Books like Ordinary Time — picked by fans

Over a long lifetime, I’ve been intrigued to observe many variations on the themes of marriage, widowhood, divorce, and adultery among my friends, patients, and clients. The majority of marriages are probably happy, but these are not usually very interesting to write about, so marriages in fiction often involve some kind of conflict which leads to a more or less satisfactory resolution. I am a retired doctor, originally from England, and now living in New Zealand with my second husband, to whom I have been married for over 40 years.

Over a long lifetime, I’ve been intrigued to observe many variations on the themes of marriage, widowhood, divorce, and adultery among my friends, patients, and clients. The majority of marriages are probably happy, but these are not usually very interesting to write about, so marriages in fiction often involve some kind of conflict which leads to a more or less satisfactory resolution. I am a retired doctor, originally from England, and now living in New Zealand with my second husband, to whom I have been married for over 40 years.

Over a long lifetime, I’ve been intrigued to observe many variations on the themes of marriage, widowhood, divorce, and adultery among my friends, patients, and clients. The majority of marriages are probably happy, but these are not usually very interesting to write about, so marriages in fiction often involve some kind of conflict which leads to a more or less satisfactory resolution. I am a retired doctor, originally from England, and now living in New Zealand with my second husband, to whom I have been married for over 40 years.

Over a long lifetime, I’ve been intrigued to observe many variations on the themes of marriage, widowhood, divorce, and adultery among my friends, patients, and clients. The majority of marriages are probably happy, but these are not usually very interesting to write about, so marriages in fiction often involve some kind of conflict which leads to a more or less satisfactory resolution. I am a retired doctor, originally from England, and now living in New Zealand with my second husband, to whom I have been married for over 40 years.

I am professor of medieval history at the University of St Andrews in Scotland. As a PhD student, I was electrified by the historian E. P. Thompson’s call to rescue the masses ‘from the enormous condescension of posterity’, but it’s often only when peasants revolt, as they did outside Paris in 1358, that we get much evidence about the masses in the Middle Ages. I loved writing The Jacquerie of 1358 because it allowed me to get very close to the men (and a few women) who risked everything to make their society a more just and equal one. It was a privilege, and a pleasure, to tell their story.

I am committed to creative work. All of my adult life has been shaped by that commitment. And while I don’t directly recommend it (unconventional routes are unpaved, and, of course, there be dragons), I know it is the route to beauty and making the most out of the world as we live it. We’re lucky to make music, show love, and hand it down to our kids, but we need to tell stories, and we must have stories to tell. All of this arises from your creative power. I know a lot more than I can say with words, but the languages of sharing emerge from venturing into the unknown. 

I became interested in the relationship between the mind and the brain around the age of 8. It was at this age that I decided to become a neuroscientist. Years later, I completed a bachelor's degree in psychology and then a doctorate in neuroscience. I’ve spent part of my research career in neuroscience at the University of Montreal. I have also been affiliated with the University of Arizona (Tucson). My groundbreaking work on the neurobiology of emotional self-regulation, consciousness, and spiritual experiences has received extensive international media coverage and numerous awards. I am one of the main proponents of a postmaterialist paradigm for the new science of mind/consciousness.

I have a reputation as an expert on the portrayal of psychopathology in contemporary cinema, and I have lectured on this topic hundreds of times in dozens of different countries. This reputation builds on five editions of Movies and Mental Illness and two editions of Positive Psychology at the Movies. I am also currently coauthoring a third book: Movies, Mini-series, and Multiculturalism: Using Films to Understand Culture, and I edit a series of film reviews for Hogrefe titled A Clinical Psychologist Goes to the Movies. Much of my career has been devoted to exploring the fascinating interface of psychopathology and media.

I am a teacher and professor of psychology and consciousness studies. I have been fascinated by the enigma of consciousness my entire adult life. Over the years I have written and taught in a number of different fields including biology, psychology, history, art, and philosophy, always looking to the nature of consciousness, and always exploring its spiritual dimensions. My writings include the present selection, Consciousness Explained Better, described by Ken Wilber as “the finest book on consciousness in modern times, bar none” and The Radiance of Being, that shared a book of the year award with Nobel laureate Roger Penrose’s book, The Emperor’s New Mind. 

All of us bear the scars of emotional wounds, as complex psychology beats at the heart of all relationships. I’ve personally survived the betrayal of a parent, the loss of a child, emotional abuse, and life with an addict who could look me in the eye and lie. These themes resound in my stories. Literature is a safe place to explore and heal our own traumas through the dramatic interactions of our characters. My witch killer is not just “crazy” he’s unraveling a complex psychological past. In standing with our heroes as they meet and conquer evil, in its many guises, we find our way to healing our own trauma.