100 Books Like A Rather English Marriage

Over a long lifetime, I’ve been intrigued to observe many variations on the themes of marriage, widowhood, divorce, and adultery among my friends, patients, and clients. The majority of marriages are probably happy, but these are not usually very interesting to write about, so marriages in fiction often involve some kind of conflict which leads to a more or less satisfactory resolution. I am a retired doctor, originally from England, and now living in New Zealand with my second husband, to whom I have been married for over 40 years.

Over a long lifetime, I’ve been intrigued to observe many variations on the themes of marriage, widowhood, divorce, and adultery among my friends, patients, and clients. The majority of marriages are probably happy, but these are not usually very interesting to write about, so marriages in fiction often involve some kind of conflict which leads to a more or less satisfactory resolution. I am a retired doctor, originally from England, and now living in New Zealand with my second husband, to whom I have been married for over 40 years.

Over a long lifetime, I’ve been intrigued to observe many variations on the themes of marriage, widowhood, divorce, and adultery among my friends, patients, and clients. The majority of marriages are probably happy, but these are not usually very interesting to write about, so marriages in fiction often involve some kind of conflict which leads to a more or less satisfactory resolution. I am a retired doctor, originally from England, and now living in New Zealand with my second husband, to whom I have been married for over 40 years.

Over a long lifetime, I’ve been intrigued to observe many variations on the themes of marriage, widowhood, divorce, and adultery among my friends, patients, and clients. The majority of marriages are probably happy, but these are not usually very interesting to write about, so marriages in fiction often involve some kind of conflict which leads to a more or less satisfactory resolution. I am a retired doctor, originally from England, and now living in New Zealand with my second husband, to whom I have been married for over 40 years.

I first started studying traders while working at London Business School in the early 1990s. This was the start of a lifelong fascination with traders and the psychology of financial behavior. Why do traders talk so much about their emotions? Why does so much of what they do fit so poorly with how economists think markets work? How do financial firms fail to notice rogue traders and other massive risks? And recently, why do investment banks and police forces both seem so good at avoiding uncomfortable knowledge? These are all questions that have fascinated me and which I have been lucky to be paid to research and advise on. 

I'm a research psychologist. My expertise is in evolutionary psychology, which is a lens through which all mental processes and behavior can be framed. I've studied a wide variety of topics, ranging from love to murder. I do believe that we evolved morbid curiosity as a mechanism of protective vigilance. People have a great interest in consuming material about the who, what, why, how, where, and when of these terrible crimes. In Just as Deadly, I provide fact-based information derived from my own empirical research in addition to about 1200 other sources. It was important to me to pursue and write about truths. In addition, I don’t—and won’t—engage in drama or gore.

I got hooked on superheroes from a very early age. My mom grew up in the Golden Age of comics and loved superheroes. She'd bring home a random assortment of adventures—Batman, Iron Man, Flash, Avengers, Justice League, Iron Fist, Captain America. I was especially keen on the martial arts mayhem so many could bring to bear. That got me started (and I've never stopped since) in martial arts as a teen and took me into a career in science. I bring my own interest, my knowledge of martial arts, and my extensive career and training as a sensorimotor neuroscientist as I explore the science of human achievement through the lens of comic book superheroes.

I have always been fascinated by human behaviour since going to a school where we were told there was a right and a wrong way to do everything. That never felt right to me – human beings are much bigger than that! I studied Counselling and Therapy at Norwich City College in the 1990s and later specific courses on Transactional Analysis. Many years on, I am still learning…

I have a reputation as an expert on the portrayal of psychopathology in contemporary cinema, and I have lectured on this topic hundreds of times in dozens of different countries. This reputation builds on five editions of Movies and Mental Illness and two editions of Positive Psychology at the Movies. I am also currently coauthoring a third book: Movies, Mini-series, and Multiculturalism: Using Films to Understand Culture, and I edit a series of film reviews for Hogrefe titled A Clinical Psychologist Goes to the Movies. Much of my career has been devoted to exploring the fascinating interface of psychopathology and media.

In my younger days I was a graphic designer and copywriter, approaching brands largely from a creative viewpoint. Over the years I’ve discovered that creative work is much more powerful when harnessed to business strategy, and business strategy is much more powerful when combined with exceptional creative work. I’ve characterized the gulf between strategy and creativity as the “brand gap,” which has led to eight books on branding and a school for professional mastery called Level C.