Books like Tekkonkinkreet

For my money, Gipi is the best living comic book storyteller in the world right now and while it’s incredibly hard to pick a single book, I went with Garage Band, which elevates the drama of a very simple situation, teenagers escaping the turmoil of their lives through music who have to figure out what to do when their only amp dies. It reminds me of how every teenaged moment felt like an opera of life or death. In his art, in his stories, in his characters, Gipi gives simple things an impossible depth. 

This story really covered a lot of ground for me, it sorta collapsed my idea of how to present visual information, it’s “novelistic” in structure, snippets of a woman’s messy life told mostly in the equivalent of subtitles, the visuals sometimes tracking the emotions rather than a string of actions. It was also published by the publisher of Batman but there was nothing even remotely supernatural about it, it wasn’t edgy or dark beyond how any of our lives are.

This book spoke early to me as a kid on form and presentation, it played with visual scale and pace on a level you still very rarely see. Sienkiewicz tells a sort of elaborate impressionist visual poem through paint and graphic design. And Miller layers text almost like a melody track, playing with texture and emotion, speeding things up and then slowing them all the way down, playing with time in a way that changed the whole game for me.

The Hernandez Brothers burned down almost anything I thought about comics. As a young Latin kid I hadn’t seen stories that referenced Latin characters in anything but a really heavy-handed way, the idea that we were allowed to be these flawed weird characters seemed impossible to me. I connected pretty heavily with Jaime’s work especially and when I’m stuck on almost anything I revisit these pages as a sort of hard reset on whatever I think my process is.

A homeless high school girl is taken in by a mysterious family, whose members are possessed by the 13 animals of the Zodiac. As she lives with the family, she slowly uncovers hidden wounds, which she heals with her generous spirit. Eventually, she falls in love with one of the two brothers her age, but which one will it be? Usually, with love triangles like this, I can figure out almost immediately who will end up together, but this one took me a while, which made the story all the more interesting.  

Mushishi is possibly my favorite comic of all time. It doesn’t just use the environment as storyteller, but tells stories about environments in a way you wouldn’t expect. Though it’s a series of stories about people and their relationships, neither are divorced from the world itself. I cannot recommend this series enough and it is a huge influence on my own work.

This is an art book that showcases the masterful craft of an artist who knows how to weave souls into their characters and worlds. Her titles made me laugh, cry, jump up from my seat, and the characters and concepts in the pages of this book make me re-live these moments again and again. She uses a very unusual gouache technique, unlike any other manga artist I know of. The precision and determination in every stroke are stunning, and a book I believe any aspiring artist should have in their library.

I absolutely adore Miyazaki’s art in Nausicaa. Although dealing in themes of plague and pollution, the artwork really feels like it comes from a place of love. His creature and vehicle designs exude his adoration of nature and science. And everything is rendered in a soft, effortless chiaroscuro that makes reading an endless pleasure. 

But maybe the single most endearing attribute is the character, Nausicaa, herself. It seems to me, that more often than not, a hero story asks its protagonist to go through some sort of reluctant change to become a hero. But not Nausicaa. She comes to us fully formed, full of virtue and ambition. And so the story is centered on her choices. The story doesn’t happen to her, she drives it herself.

Tsuge is another of the early gekiga greats, who only recently allowed English translation of his classic work from the 1960s and 70s. Tsuge pushed the boundaries of what manga stories were about, into more abstract and surreal areas and visual presentation. This book is, like Tatsumi’s books, a glimpse of a little-known Japan beneath the common stereotypes. Its stories are told in an understated and sophisticated fashion. Literary manga indeed. Wonderful stuff, personally I love it.

In Japan, Osamu Tezuka is often referred to as the “God of Manga.” And Phoenix may be his greatest manga series of all. He created twelve volumes between 1954 and his death in 1989. Around 1971, a friend in Tokyo lent me the first five and I became hooked on manga and their potential as a medium of expression. The story converges on the present from the past and the future and deals with reincarnation and the quest for eternal life. My favorite volume is Karma, which has a strong Buddhist theme, and spectacular page layouts. With a group called Dadakai, I translated the first five volumes around 1977/78. After collecting dust for nearly twenty-five years, Jared Cook and I translated the remaining volumes, and the whole series was then finally published by Viz Communications between 2002 and 2008. This work changed my life.