100 Books Like Stalking the Angel

As a former U.S. Army service member and a student of life, espionage and intelligence have often been staples in my research (as a creative writer), the cornerstones of my professional experience (as a combat veteran and slum baby), and a central theme in most of my novels. I’ve always enjoyed dissecting the inherent struggles of mankind and their inevitable fallouts—the pain, the joy, the misguided hopes and leaps of faith. Espionage and intelligence weaponize these sentiments. They transform them into actionable information and, sometimes, life-altering schemes.

That is what drives my work and sparks my interest in this subject matter: the psychological warfare we subject ourselves—and others—to.

I remember carrying home tall stacks of library books in the summertime and spending entire days immersed in my heroes’ latest adventures as a kid. This continued as I grew up, as I learned that I ought to be a hero, too, by confronting evil both within and without. So I took steps to face my fears, and now when I write about good guys fighting bad guys in my own action fiction, it’s with a real passion for doing what’s right, for making this world better, even if it’s in my own way and only just a little. 

I'm an actor turned journalist and writer. After a series of roles on low-budget movies and forgettable soap operas, I moved to Latin America to write about travel and life and all the heartbreak and humour it entails. El Flamingo follows the misadventure of a struggling actor who gets mistaken for a rogue assassin in Mexico and is forced to assume the mysterious identity in order to survive. It is a preposterous plot that could never happen in real life, yet the essence of it all was inspired by places I went, people I crossed paths with, and a sense of adventure that, to me, was authentic. 

I'm an actor turned journalist and writer. After a series of roles on low-budget movies and forgettable soap operas, I moved to Latin America to write about travel and life and all the heartbreak and humour it entails. El Flamingo follows the misadventure of a struggling actor who gets mistaken for a rogue assassin in Mexico and is forced to assume the mysterious identity in order to survive. It is a preposterous plot that could never happen in real life, yet the essence of it all was inspired by places I went, people I crossed paths with, and a sense of adventure that, to me, was authentic. 

I am a British crime writer with a love of American crime fiction, particularly books with dark plots and quirky, unique characters. I am the author of the Sunday Times bestselling, multiple award-winning, Washington Poe series and the new Ben Koenig series but am first a reader—I read over a hundred books a year. I love discovering a new-to-me series that has a back catalogue for me to work through, and I appreciate recommendations. I’ve been a full-time author since 2015 and, as I suspected, it’s my dream job.

I graduated from Lower Cape May Regional High School in the '80s. My classes revolved mostly around the culinary sciences and theater, with the occasional nap in Chemistry. I write culinary cozy mysteries from my Northern Virginia office while trying to keep my naughty cat off my keyboard. I was diagnosed with an autoimmune disease that prevents me from eating gluten without exploding. I now create gluten-free goodies at home and include the recipes in my Cape May-based Poppy McAllister series. Most of my hobbies revolve around eating and travel, and eating while traveling. My secret powers include finding my way to any coffee shop anywhere in the world, even while blindfolded.

I have been fascinated by James Ellroy’s life and writing since I first discovered it as a lonely teenager on a rainswept family holiday. He went through dark times; the unsolved murder of his mother and his subsequent struggles with addiction. But how he overcame this to become one of America’s greatest writers is an inspiring story and has inspired me to get through my own personal turmoil. Indeed, many Ellroy readers will attest to how his life story and writing helped them overcome their struggles. Now as Ellroy’s biographer, I am continually drawn back to his work. Reading just a few pages allows me to contemplate what Ellroy calls ‘the Wonder’.

I’m a retired surgeon and have no expertise in espionage, law enforcement, or the legal system. But I enjoy thriller novels that feature these things, and I follow the adage, “Write what you like to read.” But I do have medical/surgical expertise and have followed another adage: “Write what you know,” so I have inserted medical situations into many of my stories and one of my published books is a medical thriller. What I like about thrillers is the ability to show each side of the conflict. The good guys against the bad guys, neither side knowing what the other is doing. But the reader knows, and this adds to the suspense.

I grew up in a troubled, violent family in a violent, Mafia-controlled neighborhood. I did a tour in the Air Force and spent some time in Vietnam, surrounded by unseen enemies. When I got out, I stayed in London, surrounding myself with unsavory characters, narrowly avoiding trouble and wondering if I would ever see the twenty-first century. Having lived through so many troubled times, I can identify with those people in history who have overcome overwhelming odds to accomplish their goals, and I enjoy reading about them. They give me the strength to face each day. 

Most of my mysteries fall somewhere on a humor continuum from laugh-out-loud to edgy. Because of the tone and lack of graphic sex or violence, they are often labeled as “cozies.” But all humorous mysteries are not cozies. To explain the different types of humor, I developed a matrix of five categories—kooky, comic, amusing, edgy, and dark. I’ve done numerous guest posts on my matrix, identifying authors from each category and discussing why readers are drawn to different types of humor based on brain dominance profiles and personality types. I also refer to my matrix and the nature of branding when discussing the function of humor in mysteries.