100 Books Like Queer Conflict Research

This book was one of the first books I read on queer International Relations (IR) during my PhD, and it convinced me – quite effortlessly – that queer IR was the intellectual home for me.

Weber articulates a vision of queer IR that does not aim to define what "queer IR" is. But I can’t help but think her contributions in the book – which foreground gender, sex, and sexuality, and the plural ways the international hinges on logics of normal/perverse – did that for me anyway. 

I love this book’s attention to the various analytical functions that queer can bring to IR: from the deconstructive methodology Weber cultivates, to the scrutinising of the simultaneously gendered, sexual, and racialised construction of the normal and/or perverse queer subject.

This book taught me about the necessity of doing queer research that not only challenges cisheteronormativity, but also colonialism and coloniality as well.

Rao’s book is a masterclass in transnational and transtemporal storytelling, narrating plural stories of the (post)colonial politics of queerness, gender, and sexuality. I was especially gripped by his chapter tracing the colonial spectres of atonement that underpin the British government’s apologies for anti-sodomy laws, which resonates with a broader homocolonial discourse Western countries have used to denounce former colonised countries as backward and queerphobic. 

Queer IR can and should attend to these imperial histories and afterlives, and how they are underpinned by and uphold particular gendered and sexual norms. This book shows how global politics is a story about (post)coloniality and queerness.

This was one of the first academic books I read that centred LGBTQ people as agents and actors of global politics, and to be fair, it’s probably one of the first within IR to do so.

As someone who first learnt about queer theory from the philosophical, abstract, and (let’s be honest) sometimes dense verbosity of poststructural queer thinkers, picking up Lavinas Picq and Thiel’s collection brought queer lives, in all their diversity, plurality, and embodiment, back into the picture.

Some of my favourite chapters include those on Pride events in the Amazon and the exploration of Indigenous experiences of queerness (Lavinas Picq), and the intersections of Muslim sexualities, modernity, and (neo-)colonialism (Rahman).

This book paved the way for more queer research, challenging the disciplinary confines of IR. 

This is a book that I was gifted by a mentor.

I was so pleased to read the work of a rising queer IR scholar doing work that continues Weber’s foundational critique of the colonial and heteronormative logics of normal/perverse that underpin global politics. 

In the book, Vernon focuses their attention on the colonial scripts of UK discourse on humanitarian intervention. I found myself agreeing at every turn with Vernon’s characterization of the UK’s scripting of "The Brutal Dictator," "The ISIL Terrorist," and "The British Self."

The book revealed to me the enduring power of colonialism and coloniality in global politics, and that queer IR must continue to scrutinize how these structures recruit queerness and heteronormativity in pernicious ways. 

This book is a fricken gut punch. At least the first few chapters. Dang, they hit me hard and heavy. I definitely almost set the book down. It was just sad and a reminder of how awful my teen years were.

However, once we got to the wonderful world of magic and space tech, the theme lightened up, and I found myself falling in love with this mysterious, magical planet far, far away. I’m very patiently awaiting book two in the duology.

Do not read after dark! At least, don’t do so if you’re a scaredy-cat like me when it comes to ghost stories. That said, I found this story lovely and fun and steamy—when it wasn’t scaring the daylights out of me, that is. The premise is fabulous: a man moves to York, England, because he has inherited an old house there, which turns out to be super haunted. So who does he turn to for help? One of the many ghost-tour guides who roam the city telling their tales, of course. Turns out this particular guide—aside from being a highly sexy fellow with dyed-blue hair—can in fact see ghosts. And the ones in this house would rather murder the living than be politely ushered out.

I opened this book and immediately felt comfortable with the narrative style: dual POV, third person, with a hint of humor right on the first page. It’s a cute little Christmassy novella. One character is a lesfic author and the other is a huge fan of hers (but doesn’t know it’s her) – I enjoyed the “mystery” of Ivy trying to piece together Kit’s pen name. Kit’s young niece was also very cute. Overall, this story just felt like a safe space. I was able to curl up and know that everything was going to be okay.

This novella is a close retelling of Carmilla by Sheridan Le Fanu, which is the OG sapphic vampire story. It recasts the ending to give the leads a happy ever after, and ups the sapphic content to modern standards, adding a bit of steaminess. Simper’s version retains Laura’s initial ambivalence and horror towards Carmilla, the historical setting, and the gothic flair. It’s a must-read for fans of the original who are looking for a more modern interpretation.

I have to admit, although I know a lot about gods, I haven’t spent a ton of time reading about folkloric creatures, like faeries, brownies, and selkies. This book, set in a gothic old house in the English countryside in the 1850s, definitely made me feel my neglect of the topic; luckily, I got to learn alongside magician John Blake and Lord Thornby as they investigate the spell that’s holding Thornby trapped.

One remarkable thing about this book is the intriguing and clever magic system. The romance is great. And the twist at the end—well, I didn’t see it coming.

It’s hard to pick just one of Jim Colucci’s books to put on this list, but this one is probably my favorite. (He’s also written excellent books about The Golden Girls and Will & Grace, among other topics.)

It’s an incredible insider’s look at the making of one of the most important television programs ever made, with lots of original documents, interviews with creators, and insights that yield an even greater appreciation for this groundbreaking show.