Books like Peter Camenzind

Raised in a fearful and toxic environment where love was completely absent and terror was always at home, I had to learn to let go of my many programs, fears, and traumas so that I could avoid making the mistake of thinking and believing that the story of my past was going to become the story of my life. Through a long journey of letting go, getting lost in order to be found, I realized that who I Am, and who we all are, is far greater and far nobler than what we are programmed to believe. And now my mission is to teach people from all over the world how to let go so they can thrive.

I have been exploring the relationship between the brain and religious/spiritual phenomena (a field known as neurotheology) for the past 30 years. My neuroimaging research has helped uncover the brain processes involved with practices like meditation and prayer and a broad array of experiences. The origin of this work derives from evolutionary theories about religion and the brain that tie directly into sexuality. The books on this list greatly helped to provide the foundation for the connection between spirituality and sexuality, opening up all kinds of avenues for exploration, including where human morals, societies, political systems, and religions come from with respect to the human mind.

I basically write everything I can’t say in real life. So my characters tend to be witty assholes who see the world for what it is: a raging dumpster fire. The best compliment I ever received came from a reviewer who said my writing style was like a “wholesome Palahniuk or less trippy Vonnegut.” That’s about as good as gets for any author, especially one who adores all things Kurt Vonnegut. I am a fan of books that trace the trajectory of human behavior to its logical end: self-destruction. So my list is made up of books that imagine funny, scary, sad, and absurd apocalyptic endings to human civilization. 

As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.

I’m Gen X, through and through. And because I grew up in that (glorious?) time before social media, I didn’t have the worry that my messy-woman missteps would be exposed online. But the trade-off to keeping my mistakes as private as possible was that I often felt like I couldn’t live boldly. So now I’m fascinated by the ways other women handle the messier aspects of their lives: the obsessions and frustrations, the secrets we all keep, the duality we choke down. I want to know what we’re each quietly starving for, what’s driving us when we strip away social expectation and are left to sit with our gnawing hungers. 

I grew up on a farm in Northern Ireland. Ulster was always an inspiration, for both my painting and my writing. My first novel, The Misremembered Man, became a bestseller worldwide, and I followed it with several more works of fiction. I attribute their success to the magic of rural Ireland, and the wonderful characters who peopled my childhood. My formative years, unhappy and fearful though they were, serve as a repository of emotion and stimulation, which I draw upon frequently in my writing. Having the courage to change and grow in difficult circumstances is a common theme. Since all my novels are character-driven, my book choices broadly reflect this strength in the authors I have chosen.

After decades of teaching in graduate school as well as a career in acting, and writing 11 produced plays in NYC, then writing films & television in Hollywood, and later becoming the author of 8 published books—both fiction and non-fiction,  and marriage and motherhood—I began to reflect on a long and adventurous life, which led to writing a memoir.

I love to read a good action-adventure story. I’ve also written a few. And I know that no matter how high the stakes, if there’s no heart in the characters then there’s very little engagement to make it any more memorable than a temporary thrill. I love thrills, but the stories that stick with you after the excitement of the moment is over, those are the true gems. Besides the fun of reading that type of book, maybe you even learn something about yourself or the world and come out a wee bit wiser than when you went in. And isn’t that a fantastic use of our imaginative powers?!

Like Thomas Jefferson, I cannot live without books. And, while I read in a variety of genres, from early childhood on, my favorite stories were the ones that began with “once upon a time.” My fascination with historicals started with one of my father’s few books from his childhood, The Cave Twins, which introduced me to a world far different from suburban America. For me, the appeal of historicals is the opportunity to learn about another era and to escape from the modern world. And so, if you want to escape from what seems like an endless pandemic, I invite you to explore the worlds six talented authors have created.

Since childhood, when I first witnessed Mary and Collin grow hale and hearty by breathing in fresh air from the moor while sinking their hands into the soil of The Secret Garden, I have been drawn toward stories featuring the healing power of nature. And when I discovered Karana, resilient and resourceful,  fending for herself on The Island of the Blue Dolphins, I realized nature could be as violent a mentor as she could be nurturing, less a wellspring for the thirsty than a fiery forge for the spirited. The mystifying interplay of this gentle/fierce duality and its effect on the lives of characters continues to intrigue me and influences my writing.