100 Books Like Acts of Faith

The idea to adapt Conrad’s Heart of Darkness came from my teaching of modern world history every semester. Later in that course, I would have students read Achebe’s novel as a foil or answer to Heart of Darkness. The Congolese in Heart are barely people: they have no names, and they are only really described by parts of their bodies.

This book presents the West African world–the communities, the customs, the emotions, the families–that colonialism destroys. While it is easy to be swept away by the story’s momentum in the last two dozen pages, take some time early in the novel to enjoy the world that Achebe lovingly paints. I think it is among the most human expressions of fiction you can read.  

For me Graham Greene is the master of the literary novel of political intrigue, the literary political thriller writer who spans the globe in his narrative reach. It is difficult to focus on only one of his novels, all have influenced, moved, and taught me, but for the purposes of this list I chose The Comedians.

When I discovered Graham Greene decades ago, I started reading his many novels and then rereading them, immersed in his worlds, trying to learn how he did what he did, but of course, what he did was unique to his perspective, experience, and talent.

The Comedians spins out its story in the dangerous landscape of Haiti under the regime of Papa Doc and the Tontons Macoute secret police. I still remember the sinister tone and compelling narrative drive of the book on my first reading as the innocent American, the sophisticated returning hotel… show more.

People kept telling me to read it, so I finally did–just in time to include it on this list. Rotating narrators–a White missionary’s wife and four daughters from the American South–represent disparate points of view concerning their family’s move to the Belgian Congo in 1959.

One thing I loved is the attention to historical detail and Kingsolver’s ability to include multiple, complex subplots to better frame the colonial history of this particular time/place and to better demonstrate the insidious ongoing brutality of colonization in terms of inequitable global wealth.

Language and religion play a major role in the plundering resource extraction industries, as do political and military interference, apartheid, and so much more. I loved her exploration of language(s): the power held in naming and misnaming. The youngest daughter sums it up best. “My life: what I stole from history, and how I live with it.” Characters are primarily White… show more.

Emma McCune was a beautiful young British aid worker who fell for—and married—Riek Machar, a rival of John Garang for most of the long years of Sudan’s second civil war (1983-2005), reluctant leader of a bloody post-independence revolt, and now one of the country’s five (sic) Vice-Presidents. Emma died in 1993 in a traffic accident in Kenya, but wherever I have been in both Sudan and South Sudan, hosted by aid workers, I have found echoes of her. Emma wanted to make the world a better place—who can knock that?—but her naivete allowed her to be easily manipulated and impressed by raw power, increasingly blind to the corruption and violence within the cause she had adopted. She is buried at Leer, South Sudan, the hometown of Riek Machar.

This is a collection of short stories by well-known writers—Irvine Welsh and Alex Garland among others—whom The Daily Telegraph newspaper assembled and flew to Africa in 2000, with an open brief to write one short story each; the book’s proceeds went to famine relief. One story in particular, by Telegraph editor W.F. Deedes, resonated in particular with me. The British government, responding to concerns that a UK-based oil company—Phoenix—is contributing to human rights abuses committed in the context of the Sudanese civil war, establishes “A Small Mission of Inquiry” (the title of the story). For most of my diplomatic posting in Sudan (2000-2003), I found myself dealing with strikingly similar allegations against a Canadian company, addressed equivocally by the Canadian government with just such a commission. 

Lizzie Shackleford, serving at the time as a junior Foreign Service Officer at the American Embassy in Juba, was of invaluable assistance to me as I tried to orchestrate the emergency evacuation of Canadian citizens (nearly all of them dual South Sudanese/Canadians) when Juba imploded in December 2013. With Canada declining to send evacuation aircraft I depended largely on her to secure seats on USAAF Hercules aircraft. She helped save dozens of lives. So, I read her account of the opening of South Sudan’s civil war with great interest.

It’s an eye-opening counterpoint to the glamour and sophistication that many outsiders associate with the diplomatic lifestyle, but it’s also an indictment of short-sighted and misguided American policy-making in the region. The eponymous Dissent Channel is the outlet US diplomats have to express their personal discomfort with official policy. More than once I have found myself wishing that the Canadian diplomatic… show more.

Carol Berger is a Canadian journalist and anthropologist with decades of experience in Sudan/South Sudan. This book is a meticulously-documented dissection of one of the founding myths of South Sudan: the supposedly glorious deeds of the rebel SPLA’s Red Army (made up of child soldiers) and the associated romance of the phenomenon known as the Lost Boys, as featured by Hollywood (The Good Lie). The truth is that during the second Sudanese civil war (1985-2003) thousands of young boys were ruthlessly exploited and/or abandoned by warlords, many of whom now hold positions of power in South Sudan. A fascinating sidebar is the story of the Cuban Jubans: the young boys who made their way from displacement camps in Ethiopia, via a long sojourn in Cuba, eventually settling in Alberta, Canada. Some two dozen returned to South Sudan in 2011/12 to work as doctors, and I had the pleasure… show more.

This book revealed a threat new to me and to many readers in a culture where mothers had to hide their daughters in shallow graves in Guerrero, Mexico, adjacent to the drug cartels in order to avoid their abduction. They often masqueraded their daughters as boys or tried to make them ugly by chopping off their hair and blackening their teeth.

I was riveted by the story of Ladydi and her friends as they sought a larger world and future they instinctively knew existed. They supported each other but were constantly at risk and challenged by the dangerous drug culture and misogynistic environment they were born into.

Prayers for the Stolen is filled with vignettes and images that stayed with me, written in Jennifer’s poetic prose—she is also a poet. With imagination, narrative drive, and suspense, it explores the struggle and limited triumph of some of the women and reflects… show more.

A “fictional autobiography” that has really stuck with me, What is the What is based on the real-life experiences of Valentino Achak Deng, who survived the brutality and terror of Sudan’s second civil war.

At six or seven years old, he was separated from his parents when his village, Mariel Bai, was virtually wiped out by militia. Against all odds, he ultimately made it all the way to the United States, only to experience injustice, violence, and cruelty again.

Incredibly, the real story told in What is the What is one of hope and resilience, and it’s a powerful reminder that chance and circumstances are the only differences between us and anyone else on this planet. Gee, I don’t know… maybe we should all act accordingly? 

P.S. Somewhat controversial for its “autobiographical” claim despite being novelized—some say appropriated—by another person, What is the What was required reading at numerous US… show more.

Ron Currie Jr. has written some of my very favorite books that explore big ideas through a dark, satirical lens. My favorite of Currie’s books is God Is Dead, which is a collection of interconnected stories that wonders what the world—and, more importantly, humanity—would look like if God took human form…then died. Each story looks at different characters and how they have responded to the reality of God’s death, from a group of teenagers who make a suicide pact to an epidemic of parents worshipping their children in the absence of God. Each story works together to explore larger themes of religion, violence, and the purpose of life.