Here are 100 books that Other Voices, Other Rooms fans have personally recommended if you like
Other Voices, Other Rooms.
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Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This gothic fairytale is a favorite. Exploring the universal themes of good and evil, William Gay’s prose poetically weaves a sinister tale of Fenton Breece, an undertaker who abuses the dead.
This novel takes the reader on an eerie backwoods odyssey lush with peril and a grotesque cast of characters. I am inspired in my writing by Gay’s assignment of myth to place as he has done with the wilderness he calls the Harrikin.
Suspecting that something is amiss with their father's burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead. Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
Not for the squeamish, this gothic tale of a depraved serial killer in rural Tennessee is probably the closest Cormac McCarthy ever came to writing a horror novel. For all the sordidness, the power of the author’s language shines through. I enjoyed the humor, pathos, and psychological insight woven in throughout
As with other McCarthy novels I’ve read, this book contains beautiful sentences and phrases, as well as searing images, that have lingered in my mind for years.
In this taut, chilling novel from the bestselling, Pulitzer Prize–winning author of The Road, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail.
While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.
"Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post
Look for Cormac McCarthy's new novel, The Passenger.
Not so long ago, I got paid to roam Florida and send back quirky dispatches to waiting newspaper editors. I’m fourth-generation, and like many Floridians, I have a love-hate relationship with my home state. I love the exotic beauty, the tumultuous weather, and the “end-of-the-road” mentality of the Sunshine State, but I hate the sprawl, the traffic and the “everything’s for-sale” greed that’s turning this once-pristine place into a steaming suburban parking lot. I enjoy books that capture the beauty, the strangeness, and the quirky characters who still haunt this pistol-shaped peninsula.
Russell conjures a Florida where only a gauzy curtain separates vivid reality from a surreal and magical world. Present and past shift and blur.
I liked this book on first read, but struggled a bit with the magical elements of the story. When I reread it late last year, I fell completely under its spell. I can’t resist a story about a shabby Florida theme park, a menagerie of hungry alligators and an engaging 13-year-old who sets out on a journey through the swamp to save her siblings.
New York Times Bestseller | Pulitzer Prize Finalist
"Ms. Russell is one in a million. . . . A suspensfuly, deeply haunted book."--The New York Times
Thirteen-year-old Ava Bigtree has lived her entire life at Swamplandia!, her family’s island home and gator-wrestling theme park in the Florida Everglades. But when illness fells Ava’s mother, the park’s indomitable headliner, the family is plunged into chaos; her father withdraws, her sister falls in love with a spooky character known as the Dredgeman, and her brilliant big brother, Kiwi, defects to a rival park called The World of Darkness.
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This 2002 novel follows young Harriet Cleve Dufresnes in 1970s Mississippi during the aftermath of the death of her nine-year-old brother, who was killed by hanging in the shadow of unexplained circumstances. I am particularly enamored by the novel’s focus on the customs and dynamics of Harriet’s extended Southern family.
Tartt best describes in her own words why I love this novel: It is “a frightening, scary book about children coming into contact with the world of adults frighteningly.”
NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review
The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets…
I’ve been a stay-at-home mom and author for the past decade, and during that time, I went through the stillbirth of my second baby. Grief taught me a lot about compassion, including the importance of being able to see the nuance of difficult subject matters. I learned it’s easy to theorize what to do in a situation until you're in that situation. For that reason, I love books in all sorts of genres that are layered with characters’ past griefs, impossible scenarios, and tensions regarding the choices they make. I picked five of my favorite books with a heart-ripping plot that sparks interesting discussion and leaves readers pondering, "What would I have done?"
This book was a very bingeable read. I got caught up in the mystery of Hannah’s missing husband, and I also loved the layers of complicated family relationships shown with her stepdaughter.
I’m a sucker for the “he isn’t who he said he was” storyline, and this book masters that through Hannah’s husband, Owen. The entire story is weaved with surprises and plot twists, including the impossible choice Hannah faces at the end.
* SOON TO BE A MAJOR TV SERIES STARRING JULIA ROBERTS *
'Brilliant. Pacy tense and twisty' - LISA HALL
'I adored this beautifully written thriller' - JO SPAIN
IT WAS THE LAST THING HE TOLD ME: PROTECT HER
Before Owen Michaels disappears, he manages to smuggle a note to his new wife, Hannah: protect her. Hannah knows exactly who Owen needs her to protect - his sixteen-year-old daughter, Bailey, who lost her mother tragically as a child. And who wants absolutely nothing to do with her new stepmother.
As her increasingly desperate calls to Owen go unanswered, his boss…
As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
Even though the title hints at the storyline, I still enjoyed the main character’s discovery as she navigates her preconceived ideas about stepmoms to reach the conclusion that maybe they aren’t so evil after all. I would love to give this book to a couple of friends who are stepmoms, but it would be great for any blended family. The art matches the warm tone of the story with just enough hints of possible wickedness.
From acclaimed author and three-time Emmy-nominated writer Samantha Berger and rising star illustrator Neha Rawat comes a hilarious and heartwarming story that follows a young girl as she learns that her new stepmother might not be as evil or wicked as she originally seems. Perfect for newly blended families and a celebration of stepmothers and stepchildren everywhere!
When I first met my stepmother, I was a little suspicious. All stepmothers are supposed to be wicked! Evil! Downright B-A-D BAD! Or at least, that's what the stories say. So I thought I knew just what to expect from mine.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
A fantasy romance author myself, there's something comforting about seeing my favorite fairy tales retold in new ways. It's so much fun to see how authors can twist the tales into something new and totally unique. Maybe the handsome prince is no longer the prince, but a cursed ogre. Or that dragon flying through the night is a queen in disguise, waiting for that one special true love to unlock their curse. But no matter the journey, we know that true love will win, break the curse and save the day, and here are my recommendations for some of my very favorite books.
Once Again is actually a combined volume of two stories inspired by Snow White and Sleeping Beauty, but each easily stands out on their own. Snow was by far my favorite, introducing an evil stepmother who has a particular love for the science arts, and the dwarves were inspired into a combination of unforgettable human-animal hybrids that was perfectly brilliant. Raven and Jessica, or Snow as she is known to the Hybrids known as the Lonely Ones, were a cute pairing that made a very sweet ending together.
Two beloved and timeless tales—Snow White and Sleeping Beauty—find new life in these magical and imaginative retellings filled with romance and adventure.
Snow
After the tragic death of her mother, Jessica’s father finds love again. But as Jessica grows into a beautiful young woman, it becomes clear that her stepmother is wildly—and murderously—jealous of her.
With no choice, Jessica escapes to London and finds herself surrounded by an odd band of outcasts who accept her into their makeshift family. And when her stepmother—repentant and supposedly seeking forgiveness—appears in the city, Jessica must decide whom to trust.
Zombies are not my writer’s passion, family is. I chose the zombie backdrop to showcase the family I wanted to write about at both their best and worst moments. Because when it all comes down to the end of the world, it really doesn’t matter what happened to end it. But who you’re with at the end can make all the difference.
The World Over is the first book in a series, so it sets up the expectations for what is coming.
Winter, on the other hand, is the last in a series, and it did a lot to show me how to bring together an ensemble cast in a way that builds to a satisfying ending without making previous installments feel unnecessary or redundant. While zombies don’t appear in Winter, the history of the experimentation done to create the evil queen’s lupine army gets a lot of screen time without crossing the line into over-telling.
For anyone interested in the more technical aspects of a zombie apocalypse, Winter is a great novel for learning to weave background exposition with foreground action.
Don't miss the thrilling final chapter of Marissa Meyer's Lunar Chronicles series.
Princess Winter is admired for her grace, kindness and beauty, despite the scars on her face. She's said to be even more breath-taking than her stepmother, Queen Levana...
When Winter develops feelings for the handsome palace guard, Jacin, she fears the evil Queen will crush their romance before it has a chance to begin.
But there are stirrings against the Queen across the land. Together with the cyborg mechanic, Cinder, and her allies, Winter might even find the power to launch a revolution and win a war that's…
I was born in the world’s most isolated capital city – Perth, Western Australia. Ever since my family packed up and drove across the vast Nullarbor Plain to relocate to South Australia, I’ve been fascinated by our eerie, wide-open spaces. There’s no doubt that family folklore fed into this. My Finnish mother arrived as a ten-year-old, recalling that when she first felt the heat, she thought: “This is hell.” My father and his family arrived from the Netherlands. I love my country, but this continent presents dangers in its arid isolation – all captivating to a storyteller.
The Island achieved an incredible feat by inducing two competing thoughts in my mind: this couldn’t possibly happen, and this could possibly happen!
A family of four is on an Australian driving holiday and is unexpectedly allowed entry onto a privately owned Dutch Island. This isolated setting soon makes them vulnerable and reliant on others. I loved following the characters’ journeys as they grappled with how to protect themselves and their loved ones. They’re "ordinary everyday people" who are forced to take action—and there’s plenty of it!
As with most of the best thrillers, there are multiple points of view that ratchet up the tension.
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I’ve taught English for 20 years and the novels I’ve enjoyed teaching most – because the students have enjoyed them most – are those with the first-person perspectives of young narrators. These characters’ voices ring loud and clear as they learn, change, and grow, often suffering and having to find resilience and strength to survive. The limited perspective also takes us into the mind and heart of the protagonist, so that we feel all the feels with them. This is why I chose a first-person perspective for the narrator of my own book ‘Cuckoo in the Nest’: Jackie Chadwick is sarcastic, funny, and observant. Readers love her.
I read this book years ago but it’s always stayed with me.
The teenage protagonist, 13-year-old Jason from Worcestershire, England, has a stammer: a speech difficulty that haunts him and has him performing all kinds of manoeuvers to avoid saying certain sounds in class. This would only add embarrassment onto all the other embarrassments he feels as a boy going through puberty.
He calls his stammer ‘Hangman’. As well as this daily struggle, he realises his parents are arguing, and he gets bullied at school.
As a reader, I was touched by his resilience and doggedness. David Mitchell has admitted that the book is semi-autobiographical and this adds another layer of poignancy.
David Mitchell comes home - to England in 1982, and is in the cusp of adolescence. Jason Taylor is 13, doomed to be growing up in the most boring family in the deadest village (Black Swan Green) in the dullest county (Worcestershire) in the most tedious nation (England) on earth and he stammers. 13 chapters, each as self-contained as a short story, follow 13 months in his life as he negotiates the pitfalls of school and home and contends with bullies, girls and family politics. In the distance, the Falklands conflict breaks out; close at hand, the village mobilises against…
