Books like A Woman in Berlin — picked by fans

It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.

I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart. 

“I ask for freedom for my book.” This was the plea the Ukrainian-Jewish writer and war correspondent Vassily Grossman sent to Premier Nikita Khrushchev after the manuscript of his novel, Life and Fate, was confiscated by the KGB.

Set during the Battle of Stalingrad, Life and Fate (in the tradition of Tolstoy) follows an enormous cast of soldiers, scientists, prisoners, bureaucrats, mothers, and children whose lives intersect as Grossman moves seamlessly from freezing trenches and shattered apartment blocks to extermination camps, interrogation rooms, and laboratories haunted by political fear.

What made the book unforgivable to Soviet censors was Grossman’s daring choice to portray Stalinism and Nazism not as ideological opposites, but as terrifying reflections of one another. Both are regimes built upon fear, conformity, and the crushing of individual freedom. Few books convey so powerfully both the scale of historical horror and the stubborn endurance of human dignity.

Life… show more.

This book made me think differently about air war, arguably the defining element of 20th and 21st-century conflicts. Grayzel traces its evolution and experience for Britain from the first bombing raids of the First World War to the start of the blitz in the Second. Unlike most other studies, which focus on military strategy and state policy, she interweaves the stories and experiences of the civilians who were to be the targets of this new technology. The book reminds us (if we needed reminding) of the shock of air raids, and the way that these impacted every aspect of life.

It is all too easy to forget that when Britain went to war in 1939, it did so as the world’s largest imperial power. Khan’s book is a rich social history of India at war, telling us the stories of not only the soldiers, but the business owners, the peasants, the refugees, and the political activists whose lives were shaped by war in the Indian subcontinent. The flawed political settlement that brought independence and partition to India and Pakistan was born out of the Raj’s experience of war, and this book gives voice to those who experienced this most turbulent time in the region’s recent history.

I found this book of utter fascination. I read it twice.

The author’s character and reactions to the ravages of war resemble, to some extent, my aunt’s own behaviour. Stoicism, pragmatism, just getting on with it. Whether German or British, this generation of women had a strength and confidence that I breathlessly admire.

Whilst Berlin at the end of the war was very different from Manchester, there are definite shared experiences and thoughts.

A bit dry and occasionally over-focused on rattling off official numbers and unit designations, The Fall Of Berlin is also a low-key horror novel. Surrounded on all sides by a massive Russian army hell-bent on revenge, the people of Berlin are caught between those invaders and their own leadership forcing them into a suicidal last stand. The scale of brutality is numbing; this is a battle fought without mercy by two adversaries locked in a death struggle.

Antony Beevor is arguably our pre-eminent military historian and like another of his books, Stalingrad, this is the gripping story of one of the key battles of the Second World War, that of the Red Army capturing Berlin. Beevor manages to avoid excessive military detail but does include enough to provide a detailed account of Marshal Zhukov’s skilled capture of the Nazi capital. At the same time, the book provides an insight into the drama of Berlin in its last days under the Nazis and also describes the horrors which occurred as the Red Army wreaked its revenge once it had captured the city.

This idiosyncratic biography of Rahel Levin Varnhagen, a 19th-century German-Jewish Berlin literary salon hostess may at first seem esoteric to the general reader. A prickly, contradictory character, Arendt’s portrayal of Rahel’s outsider status as a Jew in a largely hostile Christian society, her proto-feminist self-affirmation of her womanhood at a time when women were essentially groomed for marriage, and her paradoxical mix of intellectual self-assurance and crippling emotional insecurities make for a riveting read. You don’t have to be Jewish or a woman to appreciate the complexities of this prototypical Berliner.

One of Rory Clements’ many writing skills is the ability to create tension and explore an angle of an historical event.

It’s London 1936, and the king is about to abdicate. A woman is murdered in Berlin, and a fascist-leaning couple in Britain are killed. I liked how Clements joins these seemingly separate tragedies into a memorable story. I liked his hero, an academic drawn into the world of spying, Professor Tom Wilde.

I think a great novel's elements are believable characters, forensic attention to detail, and terrific tension, and they are all here.

I loved this novel because the writer himself had fled Germany because of Hitler’s oppressive edicts.

There is a genuine authenticity I immediately sensed in each of the characters, and why not, since Feuchtwanger himself experienced first-hand the oppressive darkness spreading across Germany in 1933. Aren’t writers told to write about what they know? Feuchtwanger did just that, and it places a unique value on the novel, making it more a historical document than simply a fictional story.

My hope is many will read this novel and understand the dangers of fascism, so we don’t repeat what history has already taught us.