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We moved to New Orleans in July 2005. We had six weeks in our first home, filling it with furniture, buying a new car, and taking advantage of my first job. When Hurricane Katrina collapsed the levees holding back the nearby lakes, our home – and those of 80% of the city – filled with water. As I waited for FEMA and insurance to help us, I saw instead it was our friends, friends of friends, and faith-based organizations that helped us get back on our feet. Using our own experiences as a start, I traveled to India and Japan to study how communities around the world survived and thrived during shocks.
We have all seen disaster movies and TV shows with people screaming and running around as the earthquake, tsunami, or Godzilla strikes. But Rebecca Solnit argues instead that normal people don’t panic during disasters – it is the elite, the wealthy, and the decision-makers who lose their minds. For normal people, altruism and mutual aid help all of us get through shocks, whether fire, car accident or COVID19. Her writing is excellent and she uses examples across time and space, ranging from the San Francisco earthquake at the start of the 20th century to the Mexico City earthquake at its end.
"The freshest, deepest, most optimistic account of human nature I've come across in years." -Bill McKibben
The most startling thing about disasters, according to award-winning author Rebecca Solnit, is not merely that so many people rise to the occasion, but that they do so with joy. That joy reveals an ordinarily unmet yearning for community, purposefulness, and meaningful work that disaster often provides. A Paradise Built in Hell is an investigation of the moments of altruism, resourcefulness, and generosity that arise amid disaster's grief and disruption and considers their implications for everyday life. It points to a new vision of…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
As a journalist who learned his craft on the job in the tumultuous 1960s, I happened to find myself living in states where racial history was being written. Reporting that story required me to understand why discrimination, poverty, and violence remained so deeply rooted in modern America. I wrote Ten Ways to Fight Hate, I made a movie about civil rights martyrs, and, after seeing people from around the world making a pilgrimage to the sites of the civil rights struggle, published my guidebook. Over the course of a 50-year career, I have written a million words. I am proudest of those that tried to right wrongs, and sometimes did.
As I drove through the South researching my guidebook to civil rights sites, my back seat was filled with books. Atop the pile was Taylor Branch’s magisterial three-volume history – America in the King Years 1954-1968: Parting the Waters, Pillar of Fire, and At Canaan’s Edge.
Though encyclopedic, Branch’s story-telling is riveting—weaving together personalities, legalities, strategies, and geography in a way that made me feel as if I were there witnessing history as it was made. Taylor’s detail, reflecting a journalist’s quest for who, what, where, when, how, and why, showed me that these stories could best be told, understood, and felt where they happened.
In Parting the Waters, the first volume of his essential America in the King Years series, Pulitzer Prize winner Taylor Branch gives a “compelling…masterfully told” (The Wall Street Journal) account of Martin Luther King’s early years and rise to greatness.
Hailed as the most masterful story ever told of the American Civil Rights Movement, Parting the Waters is destined to endure for generations.
Moving from the fiery political baptism of Martin Luther King, Jr., to the corridors of Camelot where the Kennedy brothers weighed demands for justice against the deceptions of J. Edgar Hoover, here is a vivid tapestry of…
I’m a nice gay Jewish former wannabe actor turned AIDS activist. I joined ACT UP, the AIDS Coalition to Unleash Power, in 1987, and for the next eight years, I chaired committees, planned protests, led teach-ins, and facilitated our weekly meetings. I visited friends in hospitals, attended far too many AIDS memorials, participated in over a hundred zaps and demonstrations, and earned the title of ACT UP’s unofficial “Chant Queen.” It was the hardest, most intense, most rewarding, most joyous, and most devastating time of my life. Aware that I had witnessed history, it became my mission to record what happened and to make sure our story was not forgotten.
In 1989, in honor of the twentieth anniversary of Stonewall, a group of ACT UP members decided to form a study group to learn about the history of queer activism. Surprisingly, I could find almost nothing about the gay liberation movement until I stumbled upon The Gay Militantsin a used bookstore. I was amazed at my good fortune. Here was a detailed, first-hand, and contemporaneous history of the first year of gay liberation after Stonewall, filled with original documents, outrageous quotes, and the campy exhilarating joy of activism. I couldn’t believe how many of our actions (and internal conflicts) echoed those of these early groups and how many of our enemies remained the same.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a nice gay Jewish former wannabe actor turned AIDS activist. I joined ACT UP, the AIDS Coalition to Unleash Power, in 1987, and for the next eight years, I chaired committees, planned protests, led teach-ins, and facilitated our weekly meetings. I visited friends in hospitals, attended far too many AIDS memorials, participated in over a hundred zaps and demonstrations, and earned the title of ACT UP’s unofficial “Chant Queen.” It was the hardest, most intense, most rewarding, most joyous, and most devastating time of my life. Aware that I had witnessed history, it became my mission to record what happened and to make sure our story was not forgotten.
Before I was an activist, my favorite audition monologue was from David Hare’s play, A Map of the World. Set at an international UNESCO conference (and, in a meta-framing, the set of a movie retelling the same story), the centerpiece is a Shavian debate between a young leftwing reporter and a celebrated rightwing author. “You will never ever understand any struggle unless you take part in it,” says the idealistic reporter in a speech that still speaks to me today, as it pits the messy, hard work and, yes, failures, of activism against the comfortable cynicism of those who criticize from the sidelines. I would later discover this same play inspired Larry Kramer to start writingThe Normal Heart.
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
Since long before COVID, Ruth Coker Burks has lived a life of service to people who were abandoned by their families after being diagnosed with AIDS.
In the dark days of that epidemic, she cared for them, advocated for them, even buried them in her own family plot in Arkansas. She persevered despite relentless bigotry and hatred that included cross-burnings on her front lawn. Nothing stopped her.
Coker Burks earned the nickname ‘cemetery angel’ by proving that everyone can make a difference in the lives of others. I’m honored that we have become friends, because she inspires me every day.
"A renegade Florence Nightingale cares for the ill in a remarkable tale of compassion and combating prejudice" The Guardian
'Breath-taking courage and compassion [...]a beautiful book' The Sunday Times
'An extraordinary tale' Evening Standard
'If I have one message with this book it's that we all have to care for one another. Today, not just in 1986. Life is about caring for each other, and I learned more about life from the dying than I ever learned from the living. It's in an elephant ride, it's in those wildflowers dancing on their way to the shared grave of two men…
Amidst COVID-19, HIV/AIDS is a touchpoint for journalists, scholars, writers, and a public who seek a usable past in understanding the present and making an uncertain future less so. The challenge of how to love, live, and survive amidst pandemics isn't new, I play here on the title of one of the first safer sex books,How to Have Sex in an Epidemic. As someone who studies how activists document their work and how they bring those materials to life today, I'm both fascinated and troubled by pandemic comparisons. These books offer crucial stories and productive tools to think with as we navigate questions of how to survive, and maybe even thrive amidst intersecting pandemics.
In We Are Having This Conversation Now, Alexandra Juhasz and Theodore Kerr blow up the conventions of academic work on epidemics.
In a series of thirteen short dialogues they reflect as activists, media-makers, and scholars on the history, present, and future of AIDS. The reflections on AIDS-related culture and conversation they share, will spark for readers critical questions about how personal experiences, community, cultural production, and interpersonal relations come together.
Doing this kind of reflective work is particularly important now, as we need to begin to understand not only HIV/AIDS, but how it impacts the experience of living amidst other viral pandemics including COVID-19.
We Are Having This Conversation Now offers a history, present, and future of AIDS through thirteen short conversations between Alexandra Juhasz and Theodore Kerr, scholars deeply embedded in HIV responses. They establish multiple timelines of the epidemic, offering six foundational periodizations of AIDS culture, tracing how attention to the crisis has waxed and waned from the 1980s to the present. They begin the book with a 1990 educational video produced by a Black health collective, using it to consider organizing intersectionally, theories of videotape, empowerment movements, and memorialization. This video is one of many powerful yet overlooked objects that the…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My soul still possesses a little of my teenage self, which is why I set my latest book in 1987. Whitney Houston had one of the biggest songs, Dirty Dancing was released, and a little girl nicknamed Baby Jessica was rescued from a well. I’m told this makes The Totally True Story of Gracie Byrne “historical fiction” which, honestly, is a little alarming, because sometimes 1987 doesn’t seem like that long ago. Other times it feels ancient. I picked a few of these books because they’re full of nostalgia for a slower, analog time. But mainly I chose them for the voice, characters, and great writing.
Tell the Wolves I’m Home is literary and lyrical and it broke my heart into a thousand pieces while simultaneously piecing it back together again.
When June loses her beloved Uncle Finn at the height of the AIDs epidemic, she also loses the person who understands her the most. Then she forms a friendship with the partner he left behind, Toby, and together they help each other through the loneliness they both feel without him.
I liked that this book isn’t afraid to explore complicated relationships – especially between siblings. It also shines a light on a time when ignorance caused so much pain, through characters who are confused, flawed, and deeply human. The writing is beautiful.
NEW YORK TIMES BESTSELLER • A heartfelt story of love, grief, and renewal about two unlikely friends who discover that sometimes you don’t know you’ve lost someone until you’ve found them
“A dazzling debut novel.”—O: The Oprah Magazine “Tremendously moving.”—The Wall Street Journal “Touching and ultimately hopeful.”—People
1987. The only person who has ever truly understood fourteen-year-old June Elbus is her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can be herself only in Finn’s company; he is her godfather, confidant, and best friend. So when he dies, far too young, of…
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Some of the worst memoir-writing advice I’ve ever heard is, “Don’t write in the midst of emotional turmoil.” If Mark Doty had listened, readers would have never received the gift of Heaven’s Coast. No doubt this memoir began as a journaled record of Doty losing his beloved partner to AIDS.
His record of love, loss, and grief packs a punch because it’s so raw. It has lasting power because Doty took time to revise, adding eloquence, perspective, and insight. This is also a great model for integrating reflection into a story.
HEAVEN'S COAST is an anatomy of loss: tender, heartbreaking, consoling and, ultimately, incredibly moving. Beginning with the first onset of AIDS and its lengthening shadow over a blissful relationship, the book follows the shifting patterns between two loves as the illness takes hold - the change in them and the change in the way they perceive the world, through the lens of grief. Doty examines the nature of AIDS as opposed to other illnesses, the responses of society, the frustration of medical care and the exhausting - and occasionally uplifting - burden of caring for the dying at home.
Healthcare and the system that delivers it have been central to my life since I was a child. I was born with hemophilia and experienced many complications and hospitalizations. I received a liver transplant thirteen years ago because a blood transfusion-acquired Hepatitis C damaged it. I have been active in advocacy organizations, including being President of the Hemophilia Association of New York, being on the Board of LiveOnNY, and being the founder and President of the Hemophilia Services Consortium. I have interacted with many patients and their families and strongly felt the need to offer a book that informs, inspires, and helps them manage the challenges of a scary diagnosis.
I was involved in the HIV epidemic from the very beginning as President of the Hemophilia Association of New York.
The behind-the-scenes information that Dr. Fauci provides helped inform me and remind me of what we – and the world – went through. During the COVID epidemic, Dr. Fauci had to manage the crazy political system more than he ever had to, and he is very frank about what he experienced.
The book and its details made me grateful for his lifetime of wonderful work.
The memoir by the doctor who became a beacon of hope for millions through the COVID pandemic, and whose six-decade career in high-level public service put him in the room with seven presidents
“An eventful autobiography [and] a classic American story...Gripping.”—The Washington Post
“One of the most consequential and most prominent [careers] in American medicine in the past fifty years.”—Jerome Groopman, The New Yorker
Anthony Fauci is arguably the most famous – and most revered – doctor in the world today. His role guiding America sanely and calmly through Covid (and through the torrents of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m the global health reporter for The New York Times, the latest iteration in 30 years as a foreign correspondent. I’ve covered wars and humanitarian disasters, but it’s health stories that have always drawn me most. Health stories are intimate and personal, but they’re also about politics and economics, and social norms – about power. I’ve written about the Zika virus crisis in Brazil, child malnutrition in India, teen suicide in the Arctic – but no story has drawn me in and kept me riveted like Africa’s AIDS pandemic has over the past 25 years. I intend to keep reporting on it until the day a cure is found.
This book is exactly what the title promises, and a great place to start.
It’s written by a Swazi health economist who has worked on HIV in Africa for more than 30 years; I have learned a lot from Whiteside and his research over my years of covering this issue. The book looks at the biology and epidemiology of HIV, and also at all the ways it shapes societies.
Whiteside takes complicated concepts of population dynamics, sexual networking, AIDS, and geopolitical security and explains them briskly, clearly, concisely. His focus is the global AIDS epidemic, but his own work and the book are both deeply rooted in Africa.
In 2008 it was believed that HIV/AIDS was without doubt the worst epidemic to hit humankind since the Black Death. The first case was identified in 1981; by 2004 it was estimated that about 40 million people were living with the disease, and about 20 million had died. Yet the outlook today is a little brighter. Although HIV/ AIDS continues to be a pressing public health issue the epidemic has stabilised globally, and it has become evident it is not, nor will it be, a global issue. The worst affected regions are southern and eastern Africa. Elsewhere, HIV is found…