Here are 100 books that 'Salem's Lot fans have personally recommended if you like
'Salem's Lot.
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I've enjoyed being frightened my whole life. From childhood, when I watched old monster movies on TV and read forbidden comic books by flashlight, I have always been a fan of scary films and books. To me, horror is one of the essential human emotions by which we interact with the world. The vampire has always been my favorite monster to fear. But over the years, I have watched bloodsuckers shift from monster to anti-hero and, finally, to sexy companion. Personally, I still prefer the old-school vampires of literature—nasty, mean, with blood-covered fangs and a cold, dead heart. Luckily, the scary OG vamps can still be found. Here are some of my favorites.
I have loved this book since it first scared me as a young reader.
And I think this is still the best of all bloodsucker books ever published. While this classic novel didn’t create the myth of vampires, it sure made them iconic. With his fangs and flowing bat-wing cape, Dracula sets the standard for things that go bump in the night. His single purpose is to scare us, and he is good at his job. He has no redeeming values.
This vampire is no charismatic bad boy hoping to win the girl’s heart—he just wants to drink her blood! The original Dracula is a fiend—horrible, frightening, and dangerous. Which is why the book still works after more than a century.
33
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
Prisons are at bursting point. Criminals are released early and the guilty walk free from courts. The Justice system is in a state of collapse and no-one is safe.
i4Ni is created to solve the problem. i4Ni is a humanoid which, according to its 'creator' Jules Von Beck, will serve…
Since I was a young boy, I’ve been fascinated with the concept of time. I’ve spent hours studying the physics of time as a hobby, and to this day, as an adult, that fascination continues. Whenever the topic of time arises in conversation, I will be the first to contribute my understanding of this mystery that has baffled humankind since the beginning of...well, time.
I loved this book because it’s the granddaddy of time travel stories that use a machine method of transportation to the past or future. The protagonist creates a machine capable of moving through time without actually moving through space.
I easily suspended my 21st-century pragmatic understanding of time travel and was immersed in Wells's plot for a world of the future, one with a socialist propensity. For a book that would be considered a Novella, this has a ‘big story’ feeling—for me anyway.
A brilliant scientist constructs a machine, which, with the pull of a lever, propels him to the year AD 802,701.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of The Time Machine features an introduction by Dr Mark Bould.
The Time Traveller finds himself in a verdant, seemingly idyllic landscape where he is greeted by the diminutive Eloi people. The Eloi are beautiful but weak and indolent, and the explorer is perplexed by…
I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and “reception” of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative “reception” of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcott’s stage version of the Odyssey and his epic poem "Omeros"). Every time I’ve taught the class, I’ve learned the most from free-wheeling discussions with students.
Though I love to read Homer’s Odyssey in the original Greek, I also appreciate translations that allow particular themes to emerge in new ways.
All translations of the ancient epic are necessarily inventive recreations of the ancient Greek Homeric story, and I like the way this translation employs a quick-paced poetic meter and updates the tale to suit modern sensibilities on uncomfortable aspects of the Odyssey (e.g., misogyny, slavery).
The introduction also provides an authoritative explanation of the Homeric Odyssey.
The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world.
This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling…
An adventure of both science fiction and fantasy—one of the great love stories—this is William Hope Hodgson's masterpiece, rewritten for the modern reader.
The story opens in the 19th century, but quickly moves to the far future, where the sun has gone out, casting the world into a darkness broken…
I've enjoyed being frightened my whole life. From childhood, when I watched old monster movies on TV and read forbidden comic books by flashlight, I have always been a fan of scary films and books. To me, horror is one of the essential human emotions by which we interact with the world. The vampire has always been my favorite monster to fear. But over the years, I have watched bloodsuckers shift from monster to anti-hero and, finally, to sexy companion. Personally, I still prefer the old-school vampires of literature—nasty, mean, with blood-covered fangs and a cold, dead heart. Luckily, the scary OG vamps can still be found. Here are some of my favorites.
This book combines two of my favorite genres—horror and science fiction.
It was written in the early 1950s when science ruled, and the Atomic bomb threatened. The end of the world was a favorite science fiction topic back then, but Matheson (who wrote in both horror and sci-fi genres) did the unthinkable by combining classic vampire tropes with an apocalyptic thriller.
The fun for me is that there is not just one vampire, but a whole world of them! And the vampire hunter (always part of a team in most horror stories) is all alone in his fight for survival. The vamps are still nasty critters—they die but can reanimate by drinking human blood.
It’s a classic vampire fight throughout, until there is a surprise ending! It’s a Vampire-zombie-plague. How can you resist?
An acclaimed SF novel about vampires. The last man on earth is not alone ...Robert Neville is the last living man on Earth ...but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood. By day he is the hunter, stalking the undead through the ruins of civilisation. By night, he barricades himself in his home and prays for the dawn. How long can one man survive like this?
Growing up very pale in a sun-washed Australian coastal town, I often found myself retreating to the cool shadows. It was in the darkness that I felt most at home—which may be why I’ve always been drawn to stories with a darker edge. My fascination with creatures in those frightening tales—immortal, dark, and possessed of terrible appetites—led to Winter’s Shadow, my debut YA novel, and the reason I still write today. I love books that blur the line between horror and the mundane—tales that feel like nightmares recalled in the comforting light of day. These are the stories that linger, and this list is a love letter to them.
When I first read Interview with the Vampire (I was 12), I was struck by how Anne Rice made darkness beautiful. The mood, the grief, the sensuality—it all felt so rich and strange and alive.
I didn’t just want to read about Louis and Lestat; I wanted to live inside that shadowed world, however painful. The power of her vampires was alluring, even as their sadness confused me. How could being immortal be such a torment?
This book taught me that supernatural fiction could be poetic, philosophical, even transcendent. There’s a reason this novel endures.
It made me want to write stories where beauty and horror dance together in candlelight.
From #1 New York Times bestselling author Anne Rice, this sensuously written spellbinding classic remains 'the most successful vampire story since Bram Stoker's Dracula' (The Times)
In a darkened room a young man sits telling the macabre and eerie story of his life - the story of a vampire, gifted with eternal life, cursed with an exquisite craving for human blood.
When Interview with the Vampire was published the Washington Post said it was a 'thrilling, strikingly original work of the imagination . . . sometimes horrible, sometimes beautiful, always unforgettable'. Now, more than forty years since its release, Anne…
Since I can remember, I’ve been fascinated by the supernatural. I’ve always been especially captivated by vampires. My love for vampires and many of the books I’ve read about them contributed to the inspiration that led me to write my own stories. My passion for the series I created drives me. Building my own fantasy world and creating the characters within it has been an amazing experience. Most days, I feel like I’m just a spectator in their world, and they’re writing the story themselves. I hope you, too, will find enjoyment and possibly inspiration in the books from this list, just as I have.
It’s been many years since I read this book, but I recall the moment I fell in love with Sookie’s story so clearly; it was like last week.
It was a usual busy night. I was making dinner for my family, and while I kept an eye on what was cooking on the stovetop, I flipped this book open to the middle, curious if I’d enjoy it. I quickly read about half a page, and I was immediately amused and sucked right in. Just those few lines hooked me, and I especially loved how the author told the story. I couldn’t wait to start from the beginning and make my way through the series. That night, I started book one of Sookie’s story and continued devouring each book as quickly as possible.
It’s been years since I finished Sookie’s story, and I often think about her and the world I…
Sookie Stackhouse is a small-time cocktail waitress in small-town Louisiana. She's quiet, keeps to herself, and doesn't get out much - not because she's not pretty - she's a very cute bubbly blonde - or not interested in a social life. She really is ...but Sookie's got a bit of a disability. She can read minds. And that doesn't make her too dateable. And then along comes Bill: he's tall, he's dark and he's handsome - and Sookie can't 'hear' a word he's thinking. He's exactly the type of guy she's been waiting all her life for. But Bill has…
Curiosity is certain she saw fairies at the bottom of the garden. Little does she know . . . they saw her first.
Emotionally abandoned by her mother and infatuated by a figurine of a fairy ballerina she discovers in an old toy shop, eight-year-old Curiosity Portland steals the figurine,…
In today’s world, where negativity and dire situations can easily bombard us, I need to consistently ground myself in hope and light. Real stories about transformation and unconditional love are not only uplifting and hopeful, they are also around every corner. Every one of us is capable of transformation and the giving and receiving of unconditional love. It’s through transformation and unconditional love that we may better understand what it means to be human and, thus, build our capacity for compassion for one another. Through compassion, we can create a better world.
What does it mean to be human, and what happens to us when we don’t receive unconditional love?
The two main characters in this Gothic novel, a human and a "monster," are presented in such a way that I questioned which main character was more human. There’s a warning of what can happen when we deny the basic human need for unconditional love.
Shelly’s use of a frame story pulled me in from the first page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
You’ve got to root for the underdog, right? And there’s no bigger underdog than fictional villains. While real-life criminals are doing very nicely, thank you very much, in fiction, the bad guy is screwed from the start. What could be more relatable than knowing on a bone-deep, existential level that you’ve already lost? And what could be more heroic than stepping out onto the field of play knowing that no matter how hard you play, you’re still going down? Keep your flawed anti-heroes; they’re just too chicken to go over to the losing side. I’ll cheer for the doomed bad guy every single time.
About halfway into Red Dragon, you meet Francis Dolarhyde, and from then on, the book is all his. Forget the FBI who are looking for him, the only person you care about is Dolarhyde, the serial killer who’s been brutally murdering entire families.
As far as I’m concerned, he’s the hero. Hannibal Lecter isn’t Thomas Harris’ best villain. It’s Dolarhyde. He’s everything Lecter isn’t. He’s awkward, shy, hates his body, hates himself and spends all his time stewing on his inadequacies. If I’ve got to pick between the Virgin Dolarhyde and the Chad Lecter, it’s Dolarhyde every time.
Deep down, he just wants to be loved, but the way he goes about it is almost comically misguided. Dolardhyde is on an impossible, bloody mission to fix himself, and no matter how many bodies he drops trying to do it, I’m always rooting for him to make it out the…
From the author of "Silence of the Lambs" and "Black Sunday", this is the book that introduces the most famous serial killer of them all - Hannibal Lecter.
I’ve always been drawn to the small-town milieu, which might seem strange given I’m a product of suburbia. But as a professional travel writer, I’ve visited scores (maybe hundreds) of country towns, so I know what makes them tick—and they come prepackaged with all the ingredients needed to create an unnerving horror experience. The author simply dreams up a charming little village with humble and lovable residents, then either peels back the bucolic veneer to expose the corruption beneath or introduces a hostile outside force. Voilà! An effective horror novel. I love reading those sorts of stories, and I love writing them.
Science fiction and horror go together like a gourmet meal and vintage wine. No one combined them better than the English writer John Wyndham. I was introduced to his fiction in a high school English class, and this was the first prescribed text I gobbled up rather than plodded through.
Horror doesn’t work unless you care about the protagonists, and Wyndham creates an idyllic village populated with relatable characters before introducing the book’s alien interlopers. Also, ‘pregnancy gone wrong’ is one of my favourite tropes and usually it involves body horror, but this is pretty much bloodless—pure, paranoid terror.
A genre-defining tale of first contact by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”
“In my opinion, [John] Wyndham’s chef d’oeuvre . . . a graphic metaphor for the fear of unwanted pregnancies . . . I myself had a dream about a highly intelligent nonhuman baby after reading this book.”—Margaret Atwood, Slate
What if the women of a sleepy English village all became simultaneously pregnant, and the children, once born, possessed supernatural—and possibly alien—powers?
Nominated for the Shamus Award for Best Original Paperback, and winner of the Beverly Hills Book Award.
Francis Hoyt, arrogant, athletic, brilliant, manipulative and ruthless is a master burglar who specializes in stealing high-end silver and jewelry. He's never been caught in the act. Recently retired Connecticut state investigator Charlie…
I’m a military veteran who has read science fiction and fantasy since the second grade. After reading everything on my parent’s bookshelves, everything in the school and public libraries, I had a teacher recommend I become an author. I love stories about strong-willed individuals standing up for what they believe in and changing the world. I have a master’s degree in engineering, a love for well-built things and taking stuff apart to see how it works, and a fascination with people and how they behave. In addition to writing, I am an avid gamer and a dabbler in a variety of things, from metalworking to hiking.
I love how this book has it all: action, adventure, romance, and humor in spades. From the opening words, the snarky humor hooked me. I picked up the book, wanting to dislike it, and the author won me over from the first page.
I love that the bad guys are bad, the good guys are (mostly) good, and people have to make hard decisions not just to survive but to save the world.
