Here are 100 books that Heaven's Coast fans have personally recommended if you like
Heaven's Coast.
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From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Tracing the thread of mystery and meaning through our lives can be so hard! Here’s a trick of the memoir trade: The world has a tendency to give us the metaphors we most need.
When I first read Terry Tempest Williams’ book, I was amazed by the parallels she drew between threats to her beloved Bear River Migratory Bird Refuge, her family history of breast cancer, and her soul’s experiences in the Mormon church. Now, I know the perfect images to illustrate our inner world are always in plain sight. This is beautiful and enduring.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
I didn’t know if I could recommend a play here, but reading this one is how I first experienced it because it premiered in London. I hadn’t seen it yet, so I read its two monumental parts, “Millennium Approaches” and “Perestroika,” on a typewritten marked-up rehearsal script someone had lent me.
Quite simply, Tony Kushner wrote THE play for my generation, a generation that lost probably half of itself to an awful plague most people, especially the government, ignored until it was too late. When my lover Jeffrey died, I went to the Bethesda Fountain in Central Park and wept because Tony had given it to me in his play, a monument for the AIDS generation.
Finally seeing it on Broadway, with Jeffrey, as he was dying, was like having my DNA scratched and resurfaced into something other than who I was before it. It was shape-shifting, soul-stirring, and salve…
Winner of the Pulitzer Prize for Drama Angels in America: A Gay Fantasia on National Themes includes Part One, Millennium Approaches and Part Two, Perestroika
“Glorious. A monumental, subversive, altogether remarkable masterwork…Details of specific catastrophes may have changed since this Reagan-era AIDS epic won the Pulitzer and the Tony, but the real cosmic and human obsessions—power, religion, sex, responsibility, the future of the world—are as perilous, yet as falling-down funny, as ever.” –Linda Winer, Newsday
"A vast, miraculous play... provocative, witty and deeply upsetting... a searching and radical rethinking of American political drama." - Frank Rich, New York Times
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
Marie’s poems are separated into three sections: childhood (which included an alcoholic and abusive father), the illness and death of her brother Johnny from AIDS, and life beyond his death, including her relationship with James Shannon, a tree surgeon and a fisherman. They were like lifelines to me after Jeffrey died.
I memorized the title poem and said it repeatedly in my head like a litany. These poems are clearly spoken; life boiled down to a stock with the healing power of fresh air and cool water. No other book of poems has ever helped me so much through a catastrophic time, and I ended up setting many of these poems to music.
Informed by the death of a beloved brother, here are the stories of childhood, its thicket of sex and sorrow and joy, boys and girls growing into men and women, stories of a brother who in his dying could teach how to be most alive. What the Living Do reflects "a new form of confessional poetry, one shared to some degree by other women poets such as Sharon Olds and Jane Kenyon. Unlike the earlier confessional poetry of Plath, Lowell, Sexton et al., Howe's writing is not so much a moan or a shriek as a song. It is a…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Those who set out to write their memoirs often have a hard time acknowledging their inner life as an active player in our stories. Enter Black Elk, whose narrative shows the life-long ramifications of a single vision.
Often, the impact of spiritual experiences is far more significant than the experiences themselves. Black Elk’s profound trust in his dream and commitment to live it out are inspiring. I also love how Black Elk occasionally disregards his audience to directly address the Grandfathers. Isn’t it lovely that memoirs can become a form of prayer?!
More than one million copies sold
2017 One Book One Nebraska selection
"An American classic."-Western Historical Quarterly
Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863-1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk's searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or…
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
One morning, Christopher’s fiancé, Brigid, kissed him goodbye and went into the snowy morning of Montpellier, Vermont, to drive to work. She was sidewinded by a speeding car and killed.
Christopher wrote a devastating memoir of shock and coming to terms with such a sudden loss. Brigid was also a beautiful writer, and part of his healing and writing this book involved folding her highly evocative journals into his book. It felt like a resurrection.
Ironically, Christopher and Brigid lived in a house that Mark Doty either rented or sold. As I read this astonishing book, I felt like I was living there with them, roiling in shock and pain.
Over the years, IN THE UNLIKELY EVENT OF A WATER LANDING has helped to guide many thousands of readers down the treacherous, forking paths of grief. This literary memoir will appeal to anyone—man or woman, married or single—who has lost someone beloved, or who has felt soul-nourished by C.S. Lewis's A GRIEF OBSERVED, its penetrating honesty, how it illuminates the terrain of our shared mortality here on Earth. See YouTube: "Writing from Grief and Loss" and "Christopher Noël discusses Grief Memoir." The Philadelphia Inquirer: "A gifted novelist, Noël writes his heart out in this book. Water Landing captures the tormented…
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Writers often ask, “What if I don’t know what really happened?” Memory is so slippery that many writers trip up with self-doubt. Here’s when I turn to Maxine Hong Kingston. Unable to hunt down the facts, Kingston instead revels in speculation: Maybe this is what happened, or maybe this. She might not know why her pregnant aunt drowned herself in the family well, but she sure as heck knows the impact of her aunt’s story on her family dynamics.
This is an exceptionally smart rendering of emotional truth regardless of facts, and as such, signs a permission slip for memoir writers. We can let our DNA speak. We can speculate on the page without having to pin down the facts. Speculation can become part of the story.
A classic memoir set during the Chinese revolution of the 1940s and inspired by folklore, providing a unique insight into the life of an immigrant in America.
When we Chinese girls listened to the adults talking-story, we learned that we failed if we grew up to be but wives or slaves. We could be heroines, swordswomen.
Throughout her childhood, Maxine Hong Kingston listened to her mother's mesmerizing tales of a China where girls are worthless, tradition is exalted and only a strong, wily woman can scratch her way upwards. Growing up in a changing…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
So much is possible in a memoir! When I first read this, my sense of what can happen in a book exploded open. Norris constructs this book like a good soup, throwing in longer, interlocking essays, short reflections, and even shorter “weather reports.” But this is not a collection of random pieces.
They build, they resonate, and they form a bigger narrative. Wow. For those who wonder if the fragments they’re writing will ever add up, read this to see what’s possible—with the added benefit of an immersion in the plains’ unique beauty.
“A deeply spiritual, deeply moving book” about life on the Great Plains, by the New York Times–bestselling author of The Cloister Walk (The New York Times Book Review). Kathleen Norris invites readers to experience rich moments of prayer and presence in Dakota, a timeless tribute to a place in the American landscape that is at once desolate and sublime, harsh and forgiving, steeped in history and myth. In thoughtful, discerning prose, she explores how we come to inhabit the world we see, and how that world also inhabits us. Her voice is a steady assurance that we can, and do,…
As a journalist and an author, I’ve been covering the subject of scary viruses for twenty years—ever since I walked through Ebola habitat in a forest in northeastern Gabon, on assignment for National Geographic. I’ve interviewed many of the eminent experts—from Peter Piot to Marion Koopmans to Tony Fauci—and have spent field time with some of the intrepid younger disease ecologists who look for viruses in bat guano in Chinese caves and in gorilla blood in Central African forests. My book Spillover, published in 2012, drew much of that research together in describing the history and evolutionary ecology of animal infections that spill into humans.
Peter Piot was a young microbiologist at a lab in Belgium, in 1976, when he was assigned to analyze specimens in a thermos bottle shipped up from Zaire, where villagers were dying of a horrific and unknown disease. The thermos contained a virus that came to be known as Ebola. This was the event, as his book vividly recounts, that led Piot to a long and distinguished career in infectious viral diseases, from Ebola to AIDS and beyond.
When Peter Piot was in medical school, a professor warned, "There's no future in infectious diseases. They've all been solved." Fortunately, Piot ignored him, and the result has been an exceptional, adventure-filled career. In the 1970s, as a young man, Piot was sent to Central Africa as part of a team tasked with identifying a grisly new virus. Crossing into the quarantine zone on the most dangerous missions, he studied local customs to determine how this disease-the Ebola virus-was spreading. Later, Piot found himself in the field again when another mysterious epidemic broke out: AIDS. He traveled throughout Africa, leading…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
A few years ago, I had the chance to write about Allan Gurganus for Harper’s magazine. That gave me a reason to read his entire oeuvre. There’s a lot of great stuff in there, but Plays Well With Others is my favorite. Published in 1997, it was the eagerly awaited follow-up to Oldest Living Confederate Widow Tells All, Gurganus’s smash hit debut, which had come out in 1989. That book sold several million copies and was adapted into a TV miniseries as well as a Broadway show.
Unfortunately, Plays Well could not escape the long shadow cast by Widow. But I am here to tell you that this story of a queer friend-group weathering the worst of the AIDS crisis in 1980s New York City is a sui generis work of genius: a sexually graphic, laugh-out-loud funny, emotionally devastating tour-de-force, as beautiful and bonkers as it is…
In his widely read, prizewinning Oldest Living Confederate Widow Tells All, Allan Gurganus gave fresh meaning to an overexplored American moment: 1860-65. He now turns that comic intensity and historical vision to another war zone: entry-level artistic Manhattan 1980-95. In his first novel since Widow, Gurganus offers us an indelible, addictive praise-song to New York's wild recent days, their invigorating peaks and lethal crashes.
It's 1980, and Hartley Mims jr., a somewhat overbred Southerner, arrives in town to found his artistic career and find a Circle of brilliant friends. He soon discovers both Robert Christian Gustafson, archangelic boy composer of…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve been interested in medicine and how stories influence the decisions that people make for as long as I can remember. Watching family and friends make choices about their own healthcare was always fascinated to me and I was always curious as to why some narratives had more staying power than others. After getting my BA in history, I was lucky enough to talk to someone who suggested that I study folklore. I ended up with both a MA and PhD in folklore and became a professor who studies the intersection of folklore and how it affects the medical decisions we all make in our own lives and the lives of others.
Emily Martin’s work was some of the first things I read when I wanted to understand how we understand medicine.
There’s such a gap between the health information we’re given and what we actually believe and Martin really covers how Americans have understood the concept of immunity and how we’re influenced by popular culture and the media.
This book is absolutely crucial for understanding both how we look at immunity and understanding how doctors are not free of bias.
Argues that changing attitudes towards sickness and immunity are reflected in other views, such as the trend towards temporary employees who can be let go when no longer needed