Here are 100 books that Tekkonkinkreet fans have personally recommended if you like
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I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
For my money, Gipi is the best living comic book storyteller in the world right now and while it’s incredibly hard to pick a single book, I went with Garage Band, which elevates the drama of a very simple situation, teenagers escaping the turmoil of their lives through music who have to figure out what to do when their only amp dies. It reminds me of how every teenaged moment felt like an opera of life or death. In his art, in his stories, in his characters, Gipi gives simple things an impossible depth.
When Giuliano's father loans him the family garage, he and three of his friends form a band. Playing their battered secondhand instruments, the four teenagers find something they love to do, and they find in their friendship and music a refuge from difficult and turbulent home lives. But when their only amp blows a fuse, a desperate search for some new equipment lands them in more trouble than they ever saw coming. Written and painted in stunning watercolors by the renowned Italian artist Gipi, "Garage Band" is an introspective meditation on teenage life.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
This story really covered a lot of ground for me, it sorta collapsed my idea of how to present visual information, it’s “novelistic” in structure, snippets of a woman’s messy life told mostly in the equivalent of subtitles, the visuals sometimes tracking the emotions rather than a string of actions. It was also published by the publisher of Batman but there was nothing even remotely supernatural about it, it wasn’t edgy or dark beyond how any of our lives are.
COMPLETE GRAPHIC NOVEL Cranky columnist Anne Merkel is only happy when she's complaining...about her editors, about being single in New York City, about running out of Scotch. But when her long-lost sister shows up claiming to be Queen of the Leather Astro-Girls of Saturn, Anne's going to wish she'd never complained about anything... WINNER OF THE HARVEY AWARD Best Graphic Album of Original Work SPECIAL EDITION BONUS: Includes a never before published teleplay written by Kyle Baker, also a few other rarities.
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
This book spoke early to me as a kid on form and presentation, it played with visual scale and pace on a level you still very rarely see. Sienkiewicz tells a sort of elaborate impressionist visual poem through paint and graphic design. And Miller layers text almost like a melody track, playing with texture and emotion, speeding things up and then slowing them all the way down, playing with time in a way that changed the whole game for me.
Meet Elektra Natchios. This intriguing young woman has played equally intriguing roles throughout her life: Gymnast. Martial artist. Ninja. Assassin! Trained in the deadliest of arts and renowned as the world's fi nest killer, Elektra remains an enigma even to herself. Now, relive her fi rst solo adventure, an epic crafted by two of comics' greatest innovators - Frank Miller and Bill Sienkiewicz! An unconscious woman washes ashore off the coast of a small Central American country. Two policemen are strangled. A diplomat is assassinated. A S.H.I.E.L.D. agent is brutally dismembered. Unrelated events? Hardly. Elektra has returned - and she's…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
The Hernandez Brothers burned down almost anything I thought about comics. As a young Latin kid I hadn’t seen stories that referenced Latin characters in anything but a really heavy-handed way, the idea that we were allowed to be these flawed weird characters seemed impossible to me. I connected pretty heavily with Jaime’s work especially and when I’m stuck on almost anything I revisit these pages as a sort of hard reset on whatever I think my process is.
This oversized art book collects the comics series’ iconic covers sans title or logo.
Five women stand in a police lineup; four of them are garishly dressed, impressively endowed superwomen ― perfectly normal, because this is, after all, the cover of a comic book. A closer look, however, reveals a fifth woman who seems thoroughly out of place ― mousy, in bathrobe and curlers, smoking a cigarette, she appears to have been suddenly yanked from her breakfast table. Surely, this diminutive, dowdy woman is here by mistake ― or is she? From the very first cover of the very first…
My name is Stephen McCranie and I'm currently working on Space Boy, a slow-burning high school romance that asks the question, "How do we bridge the gap between us?" I love working in this particular genre because high school is such a formative period for all of us. Also, when a romance burns slowly, the audience gets time to explore the world of the story, which can often be dynamic and lush with detail. And then, when our lovers find each other at long last, it is all the more sweet for having waited.
A homeless high school girl is taken in by a mysterious family, whose members are possessed by the 13 animals of the Zodiac. As she lives with the family, she slowly uncovers hidden wounds, which she heals with her generous spirit. Eventually, she falls in love with one of the two brothers her age, but which one will it be? Usually, with love triangles like this, I can figure out almost immediately who will end up together, but this one took me a while, which made the story all the more interesting.
After a family tragedy turns her life upside down, plucky high schooler Tohru Honda takes matters into her own hands and moves out...into a tent! Unfortunately for her, she pitches her new home on private land belonging to the mysterious Sohma clan, and it isn't long before the owners discover her secret. But, as Tohru quickly finds out when the family offers to take her in, the Sohmas have a secret of their own--when touched by the opposite sex, they turn into the animals of the Chinese Zodiac!A perennial favorite of fans and librarians alike, Natsuki Takaya's beloved bestselling Fruits…
E. L. Shen is a writer and editor living in New York City. Her debut middle-grade novel, The Comeback (Farrar Straus Giroux Books for Young Readers) is a Junior Library Guild Selection, received two starred reviews, and was praised for its “fast-paced prose, big emotions, and authentic dialogue” in The New York Times. Her forthcoming young adult novel, The Queens of New York (Quill Tree Books) was won in a six-figure preempt and is scheduled to publish in Summer 2023.
I was
absolutely delighted by this young adult graphic novel which details three
Asian girls’ lives as they live and study in Japan. One is from America, one
from Korea, and one from Singapore, and each has such a profound story to tell
about their path to self-acceptance and personal freedom.
A young adult graphic novel about three foreign exchange students and the pleasures, and difficulties, of adjusting to living in Japan.
Living in a new country is no walk in the park-Nao, Hyejung, and Tina can all attest to that. The three of them became fast friends through living together in the Himawari House in Tokyo and attending the same Japanese cram school. Nao came to Japan to reconnect with her Japanese heritage, while Hyejung and Tina came to find freedom and their own paths. Though each of them has her own motivations and challenges, they all deal with language…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As someone who struggled with connections growing up, I have a big heart for outcasts. When Shane-Michael Vidaurri and I collaborated on All My Friends are Ghosts, we wanted to reach out to kids who may be experiencing the same struggles with loneliness that we faced in our own childhoods. When it feels like the whole world is against you, it’s important to find those alcoves in your life where you feel safe and seen… and books can be exactly that!
This series turns the “tortured outcast” trope on its head: these nerd characters are proud to be outcasts, and the one thing they don't want to be associated with is beautiful, popular people! I love this story because I, too, once fell into the “us vs. them” mentality against people I thought were too cool for me as a youth— people who could have potentially become my best friends! This manga series beautifully celebrates how we are all different, but still might have more in common than we think.
Two very different worlds collide in this hit manga series by Akiko Higashimura! Tsukimi Kurashita has a strange fascination with jellyfish. She's loved them from a young age and has carried that love with her to her new life in the big city of Tokyo. There, she resides in Amamizukan, a safe-haven for girl geeks - the last place she'd expect to meet a fashionable socialite! There's much more to this woman than her trendy clothes, though. Their odd encounter is only the beginning of a new and unexpected path for Tsukimi and her friends.
My name is Stephen McCranie and I'm currently working on Space Boy, a slow-burning high school romance that asks the question, "How do we bridge the gap between us?" I love working in this particular genre because high school is such a formative period for all of us. Also, when a romance burns slowly, the audience gets time to explore the world of the story, which can often be dynamic and lush with detail. And then, when our lovers find each other at long last, it is all the more sweet for having waited.
I love Mitsuru Adachi for his masterful storytelling and playful touch. Comics are all about choosing the right moments to string into sequences, and Adachi has a knack for choosing surprising moments without losing the clarity of the story. He's had a huge influence on my work. A story about two friends: an ace pitcher and an ace batter, and their rivalry for love and victory on the baseball field. Behind this epic baseball drama is a wonderful story about the couple that could never be.
Cross Game is a moving drama that is heartfelt and true, yet in the brilliant hands of manga artist Mitsuru Adachi, delightfully flows with a light and amusing touch. The series centers around a boy named Ko, the family of four sisters who live down the street and the game of baseball. This poignant coming-of-age story will change your perception of what shonen manga can be.
Environmental storytelling in comics is something that I’ve always admired and want to be better at. As a cartoonist I’m always thinking of better ways to tell visual stories, because it’s fun.
Mushishi is possibly my favorite comic of all time. It doesn’t just use the environment as storyteller, but tells stories about environments in a way you wouldn’t expect. Though it’s a series of stories about people and their relationships, neither are divorced from the world itself. I cannot recommend this series enough and it is a huge influence on my own work.
Some live in the deep darkness behind your eyelids. Some eat silence. Some thoughtlessly kill. Some simply drive men mad. Shortly after life emerged from the primordial ooze, these deadly creatures, mushi, came into terrifying being. And they still exist and wreak havoc in the world today. Ginko, a young man with a sardonic smile, has the knowledge and skill to save those plagued by mushi . . . perhaps.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am a comic book writer from Scotland now living in Japan. I have had more than 40 books published with a variety of US, UK, and Japanese publishers. I am the only professional manga writer from Britain who lives in Japan. In 2016 my book The Faceless Ghost was nominated for the prestigious Eisner Book Awards, and received a medal in the 2016 'Independent Publisher Book Awards'. In 2017, my book Secrets of the Ninja won an International Manga Award from the Japanese government – I was the first British person to receive this. In 2020 I received the ‘Scottish Samurai Award’ from an association linking Japan and Scotland.
Tsuge is another of the early gekiga greats, who only recently allowed English translation of his classic work from the 1960s and 70s. Tsuge pushed the boundaries of what manga stories were about, into more abstract and surreal areas and visual presentation. This book is, like Tatsumi’s books, a glimpse of a little-known Japan beneath the common stereotypes. Its stories are told in an understated and sophisticated fashion. Literary manga indeed. Wonderful stuff, personally I love it.
The essential early work by the modern master of Japanese literary comics
Yoshiharu Tsuge is one of the most influential and acclaimed practitioners of literary comics in Japan. The Swamp collects work from his early years, showing a major talent coming into his own. Bucking the tradition of mystery and adventure stories, Tsuge’s fiction focused on the lives of the citizens of Japan. These mesmerizing comics, like those of his contemporary Yoshihiro Tatsumi, reveal a gritty, at times desperate postwar Japan, while displaying Tsuge’s unique sense of humor and point of view.
“Chirpy” is a simple domestic drama about expectations,…
