Here are 100 books that P is for Peril fans have personally recommended if you like
P is for Peril.
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Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
I fell in love with Sue Grafton’s Kinsey Milhone in the first paragraph of this book. She’s learned to protect her heart from significant damage, and she’s got a toughness that makes her equal to any drug lord or cold-blooded killer in the streets of L.A. or anywhere else.
She’s hired by a woman who was convicted of killing her husband. She swears she didn’t do it. Of course, right? Kinsey is tasked with finding out who actually did it, and yes, she takes it with the proverbial grain of salt—until the bodies start piling up. Her investigation ranges from Beverly Hills to Las Vegas. Who says rich streets aren’t mean? Trust me, the lady can handle herself while keeping her ethics intact.
`My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind . . .'
When Laurence Fife was murdered, few cared. A slick divorce attorney with a reputation for ruthlessness, Fife was also rumoured to be a slippery ladies' man. Plenty of people in the picturesque Southern California town of Santa Teresa had reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access and opportunity,…
What Happened to Frank? is the first book in the Meg Sheppard Mystery Series. Meg is an amateur sleuth who owns racehorses and lives on a horse farm. Her beloved border collie, Kelly, is usually at Meg's side as she investigates murders and solves other mysteries. The books are action-packed…
I grew up watching old Bogart movies on TV with my father. From Phillip Marlowe to Sam Spade, I was taken with the life of the P. I. Once I was old enough to read and enjoy the irony as well as the sex and violence in Mickey Spillane’s Mike Hammer tales, I’d pull the detective novels from under my old man’s bed and spend time with all the lowlifes. Guess I’ve never grown out of my love for noir. That’s why I started writing P. I. novels as well as reading them. I hope they bring as much entertainment to others as those old-school sagas brought to me.
I was pulled in by the concept of the birth of a private eye.
Easy Rollins, a guy with no background in law enforcement, a day laborer, accepts money to find a missing woman, and a shamus is born. Did I mention that Easy is black, and has to deal with all the prejudices and difficulties that entails?
In addition to being a great whodunit of who and why, it’s a cool trip riding along with Easy on his maiden voyage into gumshoe land.
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
The moment I rode my first wave 25 years ago, I fell in love with the raw energy of that swell that traveled all the way across the ocean to share the last bit of its journey with me. My love of surfing became an all-consuming passion. I abandoned graduate school and reorganized my life to spend every possible minute in the water. Hours a day, I sit on my board, watching the horizon for the next wave, anticipating that sublime connection, when wind and water unite with my breath and blood. Out of the water, I seek a similar kind of transcendence in the stories I write.
The Dawn Patrol is the first in Winslow’s Boone Daniels detective series. It has many hallmarks of a Winslow novel: a Southern California backdrop (San Diego), a host of morally ambiguous characters, a generally good guy trying to do what’s right, snappy writing, and surfing. This book also presents a surf culture we’ve come to recognize from television and movies, with a language, that while not universally shared by all surfers, is understood as the sport’s lingua franca—dude, gnarly, epic, wipeout. Where this book excels, however, is in capturing surfing’s dualistic nature as both a solitary pursuit and a place of a tight-knit community. Main character Boone Daniels is both the lone wolf and a member of a pack, one that can both have his back in the lineup and turn on him on dry land.
From the bestselling author of Savages (now an Oliver Stone film).
As cool as its California surfer heroes, Don Winslow delivers a high velocity, darkly comic, and totally righteous crime novel.
Every morning Boone Daniels catches waves with the other members of The Dawn Patrol: four men and one woman as single-minded about surfing as he is. Or nearly. They have "real j-o-b-s"; Boone, however, works as a PI just enough to keep himself afloat. But Boone's most recent gig-investigating an insurance scam—has unexpectedly led him to a ghost from his past. And while he may have to miss the…
What Happened to Frank? is the first book in the Meg Sheppard Mystery Series. Meg is an amateur sleuth who owns racehorses and lives on a horse farm. Her beloved border collie, Kelly, is usually at Meg's side as she investigates murders and solves other mysteries. The books are action-packed…
I’m a retired surgeon and have no expertise in espionage, law enforcement, or the legal system. But I enjoy thriller novels that feature these things, and I follow the adage, “Write what you like to read.” But I do have medical/surgical expertise and have followed another adage: “Write what you know,” so I have inserted medical situations into many of my stories and one of my published books is a medical thriller. What I like about thrillers is the ability to show each side of the conflict. The good guys against the bad guys, neither side knowing what the other is doing. But the reader knows, and this adds to the suspense.
There isn’t a Robert Crais novel I haven’t thoroughly enjoyed, but I especially like the ones featuring PI Elvis Cole and his no-nonsense, stoic buddy Joe Pike. What is especially good about this novel is the character development of the two antagonists. Their personalities, often clashing with each other, make them more than one-dimensional killers, adding spice to the story—something I try to do in my own books.
'Just keeps getting better and better' Evening Standard As addictive as Lee Child and as explosive as Michael Connelly - THE WANTED is the new thriller from Robert Crais, and a NEW YORK TIMES BESTSELLER
Seventeen-year-old Tyson is a normal teenaged boy - he's socially awkward, obsessed with video games, and always hungry. But his mother is worried that her sweet, nerdy son has started to change... and she's just found a $40,000 Rolex watch under his bed. Suddenly very frightened that Tyson has gotten involved in something illegal, his mother gets in touch with a private investigator named Elvis…
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
Like other private detectives, LA-based Lew Archer sees too much—too much bad or at least questionable behavior. Here, it seems to take the form of a runaway—a rich kid who has “escaped” confinement from his exclusive 60’s reform school. Despite his lack of style and color, Archer acts confident he’ll find him. The only problem: The parents—his client—aren’t helping him very much.
His disappearance case threatens to disappear, providing an especially clever irony and supporting what I believe is author Macdonald’s favorite insight: The problem begins and ends in the family. The only question is, with all the darkness the parents create and Archer encounters, will he see enough to solve the case? I love this story, in part, becomes it’s more noir than any other Lew Archer story.
In The Far Side of the Dollar, private investigator Lew Archer is looking for an unstable rich kid who has run away from an exclusive reform school—and into the arms of kidnappers. Why are his desperate parents so loath to give Archer the information he needs to find him? And why do all trails lead to a derelict Hollywood hotel where starlets and sailors once rubbed elbows with two-bit grifters—and where the present clientele includes a brand-new corpse? The result is Ross Macdonald at his most exciting, delivering 1,000-volt shocks to the nervous system while uncovering the venality and depravity…
As a thriller writer, I have a simple goal: I want to entertain. I'm not the kind of writer whose name is coupled with the Pulitzer Prize or the National Book Award. I write the kind of stories people read to divert themselves on a rainy afternoon or on the beach or on airplanes.My hope is that I can divert and delight my readers. Help them forget the real world for a while. Give them an enjoyable reading break. If people have fun while reading my thrillers, I've done my job.
Ross Macdonald’s Lew Archer books were my introduction to the American private-detective novel. Macdonald’s work is psychologically and morally complex, with the sins of previous generations cascading through time to horrific, homicidal effects on Archer’s clients.
In Sleeping Beauty, Archer tries to help a wealthy family with more trouble than any single family should have to deal with—including a missing girl, an oil spill, a ransom demand, and a corpse floating off a private beach. As Archer works his case, he untangles long-lost memories, the results of arrogant decisions, and the pained, twisted relations between parents and children. Sleeping Beauty is gritty and taut. Terrific detective fiction.
In Sleeping Beauty, Lew Archer finds himself the confidant of a wealthy, violent family with a load of trouble on their hands--including an oil spill, a missing girl, a lethal dose of Nembutal, a six-figure ransom, and a stranger afloat, face down, off a private beach. Here is Ross Macdonald's masterful tale of buried memories, the consequences of arrogance, and the anguished relations between parents and their children. Riveting, gritty, tautly written, Sleeping Beauty is crime fiction at its best.
If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross…
From Poe to Conan Doyle and Christie to the hard-boiled school of Hammett and Chandler and modern practitioners such as Louise Penny and Walter Mosely, I can gobble up mysteries like candy. Their appeal lies not only in compelling storylines but in their promise to restore order to our chaotic world, assure us that justice will triumph and evil geniuses will lose to intrepid paladins. As with wines, art, and sex, tastes vary. While reading various lists of great mysteries to jog my memory to make this list, I realized that few of my favorites were even listed, much less among the top ranks. Like a good detective, I’m determined that justice prevails.
To my mind, Macdonald is the greatest of American mystery writers, yet he appears to be all but forgotten. Writing in the tradition of Chandler and Hammett—and sharing their California setting—he surpasses them both as a writer and a student of human nature. I find his detective, Lew Archer, a believable and appealing character. A decent and compassionate man, he’s as tough as needs be, but no tougher. The Underground Man is Macdonald’s best, a complex and haunting story in which a routine search for a missing person leads Archer into a twisted family heritage of death and betrayal that has festered, hidden, for decades, and has now burst forth in deadly fashion.
As a mysterious fire rages through the hills above a privileged town in Southern California, Archer tracks a missing child who may be the pawn in a marital struggle or the victim of a bizarre kidnapping. What he uncovers amid the ashes is murder—and a trail of motives as combustible as gasoline. The Underground Man is a detective novel of merciless suspense and tragic depth, with an unfaltering insight into the moral ambiguities at the heart of California's version of the American dream.
If any writer can be said to have inherited the mantle of Dashiell Hammet and Raymond Chandler,…
I'm an actor turned journalist and writer. After a series of roles on low-budget movies and forgettable soap operas, I moved to Latin America to write about travel and life and all the heartbreak and humour it entails. El Flamingo follows the misadventure of a struggling actor who gets mistaken for a rogue assassin in Mexico and is forced to assume the mysterious identity in order to survive. It is a preposterous plot that could never happen in real life, yet the essence of it all was inspired by places I went, people I crossed paths with, and a sense of adventure that, to me, was authentic.
Elvis Cole is the first-person narrator of a classic private eye series set in Los Angeles.
It is fun and unpretentious while being full of sociological truisms. The novels are first and foremost crime thrillers, but the comedic voice and observations make for a somewhat genre-bending experience every single read.
The second blistering Elvis Cole novel from the bestselling author of RACING THE LIGHT
'Brilliant... read this, then read all his others' Mirror
Bradley Warren had lost something very valuable, something that belonged to someone else: a rare thirteenth-century Japanese manuscript called the Hagakure.
Everything PI Elvis Cole knew about Japanese culture he'd learned from reading SHOGUN, but he knew a lot of crooks - and what he didn't know, his sidekick Joe Pike did.
Together, Cole and Pike begin their search in L.A.'s Little Tokyo, the nest of the notorious Japanese mafia, the Yakuza - and find themselves caught…
I have been fascinated by James Ellroy’s life and writing since I first discovered it as a lonely teenager on a rainswept family holiday. He went through dark times; the unsolved murder of his mother and his subsequent struggles with addiction. But how he overcame this to become one of America’s greatest writers is an inspiring story and has inspired me to get through my own personal turmoil. Indeed, many Ellroy readers will attest to how his life story and writing helped them overcome their struggles. Now as Ellroy’s biographer, I am continually drawn back to his work. Reading just a few pages allows me to contemplate what Ellroy calls ‘the Wonder’.
This was James Ellroy’s debut novel and has been all but forgotten compared to the masterpieces he later produced. But there is so much in this book that reveals why Ellroy was destined for greatness: strong plotting, vivid characters, electrifying prose. The plot involves a car repo man who takes on a private eye case for an oddball golf caddy. The plot owes a lot to Raymond Chandler, but it still feels original in Ellroy’s hands. Allow yourself to be swept away by it.
Beneath the slick, glittering surface of L.A., an underworld of depravity and wickedness reins. Fritz Brown is a part-time private eye and full-time repo-man who gets his kicks listening to classical music. But the waters get too deep for Brown when he takes a case from a cash-flashing golf caddy named Freddy “Fat Dog” Baker that puts him on the trail of his client’s sister and the older gentleman she’s run off with. But more suspicious than his sister, a classy cellist, is Fat Dog himself, who has a past more sordid than he lets on. Diving into a cesspool…
I write character-driven thrillers, including my latest novel: Rough Justice. How did I come to write psychological character-driven thrillers? It began years ago when I went to Hollywood in 1977. This was the New Hollywood (1967 -1980), and I worked with writers whose work grabbed viewers viscerally, not with explosions but with multi-dimensional characters that would draw you into a deeply moving story. I spent countless hours working out the stories and shaping the people in them. Working closely with these great screenwriters was a rare opportunity to learn how to create complicated characters and to see how these complex people enriched storytelling.
I not only loved this book (and all of Ross Macdonald’s writing) but he wrote his only screenplay for me as a producer in Hollywood, based on this book, The Instant Enemy. Working with him closely on this book taught me a great deal about writing complicated character-driven thrillers. He was a master at that, and it was an extraordinary education for me.
Generations of murder, greed and deception come home to roost in time for the most shocking conclusion ever in a Lew Archer novel. At first glance, it's an open-and-shut missing persons case: a headstrong daughter has run off to be with her hothead juvenile delinquent boyfriend. That is until this bush-league Bonnie & Clyde kidnap Stephen Hackett, a local millionaire industrialist. Now, Archer is offered a cool 100 Gs for his safe return by his coquettish heiress mother who has her own mysterious ties to this disturbed duo. But the deeper Archer digs, the more he realizes that nothing is…
