100 Books Like Paul Nash

This book covers the drama and upheaval of the years leading up to the war to end all wars, and how five young British artist’s lives were changed utterly by their experiences, with all the energy of a great historical novel. All artists hope to find a powerful subject to drive their work, but this generation had to somehow express the madness and horror they found in those fields of Europe. A later generation would learn from these expressionists, futurists and vorticists and conjure international careers out of those lessons, but this very English group, during this century defining decade, did the heavy lifting.

Key paintings from Nash’s restless career, each with an accompanying essay offering insight into the real places and events that Nash samples and folds into his psychological landscapes. We are constantly aware of the mind behind the brush, using the places he loves to explore his inner anxieties and his desire for solace.

More than any other book, this volume of letters between friends, and the unguarded insight they allow, gave me a sense of the man, his rhythms of speech, his manner of expression and his character. Career details and everyday mundanities mix with deeper concerns and the kind of excavation of ideas only really close and respectful friends can express.

A thoroughly researched visual study of two brothers, close and highly imaginative playmates as children, but then gradually divergent adults as they came to terms with their war experiences. John had a tougher war, yet seems to have been able to leave the horror behind as he embarked on a brighter, more decorative illustrative style. Paul would be haunted his entire life by shadows of death and depression, but would become one of this country's most important and powerful artists.

Paschall brings to this book his insightful experience of army organizations and war as an infantry officer and veteran of the Vietnam conflagration. Readers can follow in detail the allied offensives of 1917, Germany’s last gasp effort to win on the Western Front in 1918 after Russia’s collapse in the east, and the retreat and breakdown of the once impressive German army in the waning months of the war.  

Paul Fussell was a soldier in World War II, and he was also a professor of literature. His great book examines the way the experience of war changed a generation. It also changed literature (and art). After the experience of war, poets could no longer write about the world in idealized and romantic ways. They had to find forms to express the experience of being alive in ways that were new and shocking.

I love how Fussell uses his own experience of both war and scholarship to explain why Western art took such a turn in the 20th century. It helped me to understand modernist literature and myself.

This brilliant book pulls together many strands of the war, as presented through the lens of attrition. In his sweeping narrative, Philpott focuses on the land war – how it was fought and why, and how it evolved over 4 years – but War of Attrition also examines the politics and diplomacy of war, and the war at sea, in the air, and at home. Pound for pound, the best book yet written on the war-fighting years.

Published almost sixty years ago, this compelling study of four senior commanders who served (mostly) on the Western Front remains as fresh as when it was first written. Barnett’s prose is exquisite, bringing us directly into the world of Helmuth von Moltke, John Jellicoe, Philippé Pétain, and Erich Ludendorff, telling us how they coped (or not) with the enormous stresses and strains they encountered as ‘supreme commanders’. It is a stunning portrait of men (and their command systems) at war. 

My choice here could have been Douglas Newton’s superb Hell-Bent about Australia’s entry into the conflict, or various other fine books by renowned historians, but I can’t go past this one by an expert on Australia in WWI.

Peter Pedersen’s PhD on Monash as a commander became a fine book; his authoritative survey of the AIF during the war entitled The Anzacs: Gallipoli to the Western Front is another work of high quality; and he has also produced several studies of notable AIF battles. But my recommendation is a different publication — his extraordinary Western Front guidebook. Stay with me while I explain why.

Anzacs on the Western Front is lavishly illustrated with maps and photographs, and informed by his comprehensive detailed familiarity with what Australians did. It’s crucial for anyone visiting France and Belgium with the aim of pursuing particular engagements great or small, both to plan your… show more.

The late historian, Thomas Fleming, was a friend. It was an article he wrote for American Heritage magazine in 1968, “Two Argonnes,” about his father, a lieutenant in the 78th Division, that inspired me to write my first World War I book centered on my great uncle as the main character.

Thomas authored 19 books, The Illusion of Victory, is his last book, and he paints a different picture of America’s role in the war, showing how President Wilson and our country were “duped” by Great Britain and France to enter the war, thinking the war was almost won. He not only writes about the Western Front but goes into detail about the home front. After reading his book, you’ll get a different perspective on World War I.

In 2020, to honor one of our most imminent historians, Military History Quarterly magazine inaugurated the annual Thomas Fleming Award for… show more.