Here are 100 books that Heaven's Coast fans have personally recommended if you like
Heaven's Coast.
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I look to my bookshelf and can visit with old friends by the simple and profound act of reading. And by reading, I learn of myself and of others. These books have sharpened my attention to life’s particulars, are places of refuge, fortresses or encampments from which I/we can safely view the harsh realities and impenetrable riddles confronting us. Books create sparks. Sparks build into a fire.
The reasons for loving the books I listed below are many: The characters enchant, infuriate, and humble you. They inhabit your mind in a waking dream. Their story is your story and after reading the book, you know something about yourself which you otherwise would not have known.
Again and again, Terry Tempest Williams shows us we can live in a disaster zone, literal and emotional, and survive.
Refuge, her fourth major book, testifies to the calamities set in motion by the atomic testing that occurred in the Nevada desert during the 1950’s. The book weaves the story of her mother and grandmother’s resultant deaths from cancer and the flooding of the Great Salt Lake that has endangered native bird species.
The loss she records is human and non-human, bringing home a truth we have yet to learn: that sullying the Great Mother, our earth, threatens our own bodies and those of future generations. If Refuge is a record of lamentations, it is also a missive for restoration and regeneration and a document of hope.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
Getting Dressed in the Dark
by
Gabriella D'Italia,
How do you know the truth after the story you most trust disappears?
Self-betrayal, polyamory, adultery, and an unconventional life in a one-room, rural Maine schoolhouse ends in a crisis mirroring the larger, societal polarization and collapse of meaning. Compass shattered, an artist's wisdom guides a course home, revealing a…
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
I didn’t know if I could recommend a play here, but reading this one is how I first experienced it because it premiered in London. I hadn’t seen it yet, so I read its two monumental parts, “Millennium Approaches” and “Perestroika,” on a typewritten marked-up rehearsal script someone had lent me.
Quite simply, Tony Kushner wrote THE play for my generation, a generation that lost probably half of itself to an awful plague most people, especially the government, ignored until it was too late. When my lover Jeffrey died, I went to the Bethesda Fountain in Central Park and wept because Tony had given it to me in his play, a monument for the AIDS generation.
Finally seeing it on Broadway, with Jeffrey, as he was dying, was like having my DNA scratched and resurfaced into something other than who I was before it. It was shape-shifting, soul-stirring, and salve…
Winner of the Pulitzer Prize for Drama Angels in America: A Gay Fantasia on National Themes includes Part One, Millennium Approaches and Part Two, Perestroika
“Glorious. A monumental, subversive, altogether remarkable masterwork…Details of specific catastrophes may have changed since this Reagan-era AIDS epic won the Pulitzer and the Tony, but the real cosmic and human obsessions—power, religion, sex, responsibility, the future of the world—are as perilous, yet as falling-down funny, as ever.” –Linda Winer, Newsday
"A vast, miraculous play... provocative, witty and deeply upsetting... a searching and radical rethinking of American political drama." - Frank Rich, New York Times
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
Marie’s poems are separated into three sections: childhood (which included an alcoholic and abusive father), the illness and death of her brother Johnny from AIDS, and life beyond his death, including her relationship with James Shannon, a tree surgeon and a fisherman. They were like lifelines to me after Jeffrey died.
I memorized the title poem and said it repeatedly in my head like a litany. These poems are clearly spoken; life boiled down to a stock with the healing power of fresh air and cool water. No other book of poems has ever helped me so much through a catastrophic time, and I ended up setting many of these poems to music.
Informed by the death of a beloved brother, here are the stories of childhood, its thicket of sex and sorrow and joy, boys and girls growing into men and women, stories of a brother who in his dying could teach how to be most alive. What the Living Do reflects "a new form of confessional poetry, one shared to some degree by other women poets such as Sharon Olds and Jane Kenyon. Unlike the earlier confessional poetry of Plath, Lowell, Sexton et al., Howe's writing is not so much a moan or a shriek as a song. It is a…
Getting Dressed in the Dark
by
Gabriella D'Italia,
How do you know the truth after the story you most trust disappears?
Self-betrayal, polyamory, adultery, and an unconventional life in a one-room, rural Maine schoolhouse ends in a crisis mirroring the larger, societal polarization and collapse of meaning. Compass shattered, an artist's wisdom guides a course home, revealing a…
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Those who set out to write their memoirs often have a hard time acknowledging their inner life as an active player in our stories. Enter Black Elk, whose narrative shows the life-long ramifications of a single vision.
Often, the impact of spiritual experiences is far more significant than the experiences themselves. Black Elk’s profound trust in his dream and commitment to live it out are inspiring. I also love how Black Elk occasionally disregards his audience to directly address the Grandfathers. Isn’t it lovely that memoirs can become a form of prayer?!
More than one million copies sold
2017 One Book One Nebraska selection
"An American classic."-Western Historical Quarterly
Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863-1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk's searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or…
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
One morning, Christopher’s fiancé, Brigid, kissed him goodbye and went into the snowy morning of Montpellier, Vermont, to drive to work. She was sidewinded by a speeding car and killed.
Christopher wrote a devastating memoir of shock and coming to terms with such a sudden loss. Brigid was also a beautiful writer, and part of his healing and writing this book involved folding her highly evocative journals into his book. It felt like a resurrection.
Ironically, Christopher and Brigid lived in a house that Mark Doty either rented or sold. As I read this astonishing book, I felt like I was living there with them, roiling in shock and pain.
Over the years, IN THE UNLIKELY EVENT OF A WATER LANDING has helped to guide many thousands of readers down the treacherous, forking paths of grief. This literary memoir will appeal to anyone—man or woman, married or single—who has lost someone beloved, or who has felt soul-nourished by C.S. Lewis's A GRIEF OBSERVED, its penetrating honesty, how it illuminates the terrain of our shared mortality here on Earth. See YouTube: "Writing from Grief and Loss" and "Christopher Noël discusses Grief Memoir." The Philadelphia Inquirer: "A gifted novelist, Noël writes his heart out in this book. Water Landing captures the tormented…
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Writers often ask, “What if I don’t know what really happened?” Memory is so slippery that many writers trip up with self-doubt. Here’s when I turn to Maxine Hong Kingston. Unable to hunt down the facts, Kingston instead revels in speculation: Maybe this is what happened, or maybe this. She might not know why her pregnant aunt drowned herself in the family well, but she sure as heck knows the impact of her aunt’s story on her family dynamics.
This is an exceptionally smart rendering of emotional truth regardless of facts, and as such, signs a permission slip for memoir writers. We can let our DNA speak. We can speculate on the page without having to pin down the facts. Speculation can become part of the story.
A classic memoir set during the Chinese revolution of the 1940s and inspired by folklore, providing a unique insight into the life of an immigrant in America.
When we Chinese girls listened to the adults talking-story, we learned that we failed if we grew up to be but wives or slaves. We could be heroines, swordswomen.
Throughout her childhood, Maxine Hong Kingston listened to her mother's mesmerizing tales of a China where girls are worthless, tradition is exalted and only a strong, wily woman can scratch her way upwards. Growing up in a changing…
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
So much is possible in a memoir! When I first read this, my sense of what can happen in a book exploded open. Norris constructs this book like a good soup, throwing in longer, interlocking essays, short reflections, and even shorter “weather reports.” But this is not a collection of random pieces.
They build, they resonate, and they form a bigger narrative. Wow. For those who wonder if the fragments they’re writing will ever add up, read this to see what’s possible—with the added benefit of an immersion in the plains’ unique beauty.
“A deeply spiritual, deeply moving book” about life on the Great Plains, by the New York Times–bestselling author of The Cloister Walk (The New York Times Book Review). Kathleen Norris invites readers to experience rich moments of prayer and presence in Dakota, a timeless tribute to a place in the American landscape that is at once desolate and sublime, harsh and forgiving, steeped in history and myth. In thoughtful, discerning prose, she explores how we come to inhabit the world we see, and how that world also inhabits us. Her voice is a steady assurance that we can, and do,…
We know that there are markets for “illegal” goods and services, but how do these illegal markets operate? It’s not about who is participating in the market, but about how markets for things that are illegal function. How do you start your illegal business? How do you attract customers? How do you establish a reputation? All of these things are questions that attracted me to the study of male sex work. It is an occupation is thousands of participants. I was excited about the way that male sex work is illegal but also in plain view on the internet.
This is the first book I read about sex tourism, which is a growing part of the market for sex work in developing countries.
This book focuses on the men who provide services to men who are travelling to the Dominican Republic to engage with sex workers. Most of the men in this book identify as “straight” and have to navigate their personal identity and relationships while earning a living providing this service to other men.
I also really like the way this book discusses the health risks and how sex workers use various strategies to minimize the risk to themselves and their partners in an occupation that places them in the cross-hairs of an international market for sex tourism.
In recent years, the economy of the Caribbean has become almost completely dependent on international tourism. And today one of the chief ways that foreign visitors there seek pleasure is through prostitution. While much has been written on the female sex workers who service these tourists, "Caribbean Pleasure Industry" shifts the focus to the men. Drawing on his ground-breaking ethnographic research in the Dominican Republic, Mark Padilla discovers a complex world where the global political and economic impact of tourism has led to shifting sexual identities, growing economic pressures, and new challenges for HIV prevention. In fluid prose, Padilla analyzes…
I’m the global health reporter for The New York Times, the latest iteration in 30 years as a foreign correspondent. I’ve covered wars and humanitarian disasters, but it’s health stories that have always drawn me most. Health stories are intimate and personal, but they’re also about politics and economics, and social norms – about power. I’ve written about the Zika virus crisis in Brazil, child malnutrition in India, teen suicide in the Arctic – but no story has drawn me in and kept me riveted like Africa’s AIDS pandemic has over the past 25 years. I intend to keep reporting on it until the day a cure is found.
I’m going to say right off the top that this book is not well written: it’s turgid and florid and hard to follow. But it’s also recent, unlike most of the books on my list, and it’s the first comprehensive accounting of PEPFAR, the extraordinary US intervention into the African pandemic.
It’s impossible to understand the huge shift in the dynamic of the pandemic without understanding how massively George Bush’s decision to support HIV treatment in Africa changed – well, everything – and Bass is the first writer to try to really dig into that story.
"Randy Shilts and Laurie Garrett told the story of the HIV/AIDS epidemic through the late 1980s and the early 1990s, respectively. Now journalist-historian-activist Emily Bass tells the story of US engagement in HIV/AIDS control in sub-Saharan Africa. There is far to go on the path, but Bass tells us how far we've come." -Sten H. Vermund, professor and dean, Yale School of Public Health
With his 2003 announcement of a program known as PEPFAR, George W. Bush launched an astonishingly successful American war against a global pandemic. PEPFAR played a key role in slashing HIV cases and AIDS deaths in…
As a journalist and an author, I’ve been covering the subject of scary viruses for twenty years—ever since I walked through Ebola habitat in a forest in northeastern Gabon, on assignment for National Geographic. I’ve interviewed many of the eminent experts—from Peter Piot to Marion Koopmans to Tony Fauci—and have spent field time with some of the intrepid younger disease ecologists who look for viruses in bat guano in Chinese caves and in gorilla blood in Central African forests. My book Spillover, published in 2012, drew much of that research together in describing the history and evolutionary ecology of animal infections that spill into humans.
Peter Piot was a young microbiologist at a lab in Belgium, in 1976, when he was assigned to analyze specimens in a thermos bottle shipped up from Zaire, where villagers were dying of a horrific and unknown disease. The thermos contained a virus that came to be known as Ebola. This was the event, as his book vividly recounts, that led Piot to a long and distinguished career in infectious viral diseases, from Ebola to AIDS and beyond.
When Peter Piot was in medical school, a professor warned, "There's no future in infectious diseases. They've all been solved." Fortunately, Piot ignored him, and the result has been an exceptional, adventure-filled career. In the 1970s, as a young man, Piot was sent to Central Africa as part of a team tasked with identifying a grisly new virus. Crossing into the quarantine zone on the most dangerous missions, he studied local customs to determine how this disease-the Ebola virus-was spreading. Later, Piot found himself in the field again when another mysterious epidemic broke out: AIDS. He traveled throughout Africa, leading…
