Here are 100 books that A Crisis of Brilliance fans have personally recommended if you like
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I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
Key paintings from Nash’s restless career, each with an accompanying essay offering insight into the real places and events that Nash samples and folds into his psychological landscapes. We are constantly aware of the mind behind the brush, using the places he loves to explore his inner anxieties and his desire for solace.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
More than any other book, this volume of letters between friends, and the unguarded insight they allow, gave me a sense of the man, his rhythms of speech, his manner of expression and his character. Career details and everyday mundanities mix with deeper concerns and the kind of excavation of ideas only really close and respectful friends can express.
This book bears witness to the staying power of Pre-Raphaelitism & illuminates the ambivalent, relatively uncritical response in England to the modern movement.
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
Nash never managed to finish his autobiography, and it was originally published with notes, letters and fragments edited into the second half to attempt to complete his story. This new edition adds his wife Margaret’s Memoirs of Paul Nash, 1913-1946, from a surviving type manuscript held at the Tate, to add many more colours and details to this fascinating portrait of an artist and his genius loci – sense of place. I’d also recommend James King’s biography Interior Landscapes.
Paul Nash (1889-1946) was one of the most important British artists of the twentieth century and an official war artist in both the First and the Second World Wars. This new edition of Nash's unfinished autobiography, Outline, is published to coincide with the Tate's major Paul Nash retrospective and incorporates an abridged edition of the previously unpublished 'Memoir of Paul Nash' by his wife Margaret.
Nash started writing Outline in the late 1930s, but it was left incomplete on his sudden death in 1946. Nash had struggled to complete the book, finding that he could not get beyond the beginning…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
A thoroughly researched visual study of two brothers, close and highly imaginative playmates as children, but then gradually divergent adults as they came to terms with their war experiences. John had a tougher war, yet seems to have been able to leave the horror behind as he embarked on a brighter, more decorative illustrative style. Paul would be haunted his entire life by shadows of death and depression, but would become one of this country's most important and powerful artists.
When brothers John and Paul Nash held their first exhibition in 1913 at the Dorien Leigh Gallery in South Kensington, London they were regarded as equally talented and equally ambitious, even though it had been Paul who had studied at the Slade School of Art amongst an extraordinary cohort of young British artists, and John was regarded as an untutored youngster with a flair for capturing the essence of the English landscape. As war broke their fortunes diverted: Paul achieved instant recognition as an Official War Artist, while John withstood the terrors of the trenches as an infantryman. In 1918…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
What I love about this book is the way it delves into all the intimate details of a group of artists/writers/creators in early 20th-century England who rebelled against the day-to-day strictures of a buttoned-up society and embraced eccentricity in even the most humdrum aspects of their lives.
What did they eat? What did they wear? Where did their children go to school? I wouldn’t necessarily imitate absolutely everything that these iconoclasts did, but the allure of their example is intoxicating.
Virginia Nicholson's Among the Bohemians is a portrait of England's artistic community in the first half of the twentieth century, engaged in a grand experiment.
Subversive, eccentric and flamboyant - the Bohemians ate garlic and didn't always wash; they painted and danced and didn't care what people thought. They sent their children to co-ed schools; explored homosexuality and Free Love. They were often drunk, broke and hungry but they were rebels.
In this fascinating book Virginia Nicholson examines the way the Bohemians refashioned the way we live our lives.
'Interesting, gorgeous, wonderful.... this book displays the best of bohemia itself…
From a girl who defied death to set nearly every aviation record in a rickety bi-plane, to a team of young women who literally invented computer coding with no guidance and very little credit, to a boy who revolutionized chemistry when he used the scientific method to create the color purple from coal tar, I write books about young people who followed their dreams to accomplish amazing things. There’s no reason to wait until you grow up to become a scientist. The books I’ve chosen will inspire your young scientist to explore and invent - right now!
We all know Beatrix Potter wrote and illustrated Peter Rabbit and other children’s books, but how many people are aware that young Beatrix was a groundbreaking mushroom scientist? In Beatrix Potter, Scientist, Metcalf unveils the secret scientific side of Beatrix Potter, long before her books became classics. Beatrix studied all sorts of fungi, discovering a mushroom known as the Old Man Of The Woods, but as a female she was prohibited from presenting a scientific paper to London’s Linean Society. I love one of this book’s underlying messages, that someone can be an artist AND a scientist; there’s no need to choose one or the other. There’s also a terrific author’s note and strong supporting end matter for further study.
Friends of American Writers Chicago Winner 2021 Young People's Literature Award
Beatrix Potter was a writer, an artist, and a scientist too, and she strove to find a place in the world for her talents.
Everyone knows Beatrix Potter as the creator of the Peter Rabbit stories. But before that, she was a girl of science. As a child, Beatrix collected nature specimens; as a young adult, she was an amateur mycologist presenting her research on mushrooms and other fungi to England's foremost experts. Like many women of her time, she remained unacknowledged by the scientific community, but her keen…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
This book was on the bedside table at a friend’s house where I was staying. I picked it up, started it, and stayed up much later than I had planned!
I was so engaged with the idea of an eighteenth-century woman who began making these botanical paper cut-outs and achieved attention for her work in late life, and I was drawn along by Peacock’s clear, lyrical prose and how she wove in aspects of her own life as a poet.
I loved Mary Delaney’s creativity, spirit, and grit, and she now feels to me like a friend from 250 years ago.
Mary Delany was seventy-two years old when she noticed a petal drop from a geranium. In a flash of inspiration, she picked up her scissors and cut out a paper replica of the petal, inventing the art of collage. It was the summer of 1772, in England. During the next ten years she completed nearly a thousand cut-paper botanicals (which she called mosaicks) so accurate that botanists still refer to them. Poet-biographer Molly Peacock uses close-ups of these brilliant collages in The Paper Garden to track the extraordinary life of Delany, friend of Swift, Handel, Hogarth, and even Queen Charlotte…
I studied music as an undergraduate and play the cello or the drums most days. Yet when I set out to write Concert Black, I found that there are surprisingly few novels set in the world of the conservatory and the concert hall. To me, these are ideal settings for drama because they are filled with competition, ego, and high art. Novels that pivot on classical music combine two of my great passions and are among my favorite type of book.
A celebrated composer squares off against a newspaper editor as old friends become enemies.
Ian McEwan has always woven classical music into his novels; his book Saturday features a neurosurgeon listening to Bach’s Goldberg Variations while he operates. But the Booker Prize-winning Amsterdam features a working musician as a main character.
Some readers view Amsterdam as second-tier McEwan. I don’t necessarily disagree, but I love how vain and prickly Clive Linley can be. McEwan writes wonderful passages about the physical process of composing, often at the piano, for a man who “regarded himself as Vaughan Williams’s heir.”
On a chilly February day two old friends meet in the throng outside a crematorium to pay their last respects to Molly Lane. Both Clive Linley and Vernon Halliday had been Molly's lovers in the days before they reached their current eminence, Clive as Britain's most successful modern composer, Vernon as editor of the quality broadsheet, The Judge. Gorgeous, feisty Molly had had other lovers too, notably Julian Garmony, Foreign Secretary, a notorious right-winger tipped to be the next prime minister. In the days that follow Molly's funeral Clive and Vernon will make a pact that will have consequences neither…
Writing my eighth novel, The Testament of Jessie Lamb, I had to move the story into the future in order to explore the topics I was trying to understand. I think through writing: sometimes I feel it is only through writing that I really engage with the world. Work on Jessie Lamb entailed a lot of scientific and future research, and after that I read more and more future fiction, with an increasing appetite for the work of writers who are really interested in exploring where we are headed as a species, and how we might try to survive the damage we have inflicted on the earth.
I came across Salt Lick when hunting for novels on the topic of climate breakdown.
I was looking for writers who go beyond the doom and gloom, to find either rays of hope or at the very least a story where life and love might survive. For me, hope was an essential element in Jessie Lamb’s story. And in Salt Lick, Allison does deliver a dogged kind of hope for her strange trio of wandering central characters.
Beyond that, she delivers bewitchingly beautiful prose; her first page is a masterclass in description.
'A compelling fable of decline, a lament for a way of life, and a warning about what society is already becoming. It is a capsule of England and its dystopian present ... as sad and angry as it is memorable' Ronan Hession
'Salt Lick is that rare beast - imaginative, risky storytelling where every sentence is a gift' Heidi James
Britain is awash, the sea creeps into the land, brambles and forest swamp derelict towns. Food production has moved overseas and people are forced to move to the cities for work. The countryside…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
During my decades in the corporate world, I traveled extensively and spent months in England, where I became a devoted Anglophile. I am privileged to have met Queen Elizabeth II and Philip, and to have attended a knighting at Westminster. English history fascinates me, but so do gripping spy thrillers occurring in European and Middle Eastern settings. There’s nothing better than finishing a satisfying first book in a series—fiction or not--and deciding to ration the remaining ones so you can savor the experience a little longer!
Peter Ackroyd has written several wonderful books about London, the Thames, and aspects of English life, but this six-volume series (the last to come in 2023) is the best and most comprehensive I’ve found. It’s a delightful trip through history, not only covering the politics of the times but giving insight into the daily lives of people from one era to the next, how towns became cities, infrastructure and the system of government developed. The page counts are daunting, but don’t be dissuaded—nobody can make history come alive better than Ackroyd.
The first book in Peter Ackroyd's history of England series, which has since been followed up with two more installments, Tudors and Rebellion.
In Foundation, the chronicler of London and of its river, the Thames, takes us from the primeval forests of England's prehistory to the death, in 1509, of the first Tudor king, Henry VII. He guides us from the building of Stonehenge to the founding of the two great glories of medieval England: common law and the cathedrals. He shows us glimpses of the country's most distant past--a Neolithic stirrup found in a grave, a Roman fort, a…
