Here are 100 books that The Dawn Patrol fans have personally recommended if you like
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I love adventure—I'm an adventurist. I love escaping—through creative writing and the written word! And, I love the sea—I have served over 30 years in the US Coast Guard at sea and ashore and recently drove Zodiacs in Alaska and Norway for Seabourn Cruise ships. Since publishing my first book, So Others May Live about heroic US Coast Guard rescue swimmers and aircrews (read by Kevin Costner and Ashton Kutcher who both told me they loved my book and used it for their roles in film, The Guardian), I have become a TEDx speaker and coach, award-winning author and rose to the senior rank of captain in the USCG.
This is an adventure! Turn the pages of this book to find waves and many kinds of waves: rogue, freak, and giant waves of the ocean and the people who try to surf them. I am a retired US Coast Guard officer and sailed many ships at sea. As a mariner we know of or have seen waves, some of them tossing our ships in the middle of the night as we try to sail home. Any number of ships have vanished in the ocean, quickly, with no time to put out an SOS call for help. This is a great book to learn more while having an adventure reading it from the safety of your chair.
The have long been mariners' tales of 100-foot rogue waves - gargantuan monsters that sink super-tankers in the blink of an eye.
But waves that high violate the laws of physics, so science has dismissed them as myth. Until now.
In February 2000 the research ship, RRS Discovery, was trapped by a vortex of mammoth waves in the North Atlantic. Amazingly the ship survived and its state-of-the-art equipment registered waves nearing 100-feet. Something scary is brewing in the planet's waters. And with 72% of earth covered by sea, this is serious business.
The first female police detective in Acapulco, Emilia Cruz, dives into an ocean of secrets and lies when she is forced to lead the investigation into her own lieutenant's murder.
Caught between the powerful head of the police union and resentful colleagues, Emilia becomes a pawn in a game of…
The moment I rode my first wave 25 years ago, I fell in love with the raw energy of that swell that traveled all the way across the ocean to share the last bit of its journey with me. My love of surfing became an all-consuming passion. I abandoned graduate school and reorganized my life to spend every possible minute in the water. Hours a day, I sit on my board, watching the horizon for the next wave, anticipating that sublime connection, when wind and water unite with my breath and blood. Out of the water, I seek a similar kind of transcendence in the stories I write.
To look at what is written about surfing, it would seem that it’s a “man’s world.” Surfing, like other pursuits and professions, is one where women are often characterized as either anecdotal or exceptional. The truth is so much richer and complex that, as a woman who surfs, I almost don’t want to share our secrets. But Easkey Britton shares some of hers from years of competitive surfing around the world and from the fierce and sustaining waters she calls home on the west coast of Ireland. Britton has surfed waves and conditions that few among us have the desire to tackle. But in discussing all these places and all these conditions, she speaks eloquently about what can be gained through immersion in the ocean that gave birth to our human form and continues to abide by our human trespasses.
This is an incredibly inspiring exploration of the sea's role in the wellness of people and the planet, beautifully written by Easkey Britton - surfer, scientist and social activist. She offers a powerful female perspective on the sea and surfing, explaining what it's like to be a woman in a man's world and how she promoted the sport to women in Iran, surfing while wearing a hijab. She speaks of the undiscussed taboo around entering the water while menstruating - and of how she has come to celebrate her own bodily cycles. She has developed her own approach to surfing,…
The moment I rode my first wave 25 years ago, I fell in love with the raw energy of that swell that traveled all the way across the ocean to share the last bit of its journey with me. My love of surfing became an all-consuming passion. I abandoned graduate school and reorganized my life to spend every possible minute in the water. Hours a day, I sit on my board, watching the horizon for the next wave, anticipating that sublime connection, when wind and water unite with my breath and blood. Out of the water, I seek a similar kind of transcendence in the stories I write.
Arguably, this is not a book about surfing. The Silence of the Wave is about an Italian undercover police officer dealing with trauma and guilt. But within this hardboiled story of crisis and the dark and ugly undercurrents of our modern world, Carofiglio beautifully illustrates the lasting impact surfing can have on a person’s life. Like first love, surfing may be in your past, but it is never forgotten and often takes on a mythic quality that at once can feel like a dream and also lead you back to your true self.
A woman on the run from her past. A child on the run from reality. A man on the run from himself. Carofiglio confronts the dark side of the human soul in this captivating story of fall and redemption. Every week, Roberto Marias crosses Rome on foot to arrive at his psychiatrist's office. There, he often sits in silence, stumped by the ritual - but sometimes crucial memories come to the surface. He remembers when he was a child and used to surf with his father. He remembers the treacherous years he spent working as an under-cover carabinieri, years that…
With plot elements inspired by presidential elections in both the US and Mexico, Barracuda Bay follows Acapulco’s first female police detective, Emilia Cruz, as she investigates the murder of the mayor’s sister—only to become a fugitive hunted by killers disguised as cops in Washington, DC. The stakes couldn’t be higher…
Early in my life, I developed a keen appreciation of and a strong affinity for the unique culture encompassing the Jersey Shore, a lifestyle that unites infinite waves, distinctive art, soulful music, sand between one’s toes, and the dream of the endless summer. The sea speaks to me, and always has. My appreciation of the ocean and shore living leads me to seek comparable books with hopes of learning from and/or connecting with other writers like me, and it served as the basis of the setting for my novel, Enduring the Waves. I hope you make a similar connection to one of the books on my recommendation list.
I’ve read Jaimal Yogis’ Saltwater Buddha: A Surfer’s Quest to Find Zen on the Sea countless times.
His coming-of-age story recounts his experiences after traveling, rather running away, to Hawaii as a teenager with little money and only a few belongings to learn how to surf. Riding the blue barrel waves and the salty waters, alongside wisdom from his mentor, led to him realizing the science of surfing, the formation of the ocean and its underwater typography, and the quest for enlightenment are forever meshing and melding together.
Yogis helped me to grasp the space between moments is just as important as moments themselves, and the essence of just “being” is sometimes enough.
Fed up with teenage life in the suburbs, Jaimal Yogis ran off to Hawaii with little more than a copy of Hermann Hesse's Siddhartha and enough cash for a surfboard. His journey is a coming-of-age saga that takes him from communes to monasteries, from the warm Pacific to the icy New York shore. Equal parts spiritual memoir and surfer's tale, this is a chronicle of finding meditative focus in the barrel of a wave and eternal truth in the great salty blue.
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
I fell in love with Sue Grafton’s Kinsey Milhone in the first paragraph of this book. She’s learned to protect her heart from significant damage, and she’s got a toughness that makes her equal to any drug lord or cold-blooded killer in the streets of L.A. or anywhere else.
She’s hired by a woman who was convicted of killing her husband. She swears she didn’t do it. Of course, right? Kinsey is tasked with finding out who actually did it, and yes, she takes it with the proverbial grain of salt—until the bodies start piling up. Her investigation ranges from Beverly Hills to Las Vegas. Who says rich streets aren’t mean? Trust me, the lady can handle herself while keeping her ethics intact.
`My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind . . .'
When Laurence Fife was murdered, few cared. A slick divorce attorney with a reputation for ruthlessness, Fife was also rumoured to be a slippery ladies' man. Plenty of people in the picturesque Southern California town of Santa Teresa had reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access and opportunity,…
I write character-driven thrillers, including my latest novel: Rough Justice. How did I come to write psychological character-driven thrillers? It began years ago when I went to Hollywood in 1977. This was the New Hollywood (1967 -1980), and I worked with writers whose work grabbed viewers viscerally, not with explosions but with multi-dimensional characters that would draw you into a deeply moving story. I spent countless hours working out the stories and shaping the people in them. Working closely with these great screenwriters was a rare opportunity to learn how to create complicated characters and to see how these complex people enriched storytelling.
I not only loved this book (and all of Ross Macdonald’s writing) but he wrote his only screenplay for me as a producer in Hollywood, based on this book, The Instant Enemy. Working with him closely on this book taught me a great deal about writing complicated character-driven thrillers. He was a master at that, and it was an extraordinary education for me.
Generations of murder, greed and deception come home to roost in time for the most shocking conclusion ever in a Lew Archer novel. At first glance, it's an open-and-shut missing persons case: a headstrong daughter has run off to be with her hothead juvenile delinquent boyfriend. That is until this bush-league Bonnie & Clyde kidnap Stephen Hackett, a local millionaire industrialist. Now, Archer is offered a cool 100 Gs for his safe return by his coquettish heiress mother who has her own mysterious ties to this disturbed duo. But the deeper Archer digs, the more he realizes that nothing is…
I love morally complex sci-fi noir books because they tend to ask the hard questions that I find interesting. What is the point of seeking justice in an unjust world? How can we judge others when we ourselves are corrupt? Often, we think of noir as being dark—and it is—but it’s the pinpricks of light that make the shadows fascinating to me. I try to blend this complexity into my own writing, whether it’s in a tense relationship with religion, rampant corruption, or a struggle to do the right thing when there just aren’t any options left.
I love this book because it perfectly blends the surreal with noir and science fiction and comes together with its own brand of dark humor. While parts of this book are unsettling and strange, there’s a solid throughline of the investigator seeking the truth in a broken world.
Of all the books here, I think this one has the most damaged society, and the main character, Conrad Metcalf, is a match for it. Drugs that make you forget everything and be complacent. Baby heads. Uplifted animals. The book is never afraid to get stranger, but it also tackles some pretty heavy themes. This is a world where asking questions is taboo, and the moral and ethical implications of that shape the entire world in which Metcalf lives.
The first novel by Jonathan Lethem (author of the award-winning Motherless Brooklyn) is a science-fiction mystery, a dark and funny post-modern romp serving further evidence that Lethem is the distinctive voice of a new generation. Conrad Metcalf has problems. He has a monkey on his back, a rabbit in his waiting room, and a trigger-happy kangaroo on his tail. (Maybe evolution therapy is not such a good idea). He's been shadowing Celeste, the wife of an Oakland urologist. Maybe falling in love with her a little at the same time. When the doctor turns up dead, Metcalf finds himself caught…
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
Like other private detectives, LA-based Lew Archer sees too much—too much bad or at least questionable behavior. Here, it seems to take the form of a runaway—a rich kid who has “escaped” confinement from his exclusive 60’s reform school. Despite his lack of style and color, Archer acts confident he’ll find him. The only problem: The parents—his client—aren’t helping him very much.
His disappearance case threatens to disappear, providing an especially clever irony and supporting what I believe is author Macdonald’s favorite insight: The problem begins and ends in the family. The only question is, with all the darkness the parents create and Archer encounters, will he see enough to solve the case? I love this story, in part, becomes it’s more noir than any other Lew Archer story.
In The Far Side of the Dollar, private investigator Lew Archer is looking for an unstable rich kid who has run away from an exclusive reform school—and into the arms of kidnappers. Why are his desperate parents so loath to give Archer the information he needs to find him? And why do all trails lead to a derelict Hollywood hotel where starlets and sailors once rubbed elbows with two-bit grifters—and where the present clientele includes a brand-new corpse? The result is Ross Macdonald at his most exciting, delivering 1,000-volt shocks to the nervous system while uncovering the venality and depravity…
As a thriller writer, I have a simple goal: I want to entertain. I'm not the kind of writer whose name is coupled with the Pulitzer Prize or the National Book Award. I write the kind of stories people read to divert themselves on a rainy afternoon or on the beach or on airplanes.My hope is that I can divert and delight my readers. Help them forget the real world for a while. Give them an enjoyable reading break. If people have fun while reading my thrillers, I've done my job.
Ross Macdonald’s Lew Archer books were my introduction to the American private-detective novel. Macdonald’s work is psychologically and morally complex, with the sins of previous generations cascading through time to horrific, homicidal effects on Archer’s clients.
In Sleeping Beauty, Archer tries to help a wealthy family with more trouble than any single family should have to deal with—including a missing girl, an oil spill, a ransom demand, and a corpse floating off a private beach. As Archer works his case, he untangles long-lost memories, the results of arrogant decisions, and the pained, twisted relations between parents and children. Sleeping Beauty is gritty and taut. Terrific detective fiction.
In Sleeping Beauty, Lew Archer finds himself the confidant of a wealthy, violent family with a load of trouble on their hands--including an oil spill, a missing girl, a lethal dose of Nembutal, a six-figure ransom, and a stranger afloat, face down, off a private beach. Here is Ross Macdonald's masterful tale of buried memories, the consequences of arrogance, and the anguished relations between parents and their children. Riveting, gritty, tautly written, Sleeping Beauty is crime fiction at its best.
If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross…
I have been fascinated by James Ellroy’s life and writing since I first discovered it as a lonely teenager on a rainswept family holiday. He went through dark times; the unsolved murder of his mother and his subsequent struggles with addiction. But how he overcame this to become one of America’s greatest writers is an inspiring story and has inspired me to get through my own personal turmoil. Indeed, many Ellroy readers will attest to how his life story and writing helped them overcome their struggles. Now as Ellroy’s biographer, I am continually drawn back to his work. Reading just a few pages allows me to contemplate what Ellroy calls ‘the Wonder’.
This was James Ellroy’s debut novel and has been all but forgotten compared to the masterpieces he later produced. But there is so much in this book that reveals why Ellroy was destined for greatness: strong plotting, vivid characters, electrifying prose. The plot involves a car repo man who takes on a private eye case for an oddball golf caddy. The plot owes a lot to Raymond Chandler, but it still feels original in Ellroy’s hands. Allow yourself to be swept away by it.
Beneath the slick, glittering surface of L.A., an underworld of depravity and wickedness reins. Fritz Brown is a part-time private eye and full-time repo-man who gets his kicks listening to classical music. But the waters get too deep for Brown when he takes a case from a cash-flashing golf caddy named Freddy “Fat Dog” Baker that puts him on the trail of his client’s sister and the older gentleman she’s run off with. But more suspicious than his sister, a classy cellist, is Fat Dog himself, who has a past more sordid than he lets on. Diving into a cesspool…
