100 Books Like Queer International Relations

This book taught me about the necessity of doing queer research that not only challenges cisheteronormativity, but also colonialism and coloniality as well.

Rao’s book is a masterclass in transnational and transtemporal storytelling, narrating plural stories of the (post)colonial politics of queerness, gender, and sexuality. I was especially gripped by his chapter tracing the colonial spectres of atonement that underpin the British government’s apologies for anti-sodomy laws, which resonates with a broader homocolonial discourse Western countries have used to denounce former colonised countries as backward and queerphobic. 

Queer IR can and should attend to these imperial histories and afterlives, and how they are underpinned by and uphold particular gendered and sexual norms. This book shows how global politics is a story about (post)coloniality and queerness.

I was privileged to read this book as chair of a book prize committee, a book which we shortlisted given its fantastic contribution to queer IR and conflict research.

Hagen, Ritholtz, and Delatolla have brought together a diverse collection of chapters that “tell the stories of LGBTIQ+ people in conflict not only as victims of political violence, but also as experts and agents of change." 

I particularly enjoyed the chapters on the visual as queer method (Cooper-Cunningham) and queering the politics of knowledge in conflict research (Serrano-Amaya).

What a gift to read this carefully curated collection that not only spotlights queer lives in conflict but also amplifies the voices of queer scholars from diverse backgrounds who contributed to this important book.

This was one of the first academic books I read that centred LGBTQ people as agents and actors of global politics, and to be fair, it’s probably one of the first within IR to do so.

As someone who first learnt about queer theory from the philosophical, abstract, and (let’s be honest) sometimes dense verbosity of poststructural queer thinkers, picking up Lavinas Picq and Thiel’s collection brought queer lives, in all their diversity, plurality, and embodiment, back into the picture.

Some of my favourite chapters include those on Pride events in the Amazon and the exploration of Indigenous experiences of queerness (Lavinas Picq), and the intersections of Muslim sexualities, modernity, and (neo-)colonialism (Rahman).

This book paved the way for more queer research, challenging the disciplinary confines of IR. 

This is a book that I was gifted by a mentor.

I was so pleased to read the work of a rising queer IR scholar doing work that continues Weber’s foundational critique of the colonial and heteronormative logics of normal/perverse that underpin global politics. 

In the book, Vernon focuses their attention on the colonial scripts of UK discourse on humanitarian intervention. I found myself agreeing at every turn with Vernon’s characterization of the UK’s scripting of "The Brutal Dictator," "The ISIL Terrorist," and "The British Self."

The book revealed to me the enduring power of colonialism and coloniality in global politics, and that queer IR must continue to scrutinize how these structures recruit queerness and heteronormativity in pernicious ways. 

“Where are the women?” So goes this 1989 classic’s opening gambit.

We think politics is the domain of men, Enloe points out, but women have long been out there doing vital and often invisible work, whether as diplomats’ wives, sex workers recruited around US army bases, farmers, or labor leaders.

Bringing this gendered labor to the forefront of international relations is Enloe’s strength. She discusses how images of women “work,” as in the Chiquita Banana ads that introduced American housewives to this unusual fruit and helped expand United Fruit’s bloody empire, but also studies women’s transnational labor organizing.

Reading this book in graduate school guaranteed I would never think of those little stickers on bananas in the same way. Like many other historians of US foreign policy, I still assign sections from Enloe regularly, particularly in my “Transnational America” class. 

I read this while researching my novel and what an eye-opener it turned out to be. It draws on a rich source of resources and the personal testimonies of gay men in the mid-20th century. These are touching and sometimes upsetting as well as illuminating and clearly demonstrate how much more tolerant our culture has become.

I was really moved as well as fascinated and educated by this beautifully put together book.

This play, inspired by the experiences of a racially diverse group of New York City teenage girls, explores the intersection of slut-shaming and sexual violence. At its core, the play questions the wisdom of girls embracing the “slut” label for themselves. “Slut” may seem like a carefree term of endearment, and it is—until the moment Joey, a member of her school’s dance team, informally known as the Slut Squad, is sexually assaulted by two boys from school. She brings charges against them, and every sexually provocative thing she previously has done is used as evidence that she is lying. If you want to understand the pressures teenage girls face today, this play breaks it down for you.

I love Introducing Teddy.

It’s a simple, heartful story that introduces young readers to ideas of gender as well as the breaking of gender norms.

Errol's teddy, Thomas, is his best friend. One day, Thomas tells Errol he wants to change his name. Of course, whether Tilly is a boy or a girl, Errol knows they're his best friend.

Such a peculiar book. The Horned Man is not for those who want answers or resolutions. By the time the final page is turned you'll find yourself with more questions than you had at any other point in the book. It takes the Unreliable Narrator device to the extreme, to the point where you don’t really believe anything from the get-go, a unique way to tell a story, but it works here. This book is dark, smart, uncomfortable, and it is unlike anything you'll ever read. Lasdun’s prose is also exceptional, and I’ve often found myself getting lost in his paragraphs, enjoying how I can stop and really take the time to re-read how the author has crafted his story, and lead you exactly where he wanted to.

Paul B. Preciado’s Testo Junkie, originally published in Spanish in 2008 and republished in English translation in 2013, is lusty, hyperbolic, and explosive.

It’s part postqueer, trans-feminist manifesto, part record of a cis-female’s illicit experimentation with testosterone, and part explicit fucking. A much more enjoyable book than Judith Butler’s groundbreaking Gender Trouble and Bodies that Matter, and it has the advantage of updating Butler’s Foucault-based theory with the twenty-first-century concerns.

Preciado argues that today’s “pharmacopornographic” regime utilizes drugs and erotic imagery—hormone shots and money shots—to control our subjectivity and gender, instating a system of knowledge and power in which the body “no longer inhabits disciplinary spaces but is inhabited by them.”