Books like The Mysterious and Amazing Blue Billings

I haven’t read many stories with witches, but that changed when I read the story of these women facing real problems, sadly still resonating today. Before reading this book, I certainly wouldn’t have considered witches to be important on a list of strong women solving problems.

I was sucked into this story of three sisters living in a world that forbids witchcraft. I wanted to fight alongside these sisters as they called upon the bond between women and our common wisdom. I wanted to fight the evil suppressors of women’s right to vote and rights to exist and thrive as women. I still want to lend my voice and privilege to protect their library. They find their ways, not without sacrifices, but always with flair.

I’m a sucker for a cool historical setting and also for romance with a social-status difference as a main obstacle, and this novel delivers on both! In 1920s-era New York City, amid Prohibition and jazz and snazzy fashions—and, in this version of things, an underworld of secret magic—wealthy Arthur meets working-class Rory, and the sparks begin. Both of the men are utterly endearing (another feature I’m soft on) and bring different paranormal powers to the problem of a lethal magical relic on its way to New York. There are two more books in the series, so if you fall for this pair, hurray! There’s more to read.

The story of Persephone and Hades is my favorite Greek myth—and a lot of other people’s, to judge from how many of us have written about it. Therefore I’ve read lots of the novels that retell it, but The Dark Wife stands out for being the only Sapphic version I’ve found! Here Hades is a goddess rather than a god, and rather than abducting Persephone, she shelters her in the Underworld, where Persephone can avoid the sexual predators among the gods above. (Of which there are a lot, in canonical myth; let’s be honest.) Though set in the deliciously spooky land of the dead, the romance between the two goddesses is sweet and comforting, and the writing is as lyrically pretty as a classical poem.

Time moves differently when you can never grow up. We love to revisit S.A Chant’s brilliant exploration of Queer Time again and again.

Peter Darling has fast become one of our favorite books of all time–it’s a lush, transformative addition to the Peter Pan canon. The rivals-to-lovers element is rich and romantic, and the plot twist breaks boundaries, subverts expectations, and plays with gender in such a careful and nuanced way while also depicting a fresh and unique take on Neverland.

It’s a masterpiece of a book and one that continues to amaze us every time we reread it.

This book has so many tropes that I despise, such as miscommunication, deceit/manipulation, and third-act breakups. Yet somehow, Bryn managed to execute them all with such finesse that I fell in love.

Both main characters are adorable in completely different ways. Wes is such a confident goof, while Vincent is so sad and adorable that I just want to hug him. The romance is cute but fades to black. However, there are apparently some spicy short stories that follow up with the lives of Wes and Vincent. I need to get my next dose of these cute boys.

I adored Cho’s Black Water Sister for the wit, verve, and humour with which its protagonist, Jess, newly returned to Penang from the USA, faces down being possessed by the spirit of her dead grandma, a former medium. Jess, despite her Harvard degree, hasn’t found a job and is unable to tell her conservative family about her Singapore-based girlfriend. How Jess manages to negotiate the contradictory demands of pushy aunties, powerful businessmen, and a furious goddess known as the Black Water Sister, whose temple is threatened by property developers, makes an immersive and absorbing tale.

Another fantasy novel that defies expectations.

Is it historical fantasy, urban fantasy, magical realism, or queer romantasy? Once again, the answer is yes. When I try to explain this book to someone, I find myself stuck between what it is and what it is not.

It is simultaneously unrealistic, oddly relatable, and weird. Very, very weird. It is not predictable. That is why I love it.

I love this graphic novel, with its muted, earthy colours. Hamal, the gardener, can see ghosts. At the time the story starts he seems to have found his feet, but he talks about his depression as a teen, which is one of the reasons why I think it can be included here; that sort of thing is never entirely left behind. Another is the emotions of the ghosts he encounters and tries to help; a lot of what the ghosts are experiencing, even apparently-cheerful Blue, who is in love with Hamal, can be read as akin to the lost greyness of various degrees of depression. It's a gentle, thoughtful story, well-told with lots of humour, and it has lovely art. 

You can actually get this novella as part of a four-pack of audio novellas by Cole, which I’d also recommend, but this sapphic historical novella is set against the backdrop of American History—any fans of Hamilton reading this should take note—and manages to be both hopeful and unblinking in the face of reality of what Black queer women face in the time and place in this perfect balance I cannot praise enough. These two women couldn’t be more different: one is a maid to Eliza Hamilton and devoted to as simple a life as possible, the other is a dressmaker who refuses to be anything but audacious, and the result is brilliant. Also, Karen Chilton’s performance is just fantastic.

Holiday Fauxmance—i.e., fake dating for the holidays—is a peppermint-scented novella catnip for me. Sasha’s family can be a bit much over her being single, which she knows comes from a good place but is relentless, so she makes up a girlfriend, which works until her eldest sister tries to call her bluff and dares her to bring her “girlfriend” home for the holidays.

Enter neighbor Kennedy, who is beautiful, available, and—bonus—she’s also an actress and in need of a gig. This book is sweet and cute and the couple drew me in from the start, and I can’t express how much I loved the low-angst content. Their connections came from genuine emotions coming out of the pretending and the scene where they eventually come clean about the deception. I could not stop laughing.