Here are 100 books that Open Borders fans have personally recommended if you like
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Ilya Somin is a Professor of Law at George Mason University. He is the author of Free to Move: Foot Voting, Migration, and Political Freedom, Democracy and Political Ignorance: Why Smaller Government is Smarter, and The Grasping Hand: Kelo v. City of New London, and the Limits of Eminent Domain. Somin has also published articles in a variety of popular press outlets, including The Washington Post, Wall Street Journal, Los Angeles Times, CNN, The Atlantic, and USA Today. He is a regular contributor to the popular Volokh Conspiracy law and politics blog, affiliated with Reason.
This is the single best book on the political philosophy of immigration. Canadian political philosopher Joseph Carens makes a wide-ranging philosophical defense of “open borders” migration rights – not just from the standpoint of some one particular political theory, but from that of many. Whether you are a free-market libertarian, an egalitarian liberal, or a moderate, Carens has a case to make to you. He also has compelling responses to a variety of objections. A key strength of the book is that Carens defends his seemingly radical conclusion based on relatively uncontroversial premises of liberty and equality that are widely accepted by supporters of liberal democracy around the world.
In The Ethics of Immigration, Joseph Carens synthesizes a lifetime of work to explore and illuminate one of the most pressing issues of our time. Immigration poses practical problems for western democracies and also challenges the ways in which people in democracies think about citizenship and belonging, about rights and responsibilities, and about freedom and equality.
Carens begins by focusing on current immigration controversies in North America and Europe about access to citizenship, the integration of immigrants, temporary workers, irregular migrants and the admission of family members and refugees. Working within the moral framework provided by liberal democratic values, he…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Ilya Somin is a Professor of Law at George Mason University. He is the author of Free to Move: Foot Voting, Migration, and Political Freedom, Democracy and Political Ignorance: Why Smaller Government is Smarter, and The Grasping Hand: Kelo v. City of New London, and the Limits of Eminent Domain. Somin has also published articles in a variety of popular press outlets, including The Washington Post, Wall Street Journal, Los Angeles Times, CNN, The Atlantic, and USA Today. He is a regular contributor to the popular Volokh Conspiracy law and politics blog, affiliated with Reason.
Perhaps the strongest argument against expanded migration rights is the fear that too many of the “wrong” kind of immigrants might kill the goose the laid the golden egg that makes a country attractive to migrants in the first place. If immigrants have harmful cultural values, vote for dangerous political leaders, or otherwise undermine the political and economic system, they could degrade the host nation’s institutions. In the extreme case, they might even replicate the same awful conditions that led them to flee their country of origin. Wretched Refuse is the most thorough analysis and refutation of such concerns. Nowrasteh and Powell use both historical and modern evidence to show that institutional concerns about immigration are largely misplaced and that migrants strengthen liberal democracy far more than they undermine it.
Economic arguments favoring increased immigration restrictions suggest that immigrants undermine the culture, institutions, and productivity of destination countries. But is this actually true? Nowrasteh and Powell systematically analyze cross-country evidence of potential negative effects caused by immigration relating to economic freedom, corruption, culture, and terrorism. They analyze case studies of mass immigration to the United States, Israel, and Jordan. Their evidence does not support the idea that immigration destroys the institutions responsible for prosperity in the modern world. This nonideological volume makes a qualified case for free immigration and the accompanying prosperity.
Ilya Somin is a Professor of Law at George Mason University. He is the author of Free to Move: Foot Voting, Migration, and Political Freedom, Democracy and Political Ignorance: Why Smaller Government is Smarter, and The Grasping Hand: Kelo v. City of New London, and the Limits of Eminent Domain. Somin has also published articles in a variety of popular press outlets, including The Washington Post, Wall Street Journal, Los Angeles Times, CNN, The Atlantic, and USA Today. He is a regular contributor to the popular Volokh Conspiracy law and politics blog, affiliated with Reason.
I don’t agree with most of this book. But nonetheless it's a must-read for anyone who wants a great overview and defense of standard arguments to the effect that nation-state governments should enjoy broad power to exclude potential migrants. Miller puts the case well, and it’s easily grasped by experts and laypeople alike.
How should Western democracies respond to the many millions of people who want to settle in their societies? Economists and human rights advocates tend to downplay the considerable cultural and demographic impact of immigration on host societies. Seeking to balance the rights of immigrants with the legitimate concerns of citizens, Strangers in Our Midst brings a bracing dose of realism to this debate. David Miller defends the right of democratic states to control their borders and decide upon the future size, shape, and cultural make-up of their populations.
"A cool dissection of some of the main moral issues surrounding immigration…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
Sarah Song is a lawyer and political scientist, and her book traces the history of American migration law—with a particular focus on how that history reflects both anxiety about foreign influence, and fear that migrants will disrupt the domestic labor market. It’s a fascinating story, and it’s instructive to see how modern conversations about the border mirror—for better or for worse - the conversations that happened over a century ago.
How should we think about immigration and what policies should democratic societies pursue? Sarah Song offers a political theory of immigration that takes seriously both the claims of receiving countries and the claims of prospective migrants.
Immigration is one of the most polarizing issues in contemporary politics. It raises questions about identity, economic well-being, the legitimacy of state power, and the boundaries of membership and justice. How should we think about immigration and what policies should democratic societies pursue?
Some contend that borders should generally be open and people should be free to migrate in search of better lives. Others…
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
Tekkonkinkreet has more raw energy than any comic I’ve ever read, like in my own book it’s the story of 2 brothers who think they’re invincible and make a lot of mistakes in the heat of the moment. The book is relentless and breaks every possible rule and is just an absolute marvel of comic storytelling.
Orphaned on the mean streets of Treasure Town, lost boys Black and White must mug, steal and fight to survive. Around them moves a world of corruption and loneliness, small-time crooks and neurotic police officers, and a band of sadistic yakuza who have plans for their once-fair city. Can they rise above their environment? Surreal manga influenced by European comics.
TEKKONKINKREET is a play on Japanese words meaning "a concrete structure with an iron frame," and it suggests the opposing images of concrete cities against the strength of imagination.
I've been interested in pirates for as long as I can remember. Hearing about Blackbeard, Calico Jack, Henry Morgan, and Anne Bonney, among others, made my imagination run wild. Learning about who they really were as I grew up made me interested in why they were the way they were. I love stories about pirate crews, especially ones that explore the why of how they became pirates. I also love fantasy stories as you can plainly see (I even cheated to include a favourite of mine) and I wanted to combine the two in my first series.
This may be a strange pick for some, but it is one of my favourite stories. It's something I grew up with and is very influential and inspirational to me.
The crew of the Going Merry become like family, not just on the pages but also personally. Ask anyone who loves One Piece, and they will tell you that they feel attached to the characters as if they're real. You get to see them overcoming adversity and loss, and with the help of their found family, they keep moving towards their dreams over and over again.
The author creates a world where it feels like anything can happen and yet still remains grounded in that world. Given a chance, I would go there in a heartbeat, provided I can join the crew of the future Pirate King.
The battle for Fish-Man Island continues as a giant ship threatens to collide with the island and destroy everything. Can the Straw Hat pirates defeat Hody Jones and create a new bond between humans and Fish-Men? And what strange new adventures await the crew when they finally step into the new world?
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
Frederik L. Schodt is an award-winning author of non-fiction books on the convergence of Japanese and American cultures, and he has written on subjects including manga, technology, acrobats, history, and religion. He is also a well-known translator of Japanese manga and literature, and a veteran interpreter. In 2009 the Emperor of Japan awarded him the Order of the Rising Sun, Gold Rays with Rosette, for helping to introduce and promote Japanese contemporary popular culture. In 2017 he also received the prestigious Japan Foundation Award.
In Japan, Osamu Tezuka is often referred to as the “God of Manga.” And Phoenix may be his greatest manga series of all. He created twelve volumes between 1954 and his death in 1989. Around 1971, a friend in Tokyo lent me the first five and I became hooked on manga and their potential as a medium of expression. The story converges on the present from the past and the future and deals with reincarnation and the quest for eternal life. My favorite volume is Karma, which has a strong Buddhist theme, and spectacular page layouts. With a group called Dadakai, I translated the first five volumes around 1977/78. After collecting dust for nearly twenty-five years, Jared Cook and I translated the remaining volumes, and the whole series was then finally published by Viz Communications between 2002 and 2008. This work changed my life.
This fourth volume of Osamu Tezuka's acclaimed Phoenix saga is set in 8th-century Japan and tells the story of two men: the hideously deformed mass murderer Gao and the handsome and gifted woodcarver Akanemaru. Fate brings them together when Gao cruelly stabs Akanemaru in the arm, crippling him. They part, but their destinies remain inextricably linked as both find their spirits tested in a series of personal and professional trials. Beautifully set against the religious and political upheavals of the time, Karma is considered by many to be the best volume in the entire Phoenix series.
E. L. Shen is a writer and editor living in New York City. Her debut middle-grade novel, The Comeback (Farrar Straus Giroux Books for Young Readers) is a Junior Library Guild Selection, received two starred reviews, and was praised for its “fast-paced prose, big emotions, and authentic dialogue” in The New York Times. Her forthcoming young adult novel, The Queens of New York (Quill Tree Books) was won in a six-figure preempt and is scheduled to publish in Summer 2023.
I was
absolutely delighted by this young adult graphic novel which details three
Asian girls’ lives as they live and study in Japan. One is from America, one
from Korea, and one from Singapore, and each has such a profound story to tell
about their path to self-acceptance and personal freedom.
A young adult graphic novel about three foreign exchange students and the pleasures, and difficulties, of adjusting to living in Japan.
Living in a new country is no walk in the park-Nao, Hyejung, and Tina can all attest to that. The three of them became fast friends through living together in the Himawari House in Tokyo and attending the same Japanese cram school. Nao came to Japan to reconnect with her Japanese heritage, while Hyejung and Tina came to find freedom and their own paths. Though each of them has her own motivations and challenges, they all deal with language…
I am a professional dabbler who has tried things from beekeeping, duck herding, race car driving, coding, and filmmaking. But I am famously known as the author and illustrator of imaginative and fun children’s books and comics. My latest book is the hilarious supervillain graphic novel Mischief and Mayhem. It’s a story about Missy who gets kicked out of superhero boot camp and ends up as a supervillain (a nice and friendly one). I’ve always enjoyed reading about unexpected heroes and characters who flip the script. We all have challenges in our lives and when we face them head-on is when we truly find the heroes in ourselves.
The place you least expect for a hero to turn up is the lunchroom and that’s exactly what we get here. In this issue of a long-running series Lunch Lady and Betty, her assistant, investigate the strange case of a missing teacher, a creepy substitute, and how this all connects with the Teacher of the Year award. Scenes in the story revolve around the school which will make it relatable to school-going readers. Kids will have a new respect for people around them as they identify who could potentially be a hero in their own small way.
From the author of National Book Award finalist Hey, Kiddo.
Serving justice . . . and lunch!
Hector, Terrence, and Dee have always wondered about their school lunch lady. What does she do when she isn’t dishing out the daily special? Where does she live? Does she have a lot of cats at home? Little do they know, Lunch Lady doesn’t just serve sloppy joes—she serves justice! Whatever danger lies ahead, it’s no match for LUNCH LADY!
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a public health professional, author, and reader. During part of my childhood and my subsequent career in international public health, I lived in Côte d’Ivoire and the Central African Republic; I’ve also worked throughout West and Central Africa, primarily in Francophone African countries. My experiences in these parts of the continent have not only influenced my fiction writing, but also what I read. While there are plenty of books by Anglophone African authors, few of their Francophone counterparts see their work translated into English. As a result, stories from French-speaking Africa are underrepresented in the literature available to English-speaking audiences. This list is an attempt to make a dent in this disparity.
I’ve added this graphic novel to my list in part for nostalgic reasons. Although the book and its two sequels were published in the 2000s, they are all set in 1970s Abidjan, Côte d’Ivoire, when I had the good fortune to live there. Aya is an adolescent girl living in the vibrant neighborhood of Yopougon, where everyone knows each other’s business. While she just wants to focus on her studies, she keeps getting distracted by the drama of those around her—from the boy-chasing machinations of her girlfriends to the foolish missteps of her parent's generation.
"Aya is an irresistible comedy, a couple of love stories and a tale for becoming African. It's essential reading." -Joann Sfar, cartoonist of The Rabbi's Cat
Ivory Coast, 1978. It's a golden time, and the nation, too-an oasis of affluence and stability in West Africa-seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet's youth in Yop City. It is the story of the studious and clear-sighted nineteen-year-old Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It's a wryly funny, breezy account of the simple pleasures and private troubles of everyday life in…
