Here are 90 books that Full Dark, No Stars fans have personally recommended if you like
Full Dark, No Stars.
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I grew up reading short stories in the annual Reader’s Digest books my parents collected, so I’ve always liked the short form. Perhaps that is why I pursued it in college, wanting to know what made them work. So I took a lot of classes in college to do just that, to dissect stories to see what made them resonate with readers. And although I’ve been trying to push myself to write longer fiction, I’ll never be able to fully abandon the short fiction. I love a story you can read in a day and think about all night.
Besides the fact that Joe Hill is one of my favorite writers at the moment, this collection is 100% solid writing. Also, one of my favorite stories, “Pop Art,” is included in the book. To me, the sense of ambiguity, of using one otherworldly concept to stand for something so plain and simple, addressing current issues through your fiction are all present in that story.
Imogene is young, beautiful, kisses like a movie star, and knows everything about every film ever made. She's also dead, the legendary ghost of the Rosebud Theater. Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass kicked. It's hard to make friends when you're the only inflatable boy in town. Francis is unhappy, picked on; he doesn't have a life, a hope, a chance. Francis was human once, but that's behind him now. John Finney is in trouble. The kidnapper locked him in a basement, a place stained with…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I grew up reading short stories in the annual Reader’s Digest books my parents collected, so I’ve always liked the short form. Perhaps that is why I pursued it in college, wanting to know what made them work. So I took a lot of classes in college to do just that, to dissect stories to see what made them resonate with readers. And although I’ve been trying to push myself to write longer fiction, I’ll never be able to fully abandon the short fiction. I love a story you can read in a day and think about all night.
SGJ has such a unique voice, it’s hard to deny this collection its props. Here you have a wide range of themes and unique characterization, and I think there’s a lot to be learned from a collection such as this. Dialogue, character building, tension; this is like a guide to writing good fiction.
Winner, Best Collection of the Year, This Is Horror
Nominated, Best Collection of the Year, Bram Stoker Awards
Nominated, Best Collection of the Year, Shirley Jackson Awards
The 15 stories in After the People Lights Have Gone Off, by Stephen Graham Jones, explore the horrors and fears of the supernatural and the everyday. Included are two original stories, several rarities and out-of-print narratives, as well as a few "best of the year" inclusions.
In "Thirteen", horrors lurk behind the flickering images on the big screen. "Welcome to the Reptile House" reveals the secrets that hide in our flesh. In "The…
I’ve always enjoyed books that make me think and question. I love that they lead me to further brilliant works that do the same. I love a book that challenges the rules of writing and takes you into another world. As a full-time thriller writer, it’s always good to read a genre different from your own. To enter a realm of magical realism is fantastic.
I loved this book because, again, it was thought-provoking. It was unimaginable to think humans could behave in this way and then it made me realise that we do behave in an unimaginable fashion in real life. This book shows the mob mentality and how ‘tradition’ keeps going despite not knowing where it started and why it continues.
I found the concept of the lottery both disturbing and thought provoking. How far will people go in the name of superstition and fear. I loved that Shirley Jackson with a short story should produce such darkness and depth in humanity and it had me thinking for quite a while.
'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt
This is the definitive collection of Shirley Jackson's short stories, including 'The Lottery' - one of the most terrifying and iconic stories of the twentieth century, and an influence on writers such as Neil Gaiman and Stephen King.
In these stories an excellent host finds himself turned out of home by his own guests; a woman spends her wedding day frantically searching for her husband-to-be; and in Shirley Jackson's best-known story, a small farming village comes together for a terrible annual ritual. The creeping unease of lives squandered…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
At age thirteen, sprawled on our shag-carpeted living room floor, I watched Poltergeist’s scariest scenes reflected in the glass doors of an old-school encyclopedia case. The blur made the film less scary—and aftewards, I noticed two smaller books leaned against Volumes 15-16: Italy to Lord. Reading Bach’s Jonathan Livingston Seagull and Baldwin’s The Fire Next Time back-to-back that night rattled me harder than seeing Carol Anne sucked into the netherworld. I woke up with my worldview rearranged, and I hope you’ll find these books every bit as pleasantly unsettling.
I’ll confess something to you, here and now, that I might not admit to a book club: I haven’t read this whole collection yet. Yeah, that’s right, I said it. I took this book on an airplane with me, read all the stories but one, and accidentally left it behind in my airline seat compartment for some lucky stranger to find behind the inflight magazine.
But the titular story alone had me bawling in economy class, suddenly realizing I’m an awful, awful daughter, and unless you’ve got no soul, you’ll tear up too.
Featured in the Netflix series Love, Death & Robots
Bestselling author Ken Liu selects his multiple award-winning stories for a groundbreaking collection—including a brand-new piece exclusive to this volume.
With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features many of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits…
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love this book first and foremost because it is essentially the OG of madwomen narratives. Written in 1892, it is a super-creepy, sensory, trippy exploration of one woman’s sanity slowly being shredded by male medical “expertise”—in this case, a doctor’s prescription for postpartum depression: utter isolation in a bedroom with no intellectual stimulation... in order to alleviate postpartum depression (?!). Unsurprisingly, rather than “recovering,” the heroine drags readers down a terrifying rabbit hole of hallucination, self-destruction, and—ultimately—murder.
It’s a masterful, Hitchcockian deep dive into psychosis written over a half-century before Psycho. But it’s also an extremely satisfying example of feminist revenge-writing; Perkins not only drew on her own experience after suffering this “treatment” but sent a copy directly to her practitioner after its publication. Pow!
The Yellow Wallpaper (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.
Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As…
My obsession with metamorphosis began after my wife and I discovered that we're going to have our third child. I started having nightly dreams about the butterflies I kept in a dry aquarium when I was a kid, waking up in the middle of the night with a flashlight strapped to my forehead, waiting to see them emerge from their chrysalis. A pregnancy somehow feels like our human version of emergence: few experiences are as life-changing as becoming a parent, and fewer wonders more exhilarating than the natural magic of metamorphosis. Both mark beginnings but are in fact continuations. Both, in different ways, are also forms of endings. Both make us wonder about the riddles of our world.
In this classic, Gregor Samsa, a traveling salesman, famously wakes up one morning to discover that he is a gigantic vermin.
Interpretations of the book range from Kafka trying to say that modern life reduces us all to being bugs, to the idea that Kafka was really writing about art, and how, since the artist cannot ever be understood, he might as well be an insect.
I read it as Kafka's attempt to reconcile two philosophies - that of Nietzsche, who claimed that the human will is a force that leads to happiness, and that of Schopenhauer, who claimed that the will is just about survival.
In Kafka's hands, metamorphosis is both life-affirming and life-denying.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve always been a fan of short fiction. My debut book, The Escape to Candyland, is a collection of interrelated short stories. It was a finalist in two contests: The Restless Books Prize for New Immigrant Writing and Southern Fried Karma Novel Contest. My latest book, Sometimes We Fall, is also a short story collection. It includes several contest winners. I’m working on a third collection which will be published in 2024.
Shirley Jackson is a master of the short story. My favorite is The Lottery. The build-up to the main event is spectacular. The reader thinks the village is getting ready for a normal event. As time passes, we realize what is to come. The themes of tradition and mob mentality are still relevant as we read about current events.
I paid homage to this story in my own tale which is included in my book.
I’ve loved short stories since I was a young girl introduced to Edgar Allen Poe. There’s something especially exciting about a complete story in few words, and once I had to balance work, children, and personal relationships, stories became all the more cherished for short takes. I especially like tales about and by women, relating to our real challenges, and I review them often so other busy women discover better writers and interesting tales. There is nothing like a short story any time of day, especially in the evening, to soothe the soul.
Each one of these stories is a mini-novel, which are the sort of stories I love. Black never leaves you hanging, like some writers do, and you will feel like you’re right in there watching the story unfold. The writing has been called pitch-perfect and I agree. Every word is right, every moment fits and every character is trying to make sense of the world as we all do, every day. She deftly explores the emotional DNA passed from generations before and what that means for each of our lives going forward. So you get a great tale well told. and a lot to think about at the same time. Exactly what I love to read and what smart modern women are drawn to.
Heralding the arrival of a stunning new voice in American fiction, If I Loved You, I Would Tell You This takes readers into the minds and hearts of people navigating the unsettling transitions that life presents to us all: A father struggles to forge an independent identity as his blind daughter prepares for college. A mother comes to terms with her adult daughter’s infidelity. An artist mourns the end of a romance while painting the portrait of a dying man. Brilliant, hopeful, and fearlessly honest, If I…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This was one of the first horror novels I read, so it has almost a mystical hold on me. I returned to it quite a few times through the years turning my paperback edition into a dogeared mess.
It was the first time I read a story where the real world of politics and cruelty were tied to the immortal, the unliving, the monsters of our imagination. The mix of horror and the supernatural works in this book as well as anything I've read.
And the scene under the keep, the tunnels that kept me awake as a youngster, and I still look at it as a masterclass on how to build fear and suspense.
The Keep is the first book in the Adversary Cycle from bestselling author F. Paul Wilson and the basis for the 1983 cult classic horror film written and directed by Michael Mann.
"Something is murdering my men."
Thus reads the message received from a Nazi commander stationed in a small castle high in the remote Transylvanian Alps. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims.
When an elite SS extermination squad is dispatched to solve the problem, the men find something that's both powerful and terrifying.…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
Each short story is an epic in disguise. They have unique settings, and twists on the predictable beats of a horror genre keep you guessing.
Real life is more frightening than the monsters we imagine, isn't it? Highly original and engaging, I read the book three times in the first year of ownership.
Nathan Ballingrud's Shirley Jackson Award winning debut collection is a shattering and luminous experience not to be missed by those who love to explore the darker parts of the human psyche. Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible. These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they…
