often simplified in popular culture but far more complex, courageous, and human than most people realize. These books illuminate different facets of law enforcement—from the raw courage required in moments of crisis to the resourcefulness demanded in prolonged investigations. 

Above all, these works stand out for their honesty and realism, revealing both the triumphs and the tolls of a career committed to protecting others. Together, they provide readers with a deeper appreciation of the people, the pressures, and the evolving landscape of modern law enforcement.

When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people really care about? Surveys and interviews elicit cheap talk; killing someone is drastic action.  

The Black Experience is my experience. Through living that experience, and with the benefit of education, my passion for storytelling—for sharing oft-neglected Black history from a Black perspective—evolved. Professionally, I am a Harvard-educated attorney who writes, lectures, teaches, and coaches in the general area of the Black experience and in the broader realm of diversity, equity, and inclusion. My ten books focus on aspects of the Black experience in America. I have received many honors and accolades for my professional and community work, including induction into both the Tulsa Hall of Fame and the Oklahoma Hall of Fame.

I've been writing spooky stories for the better half of my life. Reading and writing horror has always been a strangely therapeutic endeavor. It's a way to process the things that keep me up at night and force them into a somewhat manageable form. After all, tangible words on the page are less worrisome than swirling thoughts in the mind. And a surprising number of people seem to agree. As absurd as that may sound, many of us troubled souls find comfort in the horror genre.

I am a researcher and teacher who studies global security. I first thought this meant the study of various forms of violence: wars, terrorism, genocides. And, I still study all of that. But the events of the Arab Spring in particular led me to see the importance of nonviolent protest movements as an important form of global conflict. These movements, often called “civil resistance,”  have proved surprisingly capable of toppling dictators and bringing about democratization. But the news is not all good: they also frequently spark mass repression, civil wars, and even wars between countries. Understanding contemporary global conflict requires understanding how nonviolent movements work.

I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.

I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.

I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.