100 Books Like The Walker in Shadows

When Daniel Roke takes on an unusual job he does it for monetary and personal reasons and has no idea he is risking his life. Dick Francis takes you from Australia to the world of English horseracing with a clever plot that is unexpected and has a really wicked twist. He also can deliver some villains that inspire visceral dislike like no other author and doesn’t let you down in this intense novel. Well done and kept me doing the infamous reading into the night.

This is the book that taught me how powerful loneliness can be.

Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.

Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.

Let’s talk about memorable beginnings and I am talking about the kind that will keep you awake at night. Sanford is gritty and he really pushes the edge with his villains. On that note, he really pushes the edge with his protagonists as well, because Lucas Davenport is one of my favorite cops. Take one very smart (but seriously disturbed villain) and one very smart (but intense cop) and pit them against each other.

As Lucas weaves through the unfathomable workings of the brain of someone who is truly unhinged, he encounters an unholy marriage of two killers who operate on a separate plane yet have a common goal and the result is chilling to say the least.

The Prey novels are never for the faint of heart, but always fast-paced and well-written, suspense being the end game each time.

If as a suspense fan you missed this one, shame on you. Well, let’s picture a haunted castle on Rhine with a murdered magician, an eccentric cast of characters, a very astute detective, and his pragmatic American assistant investigating the crime.

Carr never cheats on plot and he always delivers on drama. His timing is just exquisite. You are given everything but you still have an ah-ha moment (usually more than one) as events unfold. It is a timeless setting and story tension so high that I could see the flicker of the lights and hear the rush of the river.

The twists are so unpredictable you are truly blindsided.

If you like a dramatic setting and unpredictable conflict, I recommend it.

The first in the series of Dave Robicheaux novels, this is handled quite well. The main character is very human, flawed by his own admission by a battle with an addiction to alcohol, but nonetheless is a tough and competent cop who definitely sees—and knows well—the seedier side. Set in the deep south, Burke takes you there with description that is so evocative that you can feel it with every sense, and the danger as the story unravels into a tale of corruption and bloody violence. I really wanted the main character to win this battle and it was one almost literally to the death. If you like great writing and to sit on the edge of your seat (near the bayou, so be careful), this is a must-read.

Published in 1834, this one amplifies Ann Radcliffe's Gothic-ness to eleven. I loved the story because it's fun, wild, gloomy, rogue, and riveting, like a gripping telenovela. 

The plot is all about inheritance, family drama, illegitimate sons, and revenge. It features villains, gypsies, apparitions, corpses, evil priests, murders, curses, and the famous highwayman Dick Turpin and his mare Black Bess. It recounts Turpin's midnight ride through the English countryside as he flees capture, and like it, the entire novel is a wild ride. 

Though a bit antiquated and with "songs" aplenty—which Ainsworth himself lamented had been lost in British literature and tried to resurrect—its gloomy and despairing story captivated me. The book begins at night inside a mausoleum, where the sexton Peter Bradley tells his grandson Luke his family history.

Right off the bat, we have a desecration and a rotting hand; how much more Gothic can this story be?

This book by Ann Radcliffe was published in 1794, and I read it in the spring of 2020 (yeah, we all remember). It was a welcome respite from my book club books as I sat on my lawn chair accompanying the main character, Emily Saint-Aubert, as she journeyed through the Languedoc. It was a long and arduous journey with long and arduous descriptions, and while I am averse to these, the narrative and language fascinated me. The story pulled me into a moonlit graveyard abutting an ancient convent, then into the languid beauty of 16th-century Venice, the gloomy castle Udolpho, and Signor Montoni's villainous schemes.

This book is the epitome of classic Gothic fiction, a genre of literature that started with Horace Walpole's The Castle of Otranto. But Udolpho sets the bar even higher with its narrative's light and darkness and winding twists. 

I love the story, the setting,… show more.

The famous opening lines of this book are: “I came to Comala because they told me my father, a man called Pedro Páramo, lived here.” I’ve heard many Mexicans quote the opening paragraph in Spanish. Gabriel García Márquez, the Nobel Prize-winning Columbian writer, claimed he could recite the entire book forwards and backward.

Rulfo’s short novel influenced all Latin American fiction written after it. Ghostly, innovative, and mystical, the book takes place in an imaginary desert, a place of barren fields, dusty roads, and cracked earth that mirrors the desolation haunting all of its characters.

I picked up this book while on a study course in the United States – I was based in Washington DC and intended to visit some of the nearby Civil War battlefields, and decided that I needed to know more about the conflict. It was perhaps the first American history book I had read, and immediately I was struck by the very different style of writing when compared with European works.

For a single-volume account of a terrible conflict that did so much to shape the United States, this is probably unmatched. The people involved, from those in high-level political positions to the men and women caught up in the fighting, are brought to life in an unforgettable way.

I loved how this book blended the experience of Cadet William Hugh McDowell, a cadet from the Virginia Military Institute who fought in the Battle of New Market during the Civil War, with fictional modern-day Benjy, a 20th-century boy who is visiting his grandmother in New Market during his summer vacation. This book blends Benjy’s fictional story with Hugh’s historic and nonfiction life experience.

As a teaching tool, I was able to clarify the difference between fact and fiction for my students in our study of the Civil War. I was later amazed to learn that an element of the story that Elaine had created to tie the two boys together turned out to really exist–the boy’s watch.