100 Books Like Preparing for War

This book opened my eyes to the long and fraught history of humanitarian interventions–that is, military operations conducted in the name of protecting people from harm and suffering.

In recent decades, we have witnessed fierce debates over the legitimacy of these activities (in places like Rwanda, the Balkans, Afghanistan, Iraq, and Syria). Yet, as this book persuasively shows, such concerns are nothing new. Across the nineteenth century, government leaders and citizens debated–and undertook–many so-called “wars for humanity.”

With examples stretching from the Middle East to Africa to the Americas, this book raises provocative and important ethical questions about humanitarianism and human rights, both historically and today.

More than a century has passed since the First World War, but this book shows us that its humanitarian legacies are well worth remembering.

I appreciate this book for many reasons, but most of all, for the truly global perspective its authors take. They make it clear that the Great War was truly a world war. More than this, it should be remembered as a global humanitarian crisis. The authors examine many diverse efforts to assist both soldiers and civilians while also considering the messy politics involved in these relief efforts.

I find this book valuable for revealing the complex relationships between aid workers and relief recipients, a dynamic as central today as it was 100 years ago.

Even after Europe’s colonies became independent, this book reveals earlier political hierarchies were preserved through a surprising channel: the United Nations and its peacekeeping forces.

I loved this book for multiple reasons, but above all, because it shows how practices we consider “humanitarian,” in fact, perpetuated power imbalances between former empires and their former colonies. It also helped me to think about the United Nations and its global role in new ways. Perhaps most importantly, it changed my understanding of international peacekeeping, showing that its history was often more violent than the name might imply.

While focused on the decades after World War II, this book also helps readers understand the political challenges with global peacekeeping operations today.  

Connecting the recent past with our contemporary moment, this book shows that humanitarian agendas have shaped the post-Cold War world in deeply unsettling ways.

I love this book because it brings together both academics and practitioners in a single volume, putting them into conversation with each other. All of the contributors are specialists in humanitarianism, but they approach this subject from very different angles and perspectives. Together, they raise provocative questions about humanitarian governance in the 21st century.

This book made me think deeply about the political and economic relationships involved in humanitarian activities. Above all, it invites us to learn from the less savory aspects of the history of humanitarianism in order to build a better humanitarian system in the future.

It is an interesting fact that Hamilton and Gallatin, who served as Treasury Secretary during most of the republic’s first quarter-century, were immigrants from commercially more active locales, Hamilton from the sugar island of St. Croix, Gallatin from the stony Calvinist banking center of Geneva, Switzerland.

As congressman from the Pennsylvania frontier, Gallatin opposed Hamilton’s national debt and Bank of the United States, that gave the infant republic circulating money and workable finance. But as Jefferson and Madison’s secretary of the Treasury Gallatin maintained the bulk of Hamilton’s system and managed—with help from fellow immigrants John Jacob Astor and Stephen Girard—to finance the War of 1812.

Irresistible! Romain Gary had hoodwinked the literary world by publishing prize-winning successful novels under the false identity of Émile Ajar and was paranoid about being found out. So he wrote a confession by “Émile Ajar” to show that he hated Romain Gary (“Uncle Bogey” in this novel) and was borderline crazy as well. Written in contorted, loopy, and killingly funny bad French, it was a challenge to get into English—but I just loved doing it! What’s more, the deception worked: nobody dared accuse Gary of being Ajar ever again. An unclassifiable masterpiece of simulated mental breakdown; a language game of an extravagant and rarefied kind. 

There is one major reason I include Grand Days in my list of "best" books and her name is Edith Campbell Berry. Some might suggest that as Edith happens to be an Australian character and Frank Moorhouse an Australian author I’m favouring the pair, being Australian myself. But this is definitely not so. To me, Edith Campbell Berry is one of the most beautifully conceived heroines in literary fiction. And when I make this sweeping statement I include every great leading lady you can think of. 

From the moment I met Edith on the train from Paris to Geneva where she was to take up her position with the newly-created League of Nations in the 1920s, I was captivated. She is wickedly naïve, worldly innocent, outrageously proper and every other contradiction imaginable. She continued to bewitch me in Frank Moorhouse’s companion Edith novels, Dark Palace and Cold Light, but… show more.

This isn’t an easy read, but it’s an important one. A diary by an anonymous female journalist trapped in Berlin as bombs fall and the Red Army closes in, it describes in graphic detail her struggle for survival between April and June 1945. Berlin’s women had difficult choices to make in this period, and the author records unflinchingly her decision to choose the ‘protection’ of one Russian soldier over repeated rape by multiple others. It is one of the few books that tell us about war from the perspective of civilian women, immersing us in their world and recording the impact of political leaders’ delusions of grandeur and glory on individual lives. I didn’t find this an easy book to pick up, but found it even harder to put down.

This poorly known novel by a television writer deserves more attention. It concerns a writer on a TV sitcom that is plagued by an impossible actress/star who makes everybody’s lives miserable by her egotistical behavior. The revenge that the writer, Jimmy Hoy, contrives for her is both funny and appropriate. There are laugh-out-loud moments in this book that will make you roar.

A friend recommended this book to me, the beginning of an eight-book series. I enjoyed it immensely. 

I felt as though I was traveling with the main character, Maia, on her journey, full of mystery and romance, to Rio de Janeiro in Brazil. The historical aspect of the story in 1800s Paris led to my fascination with the creation and building of the famous Christo statue. I have since done additional reading about Christ the Redeemer.