Books like Paul Nash in Pictures — picked by fans

This book covers the drama and upheaval of the years leading up to the war to end all wars, and how five young British artist’s lives were changed utterly by their experiences, with all the energy of a great historical novel. All artists hope to find a powerful subject to drive their work, but this generation had to somehow express the madness and horror they found in those fields of Europe. A later generation would learn from these expressionists, futurists and vorticists and conjure international careers out of those lessons, but this very English group, during this century defining decade, did the heavy lifting.

More than any other book, this volume of letters between friends, and the unguarded insight they allow, gave me a sense of the man, his rhythms of speech, his manner of expression and his character. Career details and everyday mundanities mix with deeper concerns and the kind of excavation of ideas only really close and respectful friends can express.

Nash never managed to finish his autobiography, and it was originally published with notes, letters and fragments edited into the second half to attempt to complete his story. This new edition adds his wife Margaret’s Memoirs of Paul Nash, 1913-1946, from a surviving type manuscript held at the Tate, to add many more colours and details to this fascinating portrait of an artist and his genius loci – sense of place. I’d also recommend James King’s biography Interior Landscapes.

A thoroughly researched visual study of two brothers, close and highly imaginative playmates as children, but then gradually divergent adults as they came to terms with their war experiences. John had a tougher war, yet seems to have been able to leave the horror behind as he embarked on a brighter, more decorative illustrative style. Paul would be haunted his entire life by shadows of death and depression, but would become one of this country's most important and powerful artists.

Numerous books have been written about the slaughter of millions of young men in mud and blood during the First World War.

This is the first book that focuses on the other main actor and victim of this conflict, that is, landscapes.

This coherent and transnational study offers interesting perspectives on how landscapes of war were idealized, mobilized, destroyed, and then remembered around the world. 

Acrylic Revolution introduces the artist to an assortment of tools, products, and techniques to help you understand the many possibilities of using acrylic paint.

It is a book you want to keep handy as you explore what acrylic paint can do. Nancy provides an extensive list of tips, tools, materials, and a handy glossary.

The book has steps to take you through everything from gluing, creating textures to how to change your paint to act like other mediums. The technique steps have helpful photos but limited finished art.

However, there are many beautiful pieces at the end of the book with handy page references to go back and see the techniques that were used to create them.

This is a great book for someone starting out in the acrylic painting.

This was a book I wanted for a long time but it was out of print for decades. Finally, back in print in 2012, this has long been considered the bible for illustrators and visual artists of all stripes. Packed to the brim with useful and unique insights, this book covers figurative art comprehensively. From lighting to shadows, mood, and composition, it’s all here and explained in the clearest and most insightful way imaginable.

If ever there was a truly timeless book that explained the core principles of visual art, this is it. For me, it is an academy in itself. A book that will give you a lifetime of enjoyment and reward you with fresh insights every time you pick it up.

This book takes the physical and built environment as the centerpiece for looking at the historical trajectory of the United States. The multiple essays highlight the ways in which the country was being shaped by the interaction of both the physical environment of North America and the cultural forces acting upon the land from Native Americans to the Federal Government.

The landscape is seen as a text that, if one stops to observe, reveals itself as a rich artifact to be examined. Place names, architecture, and land use patterns are not arbitrary but are the result of culture, politics, economics, imperialism, etc.  

J. B. Jackson was an iconoclast, each summer riding his motorcycle between Harvard and Berkeley. Jackson saw America from the road and up close, and in his magazine Landscape, he invited readers to see the every day and the prosaic as well.

His writing illuminates topics like the road, commercial architecture, and mobile homes. Before “Learning from Las Vegas,” Jackson asked us to consider what we could learn from the vernacular architecture around us. His writing is theory-free and offers a meditation on seeing what is around us. 

This is similar to Wild Isles – a vast celebration of nature incorporating fiction, non-fiction, and poetry – but this time with its focus on the beautiful wild North of Britain.

It’s exciting to see so many different aspects of the area brought out and the inclusion of lesser-known contemporary writers such as Katie Hale, Loren Cafferty, and Graham Mort alongside greats such as William Wordsworth and Charlotte Brontë. 

So often neglected, so often stereotyped, the North is viewed here by those that know it, through clear eyes but with understandable adoration. I particularly enjoyed the descriptions of the moors, the dark green and grey wilds inhabited by curlew, kite, and hare.

This is the place where the Brontës created their epic romances and where contemporary writers sought solace during lockdown. The land continues to be a source of inspiration and it is gratifying to see it celebrated in this… show more.