Books like Winter — picked by fans

I have never read a novel so close to prophecy.

Published in 1995, Parable starts in July 2024 amidst the election of an autocrat who, by the sequel Parable of the Talents, literally pledges to “make America great again.” I started my platform in 2015 in the same context.

This novel pulled me into its harrowing tale of how to survive civilizational collapse: the dismantling of systems, norms, and climate change that we are all currently going through.

The lesson is ultimately about embracing change, caring for and trusting each other in community, and coming up with our own ways of being together. So many of our ancestors have survived periods of collapse by the same principles. These ancestral lessons still guide me, and I believe are critical to surviving AI dystopia.

In a list about zombie apocalypse references, this is definitely a quirky entry. But it is important for all writers to read outside of their genre, or they run the risk of becoming generic. 

Far more important than the story’s backdrop is the story’s focus. People predominantly care and read about people.

Whether that means writing about people resisting zombies, as is the case with most zombie stories, or writing about zombies doing their best to become human—as seen in Elantris and The Girl With All The Gifts—writers need to know how to tell stories about people.

I don’t write books about zombies, I write books about families. And there is probably no more famous family right now than the Bridgertons (though if I had one more recommendation, it would definitely be Swiss Family Robinson).

By reading books about strong families, I’m better able to translate my own… show more.

I love this book’s original take on the “spore” or “fungal” zombie outbreak. It feels like the author took The Last Of Us (which I also adore) and flipped the story on its head. Melanie is this unique character, at once the snarky, hilarious child of the piece and its terrifying monster.

She’s the threat, battlefield, and hope—and I find that combination so compelling. While it’s a grim, often bleak tale set in a decimated UK, this thread of unexpected hope and unusual connections kept me hooked. This story might not give me the future I wanted at the start of the story, but it offers a different vision with its own version of hope for humanity, and because of that, it has a special place on my shelf.

I debated which of Cosmere’s many books to put here but settled on this one because it was my introduction to Sanderson. The main attraction of his books for me is always the unique and scientific hard magic systems and how they relate to every aspect of his stories, from characters to worldbuilding.

My favorite part was how the characters had to study the magic system and uncover its specific functions to “solve” the problem that was plaguing them. This is a pretty common narrative force behind many of Sanderson’s books, but I also enjoyed this one because of its religious and sociopolitical commentary. I found the high priest’s arc especially compelling, as he found his views on faith challenged by another character.

I may be cheating here. Rapunzel is an old-time fairy tale, and Cress is a science fiction re-writing of that story, so I'm going to count it in this list as "historical." This is the third book in Meyers' Lunar Chronicles and it is my favorite of the bunch. Cress (Rapunzel) is incredibly smart and completely naive to the world. Her romantic interest is a completely dopey bad guy, who you shouldn't waste your time disliking. The odd situations they get themselves into mirror, to an extent, the famous fairy tale. Lots of fun.

On the surface, Exo is a tale of Earth occupied by aliens. What makes this story interesting is the protagonist, Donovan, is trapped between two worlds. He is the son of a prominent liaison between humanity and the aliens, and he is a member of the police force employed by the aliens to keep the recalcitrant humans in line. But when human freedom fighters capture him, he identifies with aspects of their cause while disagreeing with their tactics and believing the aliens are not evil.

Lee does an excellent job of creating a world where nothing is black and white. Donovan is a sympathetic character trapped by his divided loyalties without easy solutions to his conundrums.

A brilliant science fictional idea changes everything about the world, and in Tade Thompson’s Arthur C Clarke Award-winning Rosewater, where an alien dome has appeared in Nigeria and opens once a year to heal the sick, the world has been thrown dangerously off-kilter.

The murder-mystery is not a conventional one as our hero Kaaro, a human sensitive created by this alien intrusion and now government agent, is trying to figure out why those like him are suddenly dying. There are many strange science-fictional ideas driving this book, but it is Kaaro – a former thief trying his best to do good in difficult circumstances – that gives this book its wonderful heart.

I believed in and rooted for him even though he doesn’t ever seem to believe in himself.

This nonfiction book takes a hard look at humanity’s various attempts to craft a universal language that might, just might, let us one day communicate with extraterrestrials.

What symbols could we use? What encoding? How would we start, and once we’ve started, what would we talk about?

These aren’t easy questions, and we probably still don’t have all the right answers, but I loved the way Oberhaus walked us through the work that has already been done and the directions that future work might take.

Ben Hatke can build worlds, and then some. Zita’s character design is amazingly detailed, yet also spontaneous and never out of reach for any kid looking to create operatic space comics of their very own.

I read this with my own children and I couldn’t say which one of us had more fun.

I am not frightened by Cthulhu, the tentacled monsters waiting in the depths of outer space or the ocean. I am mesmerized by them. Lovecraft, often labeled a horror writer, is one of the greatest literary fantasists. His imagination is boundless, and he is as adept at describing strange new environments as he is at evoking a sense of cosmic dread.

This classic novel combines Lovecraft’s signature monsters with an incredible dreamlike atmosphere that grips you and does not let you go. When you stand at the summit of the Mountains of Madness and glimpse what lies on the other side, you are torn between fear and fascination. For me, at least, fascination always wins.