Here are 100 books that A Woman in Berlin fans have personally recommended if you like
A Woman in Berlin.
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I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m a historian who studies conflict while teaching military professionals about geopolitics. For many of them, and for me, the Second World War is a period of enduring fascination. No conflict has forced humanity to confront its existence at a more fundamental level. No conflict has inspired more questions about our humanity and more reflection on the cost of war. The nature of the war was so extraordinary that many authors have felt the need to explore its questions through the lens of fiction. I read the books below because they use the power of fiction to help readers grapple with the realities of war—realities that are seared into our collective consciousness and mark us to this day.
“I ask for freedom for my book.” This was the plea the Ukrainian-Jewish writer and war correspondent Vassily Grossman sent to Premier Nikita Khrushchev after the manuscript of his novel, Life and Fate, was confiscated by the KGB.
Set during the Battle of Stalingrad, Life and Fate (in the tradition of Tolstoy) follows an enormous cast of soldiers, scientists, prisoners, bureaucrats, mothers, and children whose lives intersect as Grossman moves seamlessly from freezing trenches and shattered apartment blocks to extermination camps, interrogation rooms, and laboratories haunted by political fear.
What made the book unforgivable to Soviet censors was Grossman’s daring choice to portray Stalinism and Nazism not as ideological opposites, but as terrifying reflections of one another. Both are regimes built upon fear, conformity, and the crushing of individual freedom. Few books convey so powerfully both the scale of historical horror and the stubborn endurance of human dignity.
Based around the pivotal WWII battle of Stalingrad (1942-3), where the German advance into Russia was eventually halted by the Red Army, and around an extended family, the Shaposhnikovs, and their many friends and acquaintances, Life and Fate recounts the experience of characters caught up in an immense struggle between opposing armies and ideologies. Nazism and Communism are appallingly similar, 'two poles of one magnet', as a German camp commander tells a shocked old Bolshevik prisoner. At the height of the battle Russian soldiers and citizens alike are at last able to speak out as they choose, and without reprisal…
I have been fascinated by the Second World War since I was a child. I grew up with tales of London and Coventry in wartime, stories of family separation, rationing, and air raids. The stories that really gripped me included the streams of refugees passing my grandmother’s house in the suburbs of Coventry after that city was bombed, and the night my aunts and (infant) father spent waiting to be rescued from a bombed house in south London. As a historian I wanted to know more about stories like this, and about the ways that wars shape lives, and my books have returned again and again to the civilian experience of war.
This book made me think differently about air war, arguably the defining element of 20th and 21st-century conflicts. Grayzel traces its evolution and experience for Britain from the first bombing raids of the First World War to the start of the blitz in the Second. Unlike most other studies, which focus on military strategy and state policy, she interweaves the stories and experiences of the civilians who were to be the targets of this new technology. The book reminds us (if we needed reminding) of the shock of air raids, and the way that these impacted every aspect of life.
Although the Blitz has come to symbolize the experience of civilians under attack, Germany first launched air raids on Britain at the end of 1914 and continued them during the First World War. With the advent of air warfare, civilians far removed from traditional battle zones became a direct target of war rather than a group shielded from its impact. This is a study of how British civilians experienced and came to terms with aerial warfare during the First and Second World Wars. Memories of the World War I bombings shaped British responses to the various real and imagined war…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I have been fascinated by the Second World War since I was a child. I grew up with tales of London and Coventry in wartime, stories of family separation, rationing, and air raids. The stories that really gripped me included the streams of refugees passing my grandmother’s house in the suburbs of Coventry after that city was bombed, and the night my aunts and (infant) father spent waiting to be rescued from a bombed house in south London. As a historian I wanted to know more about stories like this, and about the ways that wars shape lives, and my books have returned again and again to the civilian experience of war.
It is all too easy to forget that when Britain went to war in 1939, it did so as the world’s largest imperial power. Khan’s book is a rich social history of India at war, telling us the stories of not only the soldiers, but the business owners, the peasants, the refugees, and the political activists whose lives were shaped by war in the Indian subcontinent. The flawed political settlement that brought independence and partition to India and Pakistan was born out of the Raj’s experience of war, and this book gives voice to those who experienced this most turbulent time in the region’s recent history.
The Second World War was not fought by Britain alone. India produced the largest volunteer army in world history: over 2 million men. But, until now, there has never been a comprehensive account of India's turbulent home front and the nexus between warfare and India's society.
At the heart of The Raj at War are the many lives and voices of ordinary Indian people. From the first Indian to win the Victoria Cross in the war to the three soldiers imprisoned as 'traitors to the Raj' who returned to a hero's welcome, from the nurses in Indian General Hospitals to…
The topic is essentially letters, in this book, letters written during the Second World War. My grandmother, my mother and aunt – and other aunts – all wrote voluminously to each other. They also kept diaries. Every day is recorded, often in duplicate. I have them all – an absolute treasure trove of firsthand history. I myself, from the age of 12, have had penfriends in large numbers. My mother and I both belonged to "correspondence magazines." Letters were central to our lives. I still write long, newsy emails as if they were letters, plus some actual sheets of paper with writing on, sent in an envelope…
I found this book of utter fascination. I read it twice.
The author’s character and reactions to the ravages of war resemble, to some extent, my aunt’s own behaviour. Stoicism, pragmatism, just getting on with it. Whether German or British, this generation of women had a strength and confidence that I breathlessly admire.
Whilst Berlin at the end of the war was very different from Manchester, there are definite shared experiences and thoughts.
For eight weeks in 1945, as Berlin fell to the Russian army, a young woman kept a daily record of life in her apartment building and among its residents. "With bald honesty and brutal lyricism" (Elle), the anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. "Spare and unpredictable, minutely observed and utterly free of self-pity" (The Plain Dealer, Cleveland), A Woman in Berlin tells of the complex relationship between civilians and an occupying army and…
Andrew is a long-time WWII history buff and writer who looks for any excuse to do a deep dive into his favorite history topics. For his WWII horror novel One Last Gasp, he spent over a year researching the Battle of the Bulge, from first-hand accounts of front-line soldiers to official U.S. Army documents.
A bit dry and occasionally over-focused on rattling off official numbers and unit designations, The Fall Of Berlin is also a low-key horror novel. Surrounded on all sides by a massive Russian army hell-bent on revenge, the people of Berlin are caught between those invaders and their own leadership forcing them into a suicidal last stand. The scale of brutality is numbing; this is a battle fought without mercy by two adversaries locked in a death struggle.
"A tale drenched in drama and blood, heroism and cowardice, loyalty and betrayal."-Jonathan Yardley, The Washington Post
The Red Army had much to avenge when it finally reached the frontiers of the Third Reich in January 1945. Frenzied by their terrible experiences with Wehrmacht and SS brutality, they wreaked havoc-tanks crushing refugee columns, mass rape, pillage, and unimaginable destruction. Hundreds of thousands of women and children froze to death or were massacred; more than seven million fled westward from the fury of the Red Army. It was the most terrifying example of fire and sword ever known.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I worked as a journalist for the BBC for nearly thirty years: my writing of espionage novels set in Europe during the Second World War goes back to 1994 when I was covering the 50th anniversary of D-Day for the BBC. I became fascinated with the human stories behind big military events and especially the British deception operation that was so crucial to the Allies’ success. This led to my first novel, The Best of Our Spies. To ensure my novels feel as authentic as possible my research means I travel around Europe and I’ve also amassed a collection of maps and guidebooks from that period.
Antony Beevor is arguably our pre-eminent military historian and like another of his books, Stalingrad, this is the gripping story of one of the key battles of the Second World War, that of the Red Army capturing Berlin. Beevor manages to avoid excessive military detail but does include enough to provide a detailed account of Marshal Zhukov’s skilled capture of the Nazi capital. At the same time, the book provides an insight into the drama of Berlin in its last days under the Nazis and also describes the horrors which occurred as the Red Army wreaked its revenge once it had captured the city.
The Storming of Berlin had been the Red Army's dream of vengeance, ever since the German's invasion of Russia in the summer of 1941. Antony Beevor has reconstituted the experience of those millions caught up in the nightmare crescendo of the Third Reich's final defeat.
The 1930’s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? No! Only one deeply familiar with an exciting decade.
I loved this novel because the writer himself had fled Germany because of Hitler’s oppressive edicts.
There is a genuine authenticity I immediately sensed in each of the characters, and why not, since Feuchtwanger himself experienced first-hand the oppressive darkness spreading across Germany in 1933. Aren’t writers told to write about what they know? Feuchtwanger did just that, and it places a unique value on the novel, making it more a historical document than simply a fictional story.
My hope is many will read this novel and understand the dangers of fascism, so we don’t repeat what history has already taught us.
"Extraordinary . . . No single historical or fictional work has more tellingly or insightfully depicted . . . the insidious manner in which Nazism began to permeate the fabric of German society than Lion Feuchtwanger's great novel." -- New York Times
First published in 1934 but fully imagining the future of Germany over the ensuing years, The Oppermanns tells the compelling story of a remarkable German Jewish family confronted by Hitler's rise to power. Compared to works by Voltaire and Zola on its original publication, this prescient novel strives to awaken an often unsuspecting, sometimes politically naive, or else…
The World At War, the first and arguably best documentary about the Second World War, was on television when I was 14. It fuelled my interest in history, especially about the reasons for the rise of the Nazis. History has many lessons to teach–if we are willing to listen–and one of the great teachers is Germany between the wars. It was a time of extremes: economic crises, social unrest, much of which was caused by the Nazis, and a flourishing bohemian, liberal culture. This febrile environment in which characters struggle with their personal conflict makes for great story-telling potential.
One of Rory Clements’ many writing skills is the ability to create tension and explore an angle of an historical event.
It’s London 1936, and the king is about to abdicate. A woman is murdered in Berlin, and a fascist-leaning couple in Britain are killed. I liked how Clements joins these seemingly separate tragedies into a memorable story. I liked his hero, an academic drawn into the world of spying, Professor Tom Wilde.
I think a great novel's elements are believable characters, forensic attention to detail, and terrific tension, and they are all here.
A gripping spy thriller for fans of ROBERT HARRIS and WILLIAM BOYD from award-winning Sunday Times bestseller Rory Clements and author of the 2018 CWA HISTORICAL DAGGER WINNER, NUCLEUS
1936. Europe is in turmoil. The Nazis have marched into the Rhineland. In Russia, Stalin has unleashed his Great Terror. Spain has erupted in civil war.
In Berlin, a young Englishwoman evades the Gestapo to deliver vital papers to a Jewish scientist. Within weeks, she is found dead, a silver syringe clutched in her fingers.
In an exclusive London club, a conspiracy is launched that threatens the very heart of government.…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I am a historian of cities and the ways people shape them. Living in Berlin, both before and after the Wall came down, made me aware of how the shared experiences and memories of particular places give meaning to civic life. (And for a historian it was thrilling to find a place where history was taken very seriously.) Although I have since written broader studies—of cars and cities (Autophobia) and of earlier street life (The Streets of Europe)–it was the experience of living in Berlin while learning its history that enabled me to see the layers of meaning embedded in buildings and streets.
There are many books about the glitz and the cultural icons that we associate with Weimar Berlin. This one gives us a broader and deeper picture. Instead of concentrating on a few writers and artists, it anchors the city’s creative explosion in mass-market newspapers and their readers, turning our eyes to people in the streetcars and cafés and the stories they read about their own lives. We can read about sensational crimes just as Berliners did, and we find the prototypes of modern art in the layout and content of newspapers and in the chaos of the streets where they are hawked.
The great cities at the turn of the century were mediated by words--newspapers, advertisements, signs, and schedules--by which the inhabitants lived, dreamed, and imagined their surroundings. In this original study of the classic text of urban modernism--the newspaper page--Peter Fritzsche analyzes how reading and writing dramatized Imperial Berlin and anticipated the modernist sensibility that celebrated discontinuity, instability, and transience. It is a sharp-edged story with cameo appearances by Georg Simmel, Walter Benjamin, and Alfred Doeblin. This sumptuous history of a metropolis and its social and literary texts provides a rich evocation of a particularly exuberant and fleeting moment in history.
