Here are 100 books that Paul Nash in Pictures fans have personally recommended if you like
Paul Nash in Pictures.
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I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
This book covers the drama and upheaval of the years leading up to the war to end all wars, and how five young British artist’s lives were changed utterly by their experiences, with all the energy of a great historical novel. All artists hope to find a powerful subject to drive their work, but this generation had to somehow express the madness and horror they found in those fields of Europe. A later generation would learn from these expressionists, futurists and vorticists and conjure international careers out of those lessons, but this very English group, during this century defining decade, did the heavy lifting.
Dora Carrington, Mark Gertler, Paul Nash, Christopher Nevinson, and Stanley Spencer were five of the most important British artists of the twentieth century. From diverse backgrounds, they met at The Slade in London between 1908 and 1910, in what was later described as the school’s ";last crisis of brilliance."; Between 1910 and 1918 they loved, talked, and fought; they admired, conspired, and sometimes disparaged each others’ artistic creations. They created new movements; they frequented the most stylish cafés and restaurants and founded a nightclub; they slept with their models and with prostitutes; and their love affairs descended into obsession, murder,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
More than any other book, this volume of letters between friends, and the unguarded insight they allow, gave me a sense of the man, his rhythms of speech, his manner of expression and his character. Career details and everyday mundanities mix with deeper concerns and the kind of excavation of ideas only really close and respectful friends can express.
This book bears witness to the staying power of Pre-Raphaelitism & illuminates the ambivalent, relatively uncritical response in England to the modern movement.
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
Nash never managed to finish his autobiography, and it was originally published with notes, letters and fragments edited into the second half to attempt to complete his story. This new edition adds his wife Margaret’s Memoirs of Paul Nash, 1913-1946, from a surviving type manuscript held at the Tate, to add many more colours and details to this fascinating portrait of an artist and his genius loci – sense of place. I’d also recommend James King’s biography Interior Landscapes.
Paul Nash (1889-1946) was one of the most important British artists of the twentieth century and an official war artist in both the First and the Second World Wars. This new edition of Nash's unfinished autobiography, Outline, is published to coincide with the Tate's major Paul Nash retrospective and incorporates an abridged edition of the previously unpublished 'Memoir of Paul Nash' by his wife Margaret.
Nash started writing Outline in the late 1930s, but it was left incomplete on his sudden death in 1946. Nash had struggled to complete the book, finding that he could not get beyond the beginning…
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
A thoroughly researched visual study of two brothers, close and highly imaginative playmates as children, but then gradually divergent adults as they came to terms with their war experiences. John had a tougher war, yet seems to have been able to leave the horror behind as he embarked on a brighter, more decorative illustrative style. Paul would be haunted his entire life by shadows of death and depression, but would become one of this country's most important and powerful artists.
When brothers John and Paul Nash held their first exhibition in 1913 at the Dorien Leigh Gallery in South Kensington, London they were regarded as equally talented and equally ambitious, even though it had been Paul who had studied at the Slade School of Art amongst an extraordinary cohort of young British artists, and John was regarded as an untutored youngster with a flair for capturing the essence of the English landscape. As war broke their fortunes diverted: Paul achieved instant recognition as an Official War Artist, while John withstood the terrors of the trenches as an infantryman. In 1918…
Simo Laakkonen is director of Degree Program in Digital Culture, Landscape and Cultural Heritage, University of Turku, Finland. He is an environmental historian who has specialized among other things on the global environmental history of warfare during Industrial Age. He has coedited on this theme two special issues and three books, the latest one is The Resilient City in World War II: Urban Environmental Histories. He has selected five books that cover some main phases of the long environmental history of wars and mass violence.
Numerous books have been written about the slaughter of millions of young men in mud and blood during the First World War.
This is the first book that focuses on the other main actor and victim of this conflict, that is, landscapes.
This coherent and transnational studyoffers interesting perspectives on how landscapes of war were idealized, mobilized, destroyed, and then remembered around the world.
This comparative and transnational study of landscapes in the First World War offers new perspectives on the ways in which landscapes were idealised, mobilised, interpreted, exploited, transformed and destroyed by the conflict. The collection focuses on four themes: environment and climate, industrial and urban landscapes, cross-cultural encounters, and legacies of the war. The chapters cover Europe, Russia, the Middle East, Africa and the US, drawing on a range of approaches including battlefield archaeology, military history, medical humanities, architecture, literary analysis and environmental history.
This volume explores the environmental impact of the war on diverse landscapes and how landscapes shaped soldiers'…
My mixed media journey began as a kid growing up in a family of scientists and artists. I always loved to combine things, adding unusual objects to my mud sculptures and later mixing things up as a chemistry student. I created some wild concoctions as a bartender and then eventually as an acrylic painter. I began as a traditional oil painter, but I moved on to painting murals on walls, and cutting stones and metalwork. I introduced the other art students to some great construction sites where we would scavenge materials and give them new life. This passion led me to write six books on mixed media.
Acrylic Revolution introduces the artist to an assortment of tools, products, and techniques to help you understand the many possibilities of using acrylic paint.
It is a book you want to keep handy as you explore what acrylic paint can do. Nancy provides an extensive list of tips, tools, materials, and a handy glossary.
The book has steps to take you through everything from gluing, creating textures to how to change your paint to act like other mediums. The technique steps have helpful photos but limited finished art.
However, there are many beautiful pieces at the end of the book with handy page references to go back and see the techniques that were used to create them.
This is a great book for someone starting out in the acrylic painting.
Acrylic Revolution is your essential, all-in-one guide for acrylic painting techniques and more. Use any of the over 101 strategies to break through the boundaries of conventional painting and redefine your creative potential with the world's most versatile medium.
Every page is packed with insights into using acrylic paint in ways you never thought possible to create stunning visual effects and textures.
A gallery of finished art at the back of the book will show you how to combine different tricks to use in their artwork offering you real-life applications for acrylic techniques.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
This was a book I wanted for a long time but it was out of print for decades. Finally, back in print in 2012, this has long been considered the bible for illustrators and visual artists of all stripes. Packed to the brim with useful and unique insights, this book covers figurative art comprehensively. From lighting to shadows, mood, and composition, it’s all here and explained in the clearest and most insightful way imaginable.
If ever there was a truly timeless book that explained the core principles of visual art, this is it. For me, it is an academy in itself. A book that will give you a lifetime of enjoyment and reward you with fresh insights every time you pick it up.
"Creative Illustration" is considered Loomis' magnum opus, which is aimed primarily at the professional-level illustrator. It's divided into seven sections: Line, Tone, Color, Telling the Story, Creating Ideas, Fields of Illustration, and Experimenting and Studies. The book is filled with instructions, tips, insider experiences, and incredible illustrations.
While at UC Berkeley, pursuing a PhD in Ancient History, I took a seminar on the American Landscape and was fascinated. Here was a topic that was far from the pomp and grandeur of the Roman Empire and yet there was something compelling about looking deeply at what was right there in the everyday world around me. The idea of the prosaic, the banal, as a legitimate topic of inquiry was eye-opening and led eventually to a PhD in Cultural Geography. While these books might not alter the reader’s life trajectory, they will hopefully offer an invitation to view the everyday world with a bit more curiosity.
J. B. Jackson was an iconoclast, each summer riding his motorcycle between Harvard and Berkeley. Jackson saw America from the road and up close, and in his magazine Landscape, he invited readers to see the every day and the prosaic as well.
His writing illuminates topics like the road, commercial architecture, and mobile homes. Before “Learning from Las Vegas,” Jackson asked us to consider what we could learn from the vernacular architecture around us. His writing is theory-free and offers a meditation on seeing what is around us.
J.B. Jackson, a pioneer in the field of landscape studies, here takes us on a tour of American landscapes past and present, showing how our surroundings reflect important changes in our culture.
Because we live in urban and industrial environments that are constantly evolving, says Jackson, time and movement are increasingly important to us and place and permanence are less so. We no longer gain a feeling of community from where we live or where we assemble but from common work hours, habits, and customs. Jackson examines the new vernacular landscape of trailers, parking lots, trucks, loading docks, and suburban…
I’ve lived in San Francisco since I was 20 in 1978. I helped launch Processed World in 1981, Critical Mass in 1992, and Shaping San Francisco in 1998. I’ve been co-directing and co-curating the archive at foundsf.org since 2009, and have been fully immersed for years in gathering and presenting local history online, on bike and walking tours, during Public Talks, and most recently on Bay Cruises. I have published three books of my own and edited or co-edited seven additional volumes, much of which covers local history. The more I’ve learned the more I’ve realized how little I know!
Philip Dreyfus has written a fantastic one-stop ecological history of San Francisco that properly puts the city’s evolution into the natural systems on which it was built. Too many histories overlook the basic questions of water, topography, and climate and how human activity, that is work, has altered those over time. Dreyfus starts with an eloquent description of pre-contact life on the windy, foggy, sand-dune-covered peninsula, and methodically takes us through the sequences of urbanization, including the struggle over green spaces and parklands, water provision, and ultimately the surrounding bay itself. Few cities have benefited as much as San Francisco from the activism of previous generations that in our case, saved the bay, blocked freeway construction, and halted nuclear power.
Few cities are so dramatically identified with their environment as San Francisco - the landscape of hills, the expansive bay, the engulfing fog, and even the deadly fault line shifting below. Yet most residents think of the city itself as separate from the natural environment on which it depends. In Our Better Nature, Philip J. Dreyfus recounts the history of San Francisco from Indian village to world-class metropolis, focusing on the interactions between the city and the land and on the generations of people who have transformed them both. Dreyfus examines the ways that San Franciscans remade the landscape to…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’m a Sydney, Australia born sociologist and writer and back in 1990 I hitchhiked through the UK, travelled in Europe and arrived in Turkey just as the Gulf War was starting. After three months in the country I was hooked. I now live in Istanbul and write about the people, culture, and history. Using my less than perfect Turkish language skills I uncover the everyday extraordinary of life in modern Istanbul even though it means I’ve accidentally asked a random stranger to give me a hug and left a butcher convinced I think Turkish sheep are born with their heads on upside down.
I’m always seeking to learn more about Istanbul’s multicultural past and Kuzguncuk, on the Asian side of Istanbul, is an area rich in history. The leafy streets and community vegetable garden are now extremely popular with Turkish hipsters, but Mills looked behind the surface by doing an incredible amount of research and conducting fascinating interviews with residents, to bring the past into the present. Jews, Greeks, Armenians, and Turks have always lived together here and in Streets of Memory their individual stories, ethnic histories, and differing memories are carefully woven together to create a deeply nuanced, complex picture of Istanbul.
In this study of Kuzguncuk, known as one of Istanbul's historically most tolerant, multiethnic neighborhoods, Amy Mills is animated by a single question: what does it mean to live in a place that once was--but no longer is--ethnically and religiously diverse? ""Turkification"" drove out most of Kuzguncuk's minority Greeks, Armenians, and Jews in the mid-twentieth century, but they left behind potent vestiges of their presence in the cityscape. Mills analyzes these places in a street-by-street ethnographic tour. She looks at how memory is conveyed and contested in Kuzguncuk's built environment, whether through the popular television programs filmed on location there…
