Here are 100 books that Strangers in Our Midst fans have personally recommended if you like
Strangers in Our Midst.
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Ilya Somin is a Professor of Law at George Mason University. He is the author of Free to Move: Foot Voting, Migration, and Political Freedom, Democracy and Political Ignorance: Why Smaller Government is Smarter, and The Grasping Hand: Kelo v. City of New London, and the Limits of Eminent Domain. Somin has also published articles in a variety of popular press outlets, including The Washington Post, Wall Street Journal, Los Angeles Times, CNN, The Atlantic, and USA Today. He is a regular contributor to the popular Volokh Conspiracy law and politics blog, affiliated with Reason.
This is the single best book on the political philosophy of immigration. Canadian political philosopher Joseph Carens makes a wide-ranging philosophical defense of “open borders” migration rights – not just from the standpoint of some one particular political theory, but from that of many. Whether you are a free-market libertarian, an egalitarian liberal, or a moderate, Carens has a case to make to you. He also has compelling responses to a variety of objections. A key strength of the book is that Carens defends his seemingly radical conclusion based on relatively uncontroversial premises of liberty and equality that are widely accepted by supporters of liberal democracy around the world.
In The Ethics of Immigration, Joseph Carens synthesizes a lifetime of work to explore and illuminate one of the most pressing issues of our time. Immigration poses practical problems for western democracies and also challenges the ways in which people in democracies think about citizenship and belonging, about rights and responsibilities, and about freedom and equality.
Carens begins by focusing on current immigration controversies in North America and Europe about access to citizenship, the integration of immigrants, temporary workers, irregular migrants and the admission of family members and refugees. Working within the moral framework provided by liberal democratic values, he…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Ilya Somin is a Professor of Law at George Mason University. He is the author of Free to Move: Foot Voting, Migration, and Political Freedom, Democracy and Political Ignorance: Why Smaller Government is Smarter, and The Grasping Hand: Kelo v. City of New London, and the Limits of Eminent Domain. Somin has also published articles in a variety of popular press outlets, including The Washington Post, Wall Street Journal, Los Angeles Times, CNN, The Atlantic, and USA Today. He is a regular contributor to the popular Volokh Conspiracy law and politics blog, affiliated with Reason.
Perhaps the strongest argument against expanded migration rights is the fear that too many of the “wrong” kind of immigrants might kill the goose the laid the golden egg that makes a country attractive to migrants in the first place. If immigrants have harmful cultural values, vote for dangerous political leaders, or otherwise undermine the political and economic system, they could degrade the host nation’s institutions. In the extreme case, they might even replicate the same awful conditions that led them to flee their country of origin. Wretched Refuse is the most thorough analysis and refutation of such concerns. Nowrasteh and Powell use both historical and modern evidence to show that institutional concerns about immigration are largely misplaced and that migrants strengthen liberal democracy far more than they undermine it.
Economic arguments favoring increased immigration restrictions suggest that immigrants undermine the culture, institutions, and productivity of destination countries. But is this actually true? Nowrasteh and Powell systematically analyze cross-country evidence of potential negative effects caused by immigration relating to economic freedom, corruption, culture, and terrorism. They analyze case studies of mass immigration to the United States, Israel, and Jordan. Their evidence does not support the idea that immigration destroys the institutions responsible for prosperity in the modern world. This nonideological volume makes a qualified case for free immigration and the accompanying prosperity.
Ilya Somin is a Professor of Law at George Mason University. He is the author of Free to Move: Foot Voting, Migration, and Political Freedom, Democracy and Political Ignorance: Why Smaller Government is Smarter, and The Grasping Hand: Kelo v. City of New London, and the Limits of Eminent Domain. Somin has also published articles in a variety of popular press outlets, including The Washington Post, Wall Street Journal, Los Angeles Times, CNN, The Atlantic, and USA Today. He is a regular contributor to the popular Volokh Conspiracy law and politics blog, affiliated with Reason.
Before reading this book, I would never have believed that you can effectively address an important political issue by writing a… graphic novel. But economist Bryan Caplan did just that. Whereas Carens’ book makes a philosophical case for open borders, Caplan excels at addressing a variety of practical policy issues. With a combination of eloquent words and powerful images, he shows how immigration can greatly expand freedom and prosperity for migrants and natives alike. He also effectively goes over a wide range of potential downsides of immigration, such as overburdening the welfare state, environmental damage, and much else.
Economist Bryan Caplan makes a bold case for unrestricted immigration in this fact-filled graphic nonfiction.
American policy-makers have long been locked in a heated battle over whether, how many, and what kind of immigrants to allow to live and work in the country. Those in favor of welcoming more immigrants often cite humanitarian reasons, while those in favor of more restrictive laws argue the need to protect native citizens.
But economist Bryan Caplan adds a new, compelling perspective to the immigration debate: He argues that opening all borders could eliminate absolute poverty worldwide and usher in a booming worldwide economy--greatly…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
Sarah Song is a lawyer and political scientist, and her book traces the history of American migration law—with a particular focus on how that history reflects both anxiety about foreign influence, and fear that migrants will disrupt the domestic labor market. It’s a fascinating story, and it’s instructive to see how modern conversations about the border mirror—for better or for worse - the conversations that happened over a century ago.
How should we think about immigration and what policies should democratic societies pursue? Sarah Song offers a political theory of immigration that takes seriously both the claims of receiving countries and the claims of prospective migrants.
Immigration is one of the most polarizing issues in contemporary politics. It raises questions about identity, economic well-being, the legitimacy of state power, and the boundaries of membership and justice. How should we think about immigration and what policies should democratic societies pursue?
Some contend that borders should generally be open and people should be free to migrate in search of better lives. Others…
As an Arab American woman who grew up in Nashville in an evangelical church, I’ve always maintained complex understandings of myself as both an Arab and a woman. My experiences coupled with my love for reading led me to become a journalist where I could explore stories about Arab women in hopes of learning more about myself. After 9/11, watching my family face racism and hate from a country we're so proud to be a part of, I wanted to change the narrative. I got a Ph.D. in Media Sociology from the University of Missouri and started writing critical analyses of media’s poor representation of Arab women and how we can help change the game.
Farris’ book is a provocative and timely piece that would make any holiday dinner awkward.
We’ve all heard the arguments seemingly standing up for Arab or Muslim women that sounds a lot like a white savior complex and maybe a little racist. In short, Farris calls out those folks who use gender equality language to hide their racist and xenophobic language and how we can put a pin in that kind of rhetoric.
Sara R. Farris examines the demands for women's rights from an unlikely collection of right-wing nationalist political parties, neoliberals, and some feminist theorists and policy makers. Focusing on contemporary France, Italy, and the Netherlands, Farris labels this exploitation and co-optation of feminist themes by anti-Islam and xenophobic campaigns as "femonationalism." She shows that by characterizing Muslim males as dangerous to western societies and as oppressors of women, and by emphasizing the need to rescue Muslim and migrant women, these groups use gender equality to justify their racist rhetoric and policies. This practice also serves an economic function. Farris analyzes how…
I was born in a refugee camp in Thailand. I lived there until I was six. I was a child from America’s Secret War in Laos, a child who knew very little of the outside world before my family sought refuge in America. Much of my life’s work has been devoted to a search for peace, to understand the forces that put families in situations like mine. I have published widely on the topic, written of it in books for both adults and children.
In the space where our fears and our hopes live, there is the landscape of our dreams and nightmares. This book lushly carries a boy's search for home to readers everywhere. It's a magical book for it carries a great deal of room for the reader to step into the words and images within.
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A stunning picture book that addresses life’s big journeys with hope, beauty, and reassurance
School Library Journal [STARRED REVIEW!] “[A] moving, allegorical tale… inspiring reflection and empathy”
Kirkus Reviews [STARRED REVIEW!] “A potent discussion starter… Enchanting, beautiful, and full of hope. “
Booklist [STARRED REVIEW!] “A lyrical tale of leaving home and finding a new one…Thought-provoking and arrestingly beautiful.”
A boy must leave his home and find another. He brings with him a teacup full of earth from the place where he grew up, and sets off to sea. Some days, the journey is peaceful, and the skies…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I have written three verse novels; two YA, Skyscraping and The Way the Light Bends, and one half-verse, half-prose MG Every Shiny Thing (co-authored with Laurie Morrison.) I teach verse novel specific classes for The Highlights Foundation and The Writing Barn, on topics like plotting verse novels, creating an image system in verse novels, revising verse novels. I also edit verse novel manuscripts, working with one private student per month. Along with this, I’ve taught a Writing for Children class at Bryn Mawr College. Presently, I teach kids and teens through the Kelly Yang Project and run a local, kids’ literary journal here in Philadelphia called the Mt. Airy Musers.
Unsettled by Reem Faruqi, loosely based on the author’s own story, chronicles the experience of Nurah, a thirteen-year-old girl who moves from Pakistan to Georgia. She experiences racism and prejudice in a variety of forms, she makes new friends, discovers new passions, undergoes loss, and learns to adjust to a vastly different place. Many verse novels tell stories of immigration, but this one stands for its consistent lyricism and its honest, moving portrayal of a coming-of-age experience that is at once specific and universal.
A Bank Street Best Children’s Book of the Year · Kid's Indie Next List · Featured in Today Show’s AAPI Heritage Month list · A Kirkus Children's Best Book of 2021 · A National Council of Teachers of English Notable Verse Novel · Jane Addams 2022 Children’s Book Award Finalist · 2021 Nerdy Award Winner · Muslim Bookstagram Award Winner for Best Middle School Book
For fans of Other Words for Home and Front Desk, this powerful, charming immigration story follows a girl who moves from Karachi, Pakistan, to Peachtree City, Georgia, and must find her footing in a new…
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
Letters from Rifka is immediately appealing because the author tells us that it is based on memories.
I was immediately drawn into the story by the engaging voice of the 12-year-old narrator, who writes her story in letter form. Rifka is a Russian Jew fleeing with her family from persecution in 1919. It is a story of a desperate flight, across Ukraine and into Poland, and from there, hopefully, to America. But, so close to freedom, Rifka is detained in a hospital for contagious diseases on Ellis Island, and may not be allowed to travel on with her family. Rifka’s character is so well drawn, her impish, positive voice so lovable, that MG readers won’t fail to love this book and care deeply about the plight of people who are forced to leave their homes forever.
From Newbery media winner Karen Hesse comes an unforgettable story of an immigrant family's journey to America.
"America," the girl repeated. "What will you do there?" I was silent for a little time. "I will do everything there," I answered.
Rifka knows nothing about America when she flees from Russia with her family in 1919. But she dreams that in the new country she will at last be safe from the Russian soldiers and their harsh treatment of the Jews. Throughout her journey, Rifka carries with her a cherished volume of poetry by Alexander Pushkin. In it, she records her…
By chance, I was entrusted with rare historical documents about the immigrant generations in our family, which inspired this novel and grounded it in reality. Who wouldn’t wonder why they came? Besides, I have always been fascinated by pre-modern times and how steam power changed everything and dragged us along, kicking and screaming. And, even though they arrived in America in 1836, I grew up on the farm where they lived, so I heard tales of their amazing journey. It may be 186 years on, but it’s time to tell their story, which, it turns out, is a story for us all.
The first of Moberg’s 4-volume saga of Swedish immigrants, this book is so thoroughly researched that he invented a term, calling them “documentary novels.” The family in the story are farmers from a poor, remote parish in Sweden whose lives are constricted by both the church and the state. This reflects the painful realities of Europe in 1850, where almost everyone was poor, rural, oppressed, and completely unprepared for the journey ahead of them. Whether you read Moberg’s Emigrant Novels for the intense personal drama or for more understanding of why people leave their homelands, you will find these stories deeply emotional and insightful.
Considered one of Sweden's greatest 20th-century writers, Vilhelm Moberg created the characters Karl Oskar and Kristina Nilsson to portray the joys and tragedies of daily life for early Swedish immigrants in America. His consistently faithful depiction of these humble people's lives is a major strength of the Emigrant Novels.
Moberg's extensive research in the papers of Swedish emigrants in archival collections enabled him to incorporate many details of pioneer life. First published between 1949 and 1959 in Swedish, these four books were considered a single work by Moberg, who intended that they be read as documentary novels. These reprint editions…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Daniel Treisman is an expert on post-Soviet Russia, whose articles have appeared in Foreign Affairs, the New York Times, and CNN.com, among other publications. A professor of political science at the University of California, Los Angeles, he is the founder of the Russia Political Insight project, an international collaboration to analyze Kremlin decision-making. He is the author of The Return: Russia’s Journey from Gorbachev to Medvedev and editor of The New Autocracy: Information, Politics, and Policy in Putin’s Russia.
Another literary take on the era that’s impossible to leave out. The suitcase of the title is the one Dovlatov took into exile when he rode the wave of Jewish emigration to New York in 1979. On the bottom of the suitcase, a picture of Karl Marx; on the inside lid, a photograph of Joseph Brodsky—and in between the debris of a life lived between the dual myths of revolution and poetry. Each story in the collection takes off from a different item in the suitcase—three pairs of Finnish stockings, a pair of driving gloves, a prison guard’s belt… Dovlatov is one of those authors who is hard to imagine writing in any other period—his style, mentality, humor, and turn of phrase are so perfectly attuned to time and place. Whimsical, dark, and often funny.
Several years after emigrating from the USSR, the author discovers the battered suitcase he had brought with him gathering dust at the back of a wardrobe. As he opens the suitcase, the items he finds inside take on a riotously funny life of their own as Dovlatov inventories the circumstances under which he acquired them. A poplin shirt evokes a story of courtship and marriage, a pair of boots calls up the hilarious conclusion to an official banquet, two pea-green crepe socks bring back memories of his attempt to become a black-market racketeer, while a double-breasted suit reminds him of…
