Here are 100 books that Nearer My Freedom fans have personally recommended if you like
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I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
A historical/legal/poetic examination of the way that African bodies were treated and disposed of in the context of transatlantic slavery and how the author simultaneously advances a process of reclamation. NourbeSe provides a meditation in which silence and space advance our understanding of the gravity and horror of the subject which in no way compares with what the unnamed victims experienced. She recalls them and names them into existence.
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship's owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I was a stubborn teenager, and growing up, I vocally declared I would never set foot in Spain. The Spanish Empire was oppressive! It was full of religious fanatics! Yet… in college I took a course on Spain’s Golden Age, and for the first time I saw a different side of history, full of paradoxes and contradictions, Inquisitors and female mystics, bumbling priests and powerful nuns, decadence and poverty, emperors, tricksters, artists, pirates, scientists, and everything in between. Spain of the sixteenth through eighteenth centuries was extraordinarily complex and far from one-dimensional. Now, years later, I have travelled to Spain over twenty times, lived in Pamplona, and I am a historian of early modern Spain at Penn State University.
This brand-new, prize-winning book is a gorgeous synthesis of some of the most important trends in current Iberian studies. Early modern empire-building, missionary efforts, and the African slave trade fostered a new cult of black saints, which Rowe documents through stunning photography from tiny and forgotten churches across the peninsula. In focusing on black saints and their devotees—a largely understudied part of early modern Catholic culture—Rowe not only centers and elevates the diverse and often marginalized individuals who shaped global Catholicism, but also emphasizes important conversations about race and inclusion in early modern society.
From the sixteenth to the eighteenth centuries, Spanish and Portuguese monarchs launched global campaigns for territory and trade. This process spurred two efforts that reshaped the world: missions to spread Christianity to the four corners of the globe, and the horrors of the transatlantic slave trade. These efforts joined in unexpected ways to give rise to black saints. Erin Kathleen Rowe presents the untold story of how black saints - and the slaves who venerated them - transformed the early modern church. By exploring race, the Atlantic slave trade, and global Christianity, she provides new ways of thinking about blackness,…
As an engineer, I have constructed bridges, highways, and power plants throughout Africa, and on journeys learned and explored the continent's history. My novel, Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book. My 200 plus sources, and excerpts from many of them, are listed on the companion website.
In the introduction, dated July 1978, Mattoso writes. … my purpose in writing this book was to discover what life was really like for the slaves in Brazil … This book is addressed to an audience of general readers. I have therefore felt free to dispense with the usual scholarly apparatus of extensive footnotes and bibliography … Its title … signals my intention to adopt the standpoint of the slaves themselves … to trace the various stages in the lives of the slaves as individuals and of the slave group as a community.
The book has the great advantage of placing the slave in the center of the history not simply as a type of labor, but as an actor whose culture, actions and decisions influenced the operation of the system... written with verve and grace for a general readership.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I'm fascinated with material culture – studying the things we make and use – and what they tell us about our history. My particular passion is for nineteenth-century Black material culture, often the only tangible history of enslaved and newly-emancipated Black lives. The books on my list educated me of the historical realities for African Americans, from emancipation to Jim Crow – providing critical context for deciphering the stories embedded in historical artifacts. Overall, the gendered (and harrowing) history these books provide on the contributions of African-American women to civil rights and social justice should be required reading for everyone.
“Slave women’s transition to freedom, while deeply desired, prayed for, and actively pursued, was a treacherous and ambiguous process.” With these words, Leslie Schwalm goes on to detail the activist role Black women played in securing emancipation and shaping a different future for themselves and their families, from slavery to freedom.
Schwalm uses oral narratives to capture their experiences before, during, and after the Civil War, and examines how social, racial, and political realities influenced the lives of Black women. This book is a must read on how African American women continuously challenged the barriers to free labor, family autonomy, and legal rights, in their quest to “define and defend freedom”.
African-American women fought for their freedom with courage and vigor during and after the Civil War. Leslie Schwalm explores the vital roles of enslaved and formerly enslaved women on the rice plantations of lowcountry South Carolina, both in antebellum plantation life and in the wartime collapse of slavery. From there, she chronicles their efforts as freedwomen to recover from the impact of the war while redefining their lives and labor.
Freedwomen asserted their own ideas of what freedom meant and insisted on important changes in the work they performed both for white employers and in their own homes. As Schwalm…
I’ve been putting my passport to good use for the last thirty years or so. Few things make me happier than showing up in an unfamiliar place – whether a village in Ecuador, a town in Ireland, or a city in Ghana – and trying to become familiar with the people, the customs, the food, all of it. But I suppose what I love most is a good story. During those three decades, I’ve also become a Professor of English at Arizona State University, where my research has increasingly focused on how artists and ideas move across geographical and cultural boundaries. In my latest book, License to Travel, these various interests come together.
This book moves me whenever I open it, no matter the chapter, no matter the page.
It presents the harrowing tale of Douglass’s flight from slavery as a young man with a degree of urgency and detail that is not found in his other writings.
But it is the account of his travels through Europe and North Africa as a man of almost seventy, finally free to pursue his lifelong wanderlust, that is perhaps most poignant: “I had strange dreams of travel even in my boyhood days,” he writes. “I thought I should some day see many of the famous places of which I heard men speak, and of which I read even while a slave.”
In between Paris and the pyramids, Douglass repeatedly compares what he sees in the Old World with what he knows so well, and often so painfully, of American ideals, values, and aspirations.
This richly illustrated edition of this classic American autobiography sheds new light on Douglass's famous text for a new generation of readers.
Famous orator and former slave Frederick Douglass published his third and last autobiography, Life and Times of Frederick Douglass, in 1881. No longer in danger as an escaped slave, it goes into greater detail and encompasses Douglass's entire life, from his early years living with his grandmother in Maryland to the events during and after the Civil War, including his meetings with presidents and dignitaries and his deep involvement with the burgeoning suffragist movement. His account reveals what…
Besides having come of age while Black, I’ve published two coming-of-age novels about Black adolescents. Even before I became a writer, or an adult, I had had a particular interest in coming-of-age narratives. From Walter Dean Myers’ Harlem-located Young Adult novels to Toni Morrison’s Sula and James Baldwin’s Go Tell It on the Mountain, I’ve always been attracted to such stories. However, what the book list offered here does is map a reading series for what I see as an exciting intellectual formation for a Black reader.
I’ve long been fascinated with Walker’s life and work. Ten years ago, I devoted a chapter of my dissertation to Walker and now I’m working with TED-ED on an animated video and related teaching materials about the man whom Frederick Douglass himself cited as the progenitor of the radical abolitionist movement.
When teaching African-American Literature courses, I’ve found Walker’s Appeal to be an especially effective entry point for Black students who are tired of stories of slavery and Black debasement. Walker, as a freeborn Black man from the slaveholding south (and later Boston), offers a different vision: of impressive erudition and entrepreneurship, of Pan-African pride and militant resistance.
In 1829 David Walker, a free black born in Wilmington, North Carolina, wrote one of America's most provocative political documents of the nineteenth century, Walker's Appeal to the Coloured Citizens of the World. Decrying the savage and unchristian treatment blacks suffered in the United States, Walker challenged his "afflicted and slumbering brethren" to rise up and cast off their chains. Walker worked tirelessly to circulate his book via underground networks in the South, and he was so successful that Southern lawmakers responded with new laws cracking down on "incendiary" antislavery material. Although Walker died in 1830, the Appeal remained a…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As an undergraduate History student, I was told by one of my professors that I thought too much like an anthropologist; as a postgraduate Anthropology student, I was told by another professor that I wrote too much like a historian! At that point, I finally gave up and turned to journalism and fiction writing…though my love for history figures largely in much of what I continue to write and read today.
This is another one that comes down to voice for me: hearing the story of one of the last African slaves to experience the Middle Passage in his own words. It’s moving, thought-provoking, and refocuses the vast and familiar history of the American slave experience to a disarmingly—and powerfully—human scale.
A major literary event: a never-before-published work from the author of the American classic, Their Eyes Were Watching God which brilliantly illuminates the horror and injustices of slavery as it tells the true story of the last known survivor of the Atlantic slave trade-illegally smuggled from Africa on the last "Black Cargo" ship to arrive in the United States.
In 1927, Zora Neale Hurston went to Plateau, Alabama, to interview ninety-five-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of…
I am a historian and educator based in Boston. I have authored three books and numerous essays on the Civil War era. You can find my op-eds in The Washington Post, The New York Times, The Atlantic, and The Daily Beast. Over the past few years, I have worked with students and teachers across the country to better understand the current controversy surrounding Confederate monuments.
The Confederacy was consistent throughout most of the war that Black men could not be recruited to serve in the army as soldiers. This was a war to preserve slavery and white supremacy and Black enlisted men would have undermined the very justification for secession and the creation of a new nation. As the war entered its fourth year, however, more and more people realized that this policy was no longer tenable. Historian Bruce Levine offers a thorough analysis of the very public and bitterly divisive debate that took place throughout the Confederacy in 1864 over whether slaves could be recruited as soldiers. Confederates debated this subject in the capital of Richmond, in the army, and in countless newspapers. The question was clear: Should the Confederacy recruit Black men as a way to avoid defeat? That it took the Confederate government until mid-March 1865 to finally approve slave enlistment—much too…
In early 1864, as the Confederate Army of Tennessee licked its wounds after being routed at the Battle of Chattanooga, Major-General Patrick Cleburne (the "Stonewall of the West") proposed that "the most courageous of our slaves" be trained as soldiers and that "every slave in the South who shall remain true to the Confederacy in this war" be freed. In Confederate Emancipation, Bruce Levine looks closely at such Confederate plans to arm and free slaves. He shows that within a year of Cleburne's proposal, which was initially rejected out of hand, Jefferson Davis, Judah P. Benjamin, and Robert E. Lee…
I spent many a night growing up glued to the television, watching Ken Burns’ Civil War. But as I got older, I found my interests stretching beyond the battles and melancholic music on the screen. I decided to become a historian of abolitionism–the radical reform movement that fought to end the evils of slavery and racial prejudice. Through my research, I seek to explain the substantial influence of the abolitionist movement as well as its significant limitations. I received my Ph.D. from the University of Virginia in 2017, and have since held positions at such institutions as The New School, the University of Bonn, and the Massachusetts Historical Society.
Reidy's book is an elegant and engaging read, but it is not an easy one.
It illustrates how the process of emancipation actually played out on the ground after Abraham Lincoln issued his famed Emancipation Proclamation in 1863. It takes us away from the marble edifices of Civil War Washington and into the dirt, showing us how messy the process of implementing freedom truly was.
It does so, moreover, by centering our attention on the actual men and women fighting for their own freedom. Reidy offers us historians a seminal reminder: change is not made solely from on high.
As students of the Civil War have long known, emancipation was not merely a product of Lincoln's proclamation or of Confederate defeat in April 1865. It was a process that required more than legal or military action. With enslaved people fully engaged as actors, emancipation necessitated a fundamental reordering of a way of life whose implications stretched well beyond the former slave states. Slavery did not die quietly or quickly, nor did freedom fulfill every dream of the enslaved or their allies. The process unfolded unevenly.
In this sweeping reappraisal of slavery's end during the Civil War era, Joseph P.…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
In researching my graphic novel, I read many comics on slavery.
This atmospheric account of enslaved Virginians in 1831 is a hard read, but it made a great impression on me.
Powerfully, Baker uses the verbatim testimony from the confession of Nat Turner as he awaited execution in jail. The narrative does not pull its punches; in one scene, Turner recounts the murder of a plantation owner's baby. It is shocking, but Baker skillfully puts this in the context of the brutality of the lived experience of the enslaved, their own children being routinely abducted and sold by their masters.
The comic is a powerful slave narrative in this sparse and mostly wordless retelling of America’s most famous slave revolt.
The story of Nat Turner and his slave rebellion-which began on August 21, 1831, in Southampton County, Virginia-is known among school children and adults. To some he is a hero, a symbol of Black resistance and a precursor to the civil rights movement; to others he is monster-a murderer whose name is never uttered. In Nat Turner, acclaimed author and illustrator Kyle Baker depicts the evils of slavery in this moving and historically accurate story of Nat Turner's slave rebellion. Told nearly wordlessly, every image resonates with the reader as the brutal story unfolds. Find teaching guides for Nat Turner…
