Here are 100 books that The Red Pony fans have personally recommended if you like
The Red Pony.
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I’ve loved both history and fantasy since I was a child. The first book I can remember reading at all was The Hobbit. The first historical novel I fell in love with was The Killer Angels. I visited the battlefield of Gettysburg with my family, and currently teach the movie every year to my high school film class. (I’ve never visited Middle Earth, but plan to visit New Zealand as soon as possible). I’ve been reading both genres ever since—and quite by accident my first novel contains a mix of both genres.
It purports to be historical fiction set in the Old West, following one of the last great cattle drives. Yet within a few chapters, it begins to feel like a series of episodes from Grimm’s fairy tales.
I remember at UC Irvine, where I earned my Fiction MFA, several fellow writers were reading this novel alongside me. We kept stopping each other in the hall or at cocktail parties to relive this or that chapter, struggling to understand how it could be both so entertaining and so good.
The fact that it is long—a real doorstopper of a book—adds to its “too-big-for-one-genre” feel.
Larry McMurtry's Pulitzer Prize winning novel is a powerful, triumphant portrayal of the American West as it really was. From Texas to Montana, it follows cowboys on a grueling cattle drive through the wilderness.
It begins in the office of The Hat Creek Cattle Company of the Rio Grande. It ends as a journey into the heart of every adventurer who ever lived . . .
More than a love story, more than an adventure, Lonesome Dove is an epic: a monumental novel which embraces the spirit of the last defiant wilderness of America.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I am uniquely qualified to assemble this list because I gave my heart and head to the fictional and true West in fourth grade. When I learned California history, enraptured by images of wild horses and vaqueros, the cruelty of bear and bullfighting (no one talked then about cruelty to “converted” Native Americans), and the myth of Zorro. I grabbed the chance to move to the cowgirl state of Nevada, where I learned to love the scents of sagebrush and alkali flats. Research for my fiction and non-fiction has given me license to ride in a Pony Express reenactment and 10-day cattle drive and spend all night bottle-feeding an orphan mustang.
This ranch-centered book puts a human face on the cost of war.
A best in the West (or at least his small Nevada town) bull rider is physically and mentally torn apart by war. He can’t see the future he envisioned for himself anymore. But the story is really about his younger brother, Cam. I love Cam’s humor most of all, but his devotion to his idolized big brother is what makes this more than a story about a skateboarder turned bull rider.
This book is about family in an opposite way from The Red Pony it confirms the safety net family can provide.
Cam O'Mara, grandson and younger brother of bull-riding champions, is not interested in partaking in the family sport. Cam is a skateboarder, and perfecting his tricks—frontside flips, 360s—means everything until his older brother, Ben, comes home from Iraq, paralyzed from a brain injury. What would make a skateboarder take a different kind of ride? And what would get him on a monstrosity of a bull named Ugly? If Cam can stay on for the requisite eight seconds, could the $15,000 prize bring hope and a future for his big brother?
I am uniquely qualified to assemble this list because I gave my heart and head to the fictional and true West in fourth grade. When I learned California history, enraptured by images of wild horses and vaqueros, the cruelty of bear and bullfighting (no one talked then about cruelty to “converted” Native Americans), and the myth of Zorro. I grabbed the chance to move to the cowgirl state of Nevada, where I learned to love the scents of sagebrush and alkali flats. Research for my fiction and non-fiction has given me license to ride in a Pony Express reenactment and 10-day cattle drive and spend all night bottle-feeding an orphan mustang.
I’m still not satisfied with delayed gratification! In great words and pictures, this book sums up that rebellion against getting great stuff later. A little boy is repeatedly told he can ride a horse along with his cowgirl mom and rancher dad “someday.”
I grew up with chronic asthma that was aggravated by running, playing, dust, and horse hair. Doctors told me that I’d outgrow it "someday." That didn’t help. On television and in books, I soaked up the free-wheeling freedom of riding. And wanted it. I longed to ride so much that–like the boy in this book–my parents saw it was important. About once a month, my parents rented a horse that I could ride along the (now cement-lined) riverbeds of Southern California.
Yes, they’d be up all night with me, wheezing. No, they weren’t giving in to me. They satisfied my need to be myself–not a cowgirl, but…
Kenny loves to go down to the corral to watch his father and the other cowboys bridle and saddle their horses. When he sees them ride off into the far hills, he wishes he were going with them. "Someday you will," his mother tells him. "I'm tired of somedays," Kenny answers. "I don't want to be a someday rider. I want to ride right now."
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I am uniquely qualified to assemble this list because I gave my heart and head to the fictional and true West in fourth grade. When I learned California history, enraptured by images of wild horses and vaqueros, the cruelty of bear and bullfighting (no one talked then about cruelty to “converted” Native Americans), and the myth of Zorro. I grabbed the chance to move to the cowgirl state of Nevada, where I learned to love the scents of sagebrush and alkali flats. Research for my fiction and non-fiction has given me license to ride in a Pony Express reenactment and 10-day cattle drive and spend all night bottle-feeding an orphan mustang.
This book isn’t fiction, but it feels like it. I am wrapped in the reality of the frontier through letters, diaries, recipes, and great old photos–every time I pick it up. And that’s often.
I first gave this book to my mother, but my husband paged through it so many hours each time we visited that I gave him his own copy. Cooking on the trail, on cattle drives, in camps, and finally, on hardscrabble ranches and farms isn’t easy. The book is full of struggles, and I feel for the women who wrested survival out of the earth daily.
They write about being driven crazy by the relentless wind, shortages, and loneliness, but there are plenty of jolly–it’s the best word for their beaming faces–pictures. I love what those old photos show: an appreciation for nature, family, and farm animals, and their determination to have tea parties and make…
I’ve taught English for 20 years and the novels I’ve enjoyed teaching most – because the students have enjoyed them most – are those with the first-person perspectives of young narrators. These characters’ voices ring loud and clear as they learn, change, and grow, often suffering and having to find resilience and strength to survive. The limited perspective also takes us into the mind and heart of the protagonist, so that we feel all the feels with them. This is why I chose a first-person perspective for the narrator of my own book ‘Cuckoo in the Nest’: Jackie Chadwick is sarcastic, funny, and observant. Readers love her.
I read this book years ago but it’s always stayed with me.
The teenage protagonist, 13-year-old Jason from Worcestershire, England, has a stammer: a speech difficulty that haunts him and has him performing all kinds of manoeuvers to avoid saying certain sounds in class. This would only add embarrassment onto all the other embarrassments he feels as a boy going through puberty.
He calls his stammer ‘Hangman’. As well as this daily struggle, he realises his parents are arguing, and he gets bullied at school.
As a reader, I was touched by his resilience and doggedness. David Mitchell has admitted that the book is semi-autobiographical and this adds another layer of poignancy.
David Mitchell comes home - to England in 1982, and is in the cusp of adolescence. Jason Taylor is 13, doomed to be growing up in the most boring family in the deadest village (Black Swan Green) in the dullest county (Worcestershire) in the most tedious nation (England) on earth and he stammers. 13 chapters, each as self-contained as a short story, follow 13 months in his life as he negotiates the pitfalls of school and home and contends with bullies, girls and family politics. In the distance, the Falklands conflict breaks out; close at hand, the village mobilises against…
Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.
Every prep/boarding school has a Phineas, a campus alpha-dog and star athlete best not to anger, and a Gene, a brainy loner unsure how to navigate a treacherous ecosystem away from loved ones.
The tension is in their intersection – are they friends-of-necessity or adversaries on a collision course? – and what unfolds initially as a tragic accident hardens into a murder mystery that tests one’s conscience and memory.
It remains a stunning, unforgettable book that suggests adolescent history is our real Grim Reaper.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
This story has a Huck Finn flavour to it, recast on a 1950s road trip by bus.
Orphan Donal goes from the frying pan into the fire when his grandmother, his guardian, gets sick, and he is farmed out to a nasty-tempered relative he has never met.
After all the talk of Donal having no family, his salvation comes first from Herman, a non-relative who helps him escape back onto the bus that brought him there. The two light out for the West and cobble together what will feel like family in a ragtag bunch of misfits.
Named a Best Book of the Year by the Seattle Times and Kirkus Review
The final novel from a great American storyteller.
Donal Cameron is being raised by his grandmother, the cook at the legendary Double W ranch in Ivan Doig’s beloved Two Medicine Country of the Montana Rockies, a landscape that gives full rein to an eleven-year-old’s imagination. But when Gram has to have surgery for “female trouble” in the summer of 1951, all she can think to do is to ship Donal off to her sister in faraway Manitowoc, Wisconsin. There Donal is in for a rude surprise:…
I’m a queer, nonbinary writer who has always loved reading and writing speculative fiction, whether it be dystopian novels, sci-fi, fantasy, and beyond. I think speculative fiction is such an effective and creative way to hold a mirror up to our society, explore traumatic and heavy themes, and ultimately, show us what it means to be a person, no matter how strange or unfamiliar the world is. Like many millennials, I grew up reading that awful transphobic woman’s magical series but soon realized how limiting that series was, and how there were so many better, smarter, more inclusive books out there, especially those that center queer and trans characters and know how to break my heart ten times over.
This book is utterly un-put-downable. I read it one, feverish sitting. It’s about a boy, Owen, who is literally born with a bird in his chest. She talks to him, and she’s quite funny and sometimes snarky. Owen is known as a Terror, and his mother does everything she can to try to protect him from the Army of Acronyms, aka doctors, nurses, social workers, and anyone who wants to study him and expose him.
Although this speculative premise plays a prominent role in the book, the heart of the book for me is this tender, queer, coming-of-age story about a boy trying to accept himself and let others accept and love him, too. It’s beautiful, smart, and aches in all the right places.
Longlisted for The Center for Fiction 2022 First Novel Prize
"A modern coming-of-age full of love, desperation, heartache, and magic" (Andrew Sean Greer, Pulitzer Prize-winning author) about "the ways in which family, grief, love, queerness, and vulnerability all intersect" (Kristen Arnett, New York Times bestselling author). Perfect for fans of The Perks of Being a Wallflower and The Thirty Names of Night.
Though Owen Tanner has never met anyone else who has a chatty bird in their chest, medical forums would call him a Terror. From the moment Gail emerged between Owen's ribs, his mother knew that she had to…
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
Truman Capote’s 1948 debut novel holds a special place with me because it was my introduction to Southern Gothic when I was thirteen. A coming-of-age tale, it takes place at Scully’s Landing, a decaying mansion in Mississippi.
Rich with place and atmosphere, the book follows lonesome thirteen-year-old Joel Harrison Knox, who travels to live with his father, an emotionally unavailable presence who abandoned the boy at birth. Replete with a cast of the peculiar and grotesque, this book holds firm with literary merit and thematical relevance.
Truman Capote’s first novel is a story of almost supernatural intensity and inventiveness, an audacious foray into the mind of a sensitive boy as he seeks out the grown-up enigmas of love and death in the ghostly landscape of the deep South.
At the age of twelve, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully’s Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face—and heart—of a debauched child; and…
Born in 1969 as the seventh of eight children to two Harlem-raised parents, I benefited from both the inner-city life of Queens, New York and childhood summers spent on a farm in rural upstate New York. Academic, professional, and physical accomplishments have punctuated my life. An adventurer by nature, I became the first African American to hike to the top of every mountain in the northeast US over 4,000' (115 of them) by September of 2000. At that time, less than 400 people had accomplished this feat; whereas thousands have scaled Mount Everest. My home city’s iconic landmarks create a psychological veil that blinds people to the vast open spaces that dominate New York State.
Divergent, yet shockingly similar, life experiences are chronicled in Greenville and my own book. A poor white family from Long Island with eight children sent one son to live and work on a farm in the Catskill region during the 1950s. Harsh living conditions downstate with an alcoholic father and abusive mother were replaced upstate with a loving uncle, welcoming peers, and athletic success. Circumstances changed again dramatically, and the author tidies up the chaos that was his father’s life by visiting the farm 45 years later.
Inspired by a troubled family history, this “book of grace and dignity . . . will be around for a long, long time” (Colum McCann, author of Let the Great World Spin).
In this “terrific” novel, award-winning author Dale Peck recounts the childhood of his father, Dale Peck Sr. (Jonathan Safran Foer). Raised in poverty with seven brothers and sisters in suburban Long Island, terrorized by an abusive mother, Dale Sr.’s life changes when his alcoholic father dumps him at his uncle’s dairy farm in upstate New York. There, he begins to thrive, finding real love and connection with his…