73 Books Like North American Lake Monsters

This is a short story collection I return to every few years. There are four novellas in this collection, but each of them was delivered directly to my cerebral cortex. I can recall passages from each story. And I can see the locations.

I feel King is at his best when he's twisting his way through novellas and short stories. After reading "1922", it was weeks before I stopped seeing the well. And weeks before, I stopped shaking my head at what Wilfred James did or the grit of Tess in "Big Driver" or the pettiness of Dave Streeter. This is worth reading every year.

The Ballad of Black Tom rocked my world.

I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.

Black Tom touches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.

He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.

It’s devastating to reconcile a world that could treat anyone, especially children, the way Pecola Breedlove is treated in The Bluest Eye. The cruelty of racism and oppression, both historical and ongoing, feels unbearable to confront. The idea that worth, beauty, and love could be tied to a single, narrow ideal is profoundly heartbreaking. I want to reach through the pages, take Pecola in my arms, and tell her she is beautiful, that her self-worth is inherent, and free her from the horrors she endures.

Throughout the book, I yearn for someone in her world to lift her up, hold her, and tell her it will be okay. But they, too, are trapped in cycles of pain and suffering. Morrison’s writing is unflinchingly honest and achingly beautiful, taking me to a raw, vulnerable place where pain demands confrontation.

This book captures the depth of human experience, reminding me that… show more.

Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.

Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.

It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.

This was one of the first horror novels I read, so it has almost a mystical hold on me. I returned to it quite a few times through the years turning my paperback edition into a dogeared mess.

It was the first time I read a story where the real world of politics and cruelty were tied to the immortal, the unliving, the monsters of our imagination. The mix of horror and the supernatural works in this book as well as anything I've read.

And the scene under the keep, the tunnels that kept me awake as a youngster, and I still look at it as a masterclass on how to build fear and suspense.

This classic short story by Flannery O'Connor follows a family on a road trip through the South.

Included on the journey is the manipulative and deceitful grandmother, who somehow convinces the family to take a detour to visit an old plantation home that she remembers from her childhood. The consequences of this detour are chilling.

Spoiler alert, but in the context of the ongoing investigations of our former President, one of the passages really struck a chord, “I found out the crime don't matter. You can do one thing or you can do another, kill a man or take a tire off his car, because sooner or later you're going to forget what it was you done and just be punished for it”

It's sort of a classic, and yet, there's more to this story than the formal style of the peculiar author. It creates almost a trance when I read it. So many other authors have grabbed parts of this tale, and so many books and movies seem to resonate with aspects of the tale.

The odd Americana aspect of the setting and the historical overtones lull you into solitude while the plot twists the hold on your mind ever tighter. It's a favorite, even though I admit it can be a difficult read when compared to the pacing of modern genre writing.

This is the only graphic novel/comic book on my list and it goes above and beyond in art and story.

I have enjoyed reading the Harrow County stories many times. I prefer the collected edition where you can take your time and read comic issues 1-16 of Darkhorse Comics Harrow County. The artwork pulls you in, and the story is filled with zippy turns and good dialogue.

It pulls from many of the books I've mentioned in building an early American horror story that heads off in multiple directions. I can smell the grass and trees, hear the click-clack of the horse-pulled carts, and taste autumn in the air while reading these books.

A topic for another time would be examining the different experiences when reading a graphic novel compared to a novel. The strengths and weaknesses, what exactly the illustrations add, but for a horror fan who has never… show more.

Have you ever wondered what it would be like if Hemingway put actual sea monsters in his fiction? What if Raymond Carver wrote werewolf stories or Cosmic Horror? If that’s the case, you can’t miss Nathan Ballingrud’s book.

When I found it years ago, I was awed by his beautiful language, the depth of his characters, and just how seamlessly he weaved encounters between everyday people and the supernatural. I loved the ruggedness of his stories and the 'lived-in' feel of his settings.

The absolute beauty and dark awe that each brought to life. I wish I could read all of these stories again for the first time.

Catherine Marshall’s masterpiece Christy is revered for a reason. This Edwardian-era coming-of-age story about a young teacher in an impoverished Appalachia village is not only a romantic page-turner, but also theologically rich, psychologically astute, and honest about the effects of poverty, violence, and social injustice. I’ve read Christy multiple times and continue to find it engaging and thought-provoking.