20 Books Like Rookwood

This is the book that taught me how powerful loneliness can be.

Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.

Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.

Remember when schools handed out a catalog of books for you to order? I do. I chose this book when I was about eleven years old, and while even then I was already reading Caroline B. Cooney and Richie Tankersley Cusick, this book took my childhood love of ghost stories and nudged it into my adolescence and adulthood. 

Twin houses, the Civil War and broken families are the backdrop to the principal theme of young and forbidden love across the ages. Jealousy, revenge and a love which is not quite right live within the walls of these houses. Here, the places are not born evil; they are made evil by common human emotions allowed to fester and never laid to rest. 

I have read it at least five times and love it still. Barbara Michaels is one of my favorite Gothic writers, and this book holds a vast place in… show more.

An exuberant serial novel by Regency sporting journalist Egan, illustrated by a young George Cruikshank (Dickens’ future artist). In it, three friends (based on the author, Cruikshank, and his younger brother Robert), document their ‘rambles and sprees through the metropolis’. It is a tale of dandies on safari written entirely in ‘flash’ slang, the language of the 19th-century underworld. The book was a publishing sensation, inspiring Dickens’ Pickwick Papers. I was introduced to this by my dear friend the late Professor Roger Sales many years ago, and it has been inspiring me ever since as a novelist and cultural historian. Egan’s style is bawdy and irreverent, until his voice was silenced by Victorian propriety a generation later. Can also be read as early social investigation.  

This is the first of the ‘Newgate novels’ or ‘criminal romances’ that essentially heralded the start of modern crime fiction. After the death of Walter Scott and before the rise of Dickens, Lytton, like his contemporary W.H. Ainsworth, was the bestselling English novelist of his day; a position both men continued to share with Dickens until the late-1840s. Paul Clifford is a redemptive tale of a fictional Georgian highwayman, full of adventure and intrigue, underpinned by a social message about the link between poverty and crime. Imprisoned for an offence he didn’t commit, the hero emerges apprenticed in crime and ready to use these skills to survive. Paul Clifford is now only remembered, if it is remembered at all, for its opening line, ‘It was a dark and stormy night…’

British author George W. M. Reynolds had no qualms about stealing Sue’s idea and title and writing his own book called The Mysteries of London (1844-1846). I love this novel for its sensationalism, which caused it to be the ultimate Victorian bestseller, even outselling Dickens.

The novel brings together criminals, women forced into prostitution, murderers, crossdressers, and royalty. At the heart of it is the story of the Markham brothers, one good, one evil. We follow their paths as they interact with all the other people in London and become embroiled in conspiracies. One of them even ends up marrying royalty and ruling a small European country. Reynolds’ bold writing style and mastery of multiple plots makes this 2,500-page novel highly readable and shocking even today.

Discovered and first published by W.H. Ainsworth, ‘Ouida’ – named from a childhood mispronunciation of ‘Louise’ – went on to become a prolific and bestselling novelist. Her style was melodramatic, intense, and bodice-ripping, her novels usually set against a society or military background. She wrote forty-five novels, Under Two Flags being the most successful. She remained popular until the early 1890s and, like Ainsworth, was granted a Civil List pension for her services to literature. Also like Ainsworth, she is not much read nowadays. In the novel, the profligate hero fakes his own death to avoid gambling debts and exiles himself to Algeria, joining the Chasseurs d’Afrique, the forerunner of the French Foreign Legion. A long way from the moralising tone of much Victorian fiction, ‘Ouida’ always keeps it racy and swashbuckling. 

This book by Ann Radcliffe was published in 1794, and I read it in the spring of 2020 (yeah, we all remember). It was a welcome respite from my book club books as I sat on my lawn chair accompanying the main character, Emily Saint-Aubert, as she journeyed through the Languedoc. It was a long and arduous journey with long and arduous descriptions, and while I am averse to these, the narrative and language fascinated me. The story pulled me into a moonlit graveyard abutting an ancient convent, then into the languid beauty of 16th-century Venice, the gloomy castle Udolpho, and Signor Montoni's villainous schemes.

This book is the epitome of classic Gothic fiction, a genre of literature that started with Horace Walpole's The Castle of Otranto. But Udolpho sets the bar even higher with its narrative's light and darkness and winding twists. 

I love the story, the setting,… show more.

The famous opening lines of this book are: “I came to Comala because they told me my father, a man called Pedro Páramo, lived here.” I’ve heard many Mexicans quote the opening paragraph in Spanish. Gabriel García Márquez, the Nobel Prize-winning Columbian writer, claimed he could recite the entire book forwards and backward.

Rulfo’s short novel influenced all Latin American fiction written after it. Ghostly, innovative, and mystical, the book takes place in an imaginary desert, a place of barren fields, dusty roads, and cracked earth that mirrors the desolation haunting all of its characters.

Tonya is a very talented young adult writer who has written two trilogies and currently working on her third series now. She weaves a magical tale that will leave you wanting more as you turn the pages, they are gripping and fun to read! These books have had a special place in my heart since I designed her book covers. 

This is the story of two young men, one rich, one homeless but it’s not a simple rescue me type story. Laurie and Sasha reach out desperately to one another from their different worlds, and against all odds begin an affair, hidden in the attics of Laurie’s sumptuous home and on the bleak moorland of a Romani encampment. For Laurie, it’s a delicious sexual awakening, and Sasha returns his affections, opening up to him a whole new world of freedom. But Sasha has secrets, and a murky, violent past. 

I’ve reread this book countless times. Harper Fox’s writing is breathtaking and it’s so comforting to read characters you can’t help but adore falling in love and finding their way through conflict to a safe and happy ending.