Books like Peat Smoke and Spirit — picked by fans

This big, beautiful, photograph-loaded coffee table book is an encyclopedia of whiskey. The Atlas, as whiskey-heads often call it, carries descriptions of a couple of hundred distilleries and reviews of around 750 different whiskeys. Broom’s book devotes a lot of pages to Scotch whisky, however, it helpfully covers Irish and American whiskeys and the brown spirits made in nations less known to most readers, like Japan, India, and Australia. Drinks geeks will love Broom’s meticulous explanations of how different whiskeys are produced. Those seeking guidance on how to taste whiskey will benefit from the book’s brief tasting tips and its ‘flavor camp lists,” which categorizes whiskeys by their dominant characteristics (“fruity and spicy,” “fragrant and floral,” etc.)

Clay Risen is a writer for the New York Times with an immense passion for whiskey and its history. It was he who broke the news that the famed Jack Daniels learned whiskey-making from an African American. Risen’s American Whiskey, Bourbon, and Rye is exactly what it bills itself as—a guide, and an incredibly useful one to the consumer. Risen provides a short history of whiskey in America, but most of the book provides advice. He helps readers make sense of the jargon used in the whiskey world, such as “straight bourbon,” “Tennessee whiskey,” and “white whiskey”. The book carries 300 reviews of American whiskeys, and its modest dimensions make it easy for the shopper to tuck under one’s arm. Don’t go whiskey shopping without it! 

At the end of the 19th century, Ireland made more whiskey than any other nation. Then came an economic downturn, political trouble, and Prohibition, which devastated the country’s storied whiskey industry. Until recently, only a handful of Irish distilleries remained. Not any more—Irish whiskey is roaring, with new, small producers (like Teeling) joining the likes of the hulking, ancient producers (like Midleton). Muldoon and his colleagues share with readers a bit of the old and new on Irish whiskey. From Barley to Blarney is structured like a travelogue, with chapters devoted to the provinces where Irish whiskey is made, and its colorful coverage may induce the reader to book a flight to the Emerald Island. 

Canadians have been making whisky for a few centuries, but drinks experts long have given the nation’s hooch scant attention. This is understandable, as Canadian distillers spent much of the 20th century churning out an ocean of low-priced and bland-tasting blends like Seagrams 7 and Canadian Club. Times have changed, though, and Canada is producing single malts and various high-end, sophisticated whiskies that have garnered international acclaim. David de Kergommeaux is the preeminent expert on whisky in the Great North, and his book is an indispensable guide to anyone who wants to learn the what-and-how of Canadian whisky-making and its history through the current day. He also directs readers’ attention to the brands of Canadian whisky worth buying, and his recommendations are spot on.

Charles MacLean MBE is without any doubt the number one expert on Scotch whisky in the world. His writings are always a joy to read. Charlie, as he is known by friends and family, has a penchant for history and pouring it in highly entertaining sentences, avoiding facts like figures cluttering up the story line. He has been researching and writing whisky books & articles since 1981, and shares his enthusiasm and knowledge by giving talks and tastings around the world, by leading ‘whisky expeditions’ in Scotland and by presenting training programmes and Masterclasses for whisky companies, clubs and individuals. Without wanting to pay short on his many other books, Scotch Whisky: A liquid history, is a seminal work.

Historian Dr. Nicholas Morgan, Nick for intimi, was instrumental in setting up Diageo’s archives during his more than 30-year long career in the whisky industry and that is only one of his many accomplishments in this particular field. In the three years before he retired, he studied the history of the best-selling whisky brand in the world: Johnnie Walker. The result is an excellent book that explains how the making of whisky grew from a cottage industry in the Highlands to the multi-billion dollar industry of today. He uses the JW brand as an ‘example par excellence’ and explains once and for all in a clear and expressive way why blended whisky is so important and remains the key player in the whisky world, notwithstanding the fact that from a publicity point of view the emphasis on Scotch mostly falls on single malts (that ‘only’ represent roughly 12% of… show more.

Ingvar Ronde, a Swedish whisky connoisseur, writer, and publisher, surprised the whisky world with the first edition of The Malt Whisky Yearbook back in 2006. It became a classic instantly and has seen 15 updated editions so far. The MWY is an unmissable guide for professionals and whisky aficionados alike, fully packed with information about malt whisky distilleries around the world, images, figures about the industry, essays by foremost whisky writers, and tasting notes on the side. It is the only whisky book that always travels with me, wherever I go.

Witch Wood tells the story of a high-minded, ardent and scholarly young Presbyterian minister, David Sempill, who is called to a benighted Tweeddale parish in 1645 at the time of the War of Three Kingdoms, and how his desire to root out covert witchcraft amongst some of his most ‘devout’ parishioners at a time of civil war and plague leads to tragedy and exile. The Marquis of Montrose, on whose biography John Buchan was working at the same time, has a walk-on part in the story. John Buchan considered this his best work of fiction, and I agree.

This is the story of a woman who is having a hard time personally, and she swims to heal herself. She swims to reconnect with her wild nature. And she is brave. She swims in all seasons, all weathers, all conditions. Once she was almost pushed against craggy rocks.

I swim too. I love seals, and know this act of taking to the water - our small bit of wild - to reconnect with my wild nature.

I loved the vulnerability that shines through in this book and I like to read of strong women who dare connect with nature to empower themselves. I feel I do that (a bit) and people like Victoria inspire me to push those wild boundaries a little more.

Ludington’s book is exciting because it disproves pervasive ideas about wine consumption. One of the big assumptions in the history of commodities is that middle-class people want to imitate elites, and that taste trickles down the social ladder.

Ludington shows that the opposite was true 250 years ago in England and Scotland: aristocrats started changing their wine-buying habits to appear more sympathetic to the middling sort. This trickle-up is an eighteenth-century equivalent of affluent hipsters drinking Pabst Blue Ribbon or fashionistas buying $400 jeans.

I’m the type of reader who finishes each sentence thinking yeah, but how do we know that?, so I find Ludington’s generous footnotes and detailed cellar inventories to be deeply satisfying. This is not an easy read, but it’s a thoroughly enriching one.