100 Books Like Karma

This book, Whiting’s first, appeared around 1976/7 and went through several editions. The title was a subtle parody of anthropologist Ruth Benedict’s 1946 classic, The Chrysanthemum and the Sword: Patterns of Japanese culture. I read it around the time I was writing my first book, Manga! Manga! The World of Japanese comics, and it was a great inspiration. It did with baseball what I was trying to do with Japanese comics—show how Japanese were interpreting something with which North Americans were very familiar (baseball and comics) in very different ways.

In my case, manga provided an entertaining, non-didactic way to look not only at Japanese use of comics but at some broader cultural issues. Conversely, it could even be seen as a way to look at American comics and culture.

This very short book came out in 1979, and it had quite an impact on me. It showed how writing about Japanese history and culture could not only be entertaining and fascinating, but extremely useful. The book focuses on how guns were imported into Japan in 1543 and spread widely, but were then largely abandoned. At a time during the Cold War, when nuclear weapons seemed to be proliferating endlessly, it also hinted at a different future, where what seemed so inevitable, might not be so.  

This book is by a Japanese poet and Buddhist priest in the 12th century, who rejected life in the capital of Kyoto for a tiny hut in forested mountains. At a time when Kyoto was wracked by earthquakes, storms, fires, and political unrest, he records his life and his opinions about both human misery and the advantages of simplicity. It has always been an inspiration to me. It’s a small book of fewer than 100 pages, easy to carry around, but always somehow calming.

At the start of the 1990s, I discovered a dusty, original edition of this book at my local library. Published in 1923 and reprinted in 1990, it tells the story of Ranald MacDonald (1824-1894)—a half Chinook and half Scot from today’s Astoria, Oregon—who may be the first North American to go to Japan alone, of his own volition. Heavily edited and annotated from his original manuscript, it is a complex story, partly because many of his words were posthumously re-written by a friend. This created a twelve-year obsession for me—to research and untangle the true story as it relates to Japan. MacDonald became my hero. In 1993, I dedicated one book (America and the Four Japans: Friend, Foe, Model, Mirror) to him. In 2003, I finally finished my own book about him: Native American in the Land of the Shogun: Ranald MacDonald and the Opening of… show more.

Tekkonkinkreet has more raw energy than any comic I’ve ever read, like in my own book it’s the story of 2 brothers who think they’re invincible and make a lot of mistakes in the heat of the moment. The book is relentless and breaks every possible rule and is just an absolute marvel of comic storytelling.

I love Mitsuru Adachi for his masterful storytelling and playful touch. Comics are all about choosing the right moments to string into sequences, and Adachi has a knack for choosing surprising moments without losing the clarity of the story. He's had a huge influence on my work. A story about two friends: an ace pitcher and an ace batter, and their rivalry for love and victory on the baseball field. Behind this epic baseball drama is a wonderful story about the couple that could never be.

Mushishi is possibly my favorite comic of all time. It doesn’t just use the environment as storyteller, but tells stories about environments in a way you wouldn’t expect. Though it’s a series of stories about people and their relationships, neither are divorced from the world itself. I cannot recommend this series enough and it is a huge influence on my own work.

I was absolutely delighted by this young adult graphic novel which details three Asian girls’ lives as they live and study in Japan. One is from America, one from Korea, and one from Singapore, and each has such a profound story to tell about their path to self-acceptance and personal freedom. 

Tsuge is another of the early gekiga greats, who only recently allowed English translation of his classic work from the 1960s and 70s. Tsuge pushed the boundaries of what manga stories were about, into more abstract and surreal areas and visual presentation. This book is, like Tatsumi’s books, a glimpse of a little-known Japan beneath the common stereotypes. Its stories are told in an understated and sophisticated fashion. Literary manga indeed. Wonderful stuff, personally I love it.

This is an art book that showcases the masterful craft of an artist who knows how to weave souls into their characters and worlds. Her titles made me laugh, cry, jump up from my seat, and the characters and concepts in the pages of this book make me re-live these moments again and again. She uses a very unusual gouache technique, unlike any other manga artist I know of. The precision and determination in every stroke are stunning, and a book I believe any aspiring artist should have in their library.