I'm a historian of early modern Britain and the British Atlantic world who realized years ago that Britain, like the United States, hadn't yet fully acknowledged or come to terms with its involvement in the transatlantic slave trade and African slavery and its global afterlives. Although awareness of Britain's role in the African slave trade and Atlantic slavery has begun to feature more prominently in national consciousness, particularly due to the work of The Movement for Black Lives and calls for an overdue reckoning with the legacies of colonialism, slavery, and racial injustice, much work remains to be done. Using the archival record--as flawed as it may be--to piece together Britain's imperial past, confront calculated historical silences, and track the full extent of British participation in the enslavement of millions of Africans will help to ensure that the histories and voices of enslaved people and their descendants aren't distorted or forgotten by current and future generations.
I wrote
A Dark Inheritance: Blood, Race, and Sex in Colonial Jamaica
Relying primarily on Royal African Company records, Smallwood reconstructs the forced migration and enslavement of approximately 300,000 African men, women, and children who were transported in English ships from the Gold Coast (modern-day Ghana) to the Americas between 1675 and 1725. She traces their dehumanizing journey from captivity in European forts on the West African coast through commodification at sea to sale in slave markets in the Caribbean and North America.
Through careful analysis of quantitative data, Smallwood tracks the processes of commodification that underwrote the transatlantic slave trade while simultaneously foregrounding the human experience of captivity and migration. This book offers a model example of innovative historical writing.
This bold, innovative book promises to radically alter our understanding of the Atlantic slave trade, and the depths of its horrors. Stephanie E. Smallwood offers a penetrating look at the process of enslavement from its African origins through the Middle Passage and into the American slave market.
Smallwood's story is animated by deep research and gives us a startlingly graphic experience of the slave trade from the vantage point of the slaves themselves. Ultimately, Saltwater Slavery details how African people were transformed into Atlantic commodities in the process. She begins her narrative on the shores of seventeenth-century Africa, tracing how…
A fascinating exploration of how British imperial ambitions influenced popular representations of Black slavery and white mastery during the peak years of Britain’s involvement in the transatlantic slave trade (c. 1680s to 1807). Using a wide variety of sources—including shop signs, tea trays, product advertisements, portraiture, graphic satires, plays, and more—Molineux argues that British artists, writers, and shop keepers obscured the horrific realities of Atlantic slavery in favor of idealized power relations that supported Britain’s imperial fantasies and developing racial ideologies.
This book helps to answer the question: what role did Africans and people of African descent play in the British popular imagination during the height of the transatlantic slave trade?
Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By idealizing black servitude and obscuring the brutalities of slavery,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
A gripping and inventive study of death’s impact on social life in Britain’s largest, most profitable, and deadliest Caribbean slave colony: Jamaica. Brown shows how staggering mortality rates on the island, where the prospect of an early death awaited enslaved and free alike, profoundly shaped colonial culture, social relations, and spiritual practices. In Jamaica, the vital hub of Britain’s Atlantic slave empire, death was at once destructive and generative; it claimed countless lives sacrificed in the pursuit of British profits and inspired new, politically charged commemorative rituals and forms of enslaved resistance.
The Reaper’s Garden uncovers the interplay between death, wealth, and power in the British Atlantic and does so from the perspective of the African captives who not only endured but also drew power from the horrors of Atlantic slavery.
Winner of the Merle Curti Award Winner of the James A. Rawley Prize Winner of the Louis Gottschalk Prize Longlisted for the Cundill Prize
"Vincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The Reaper's Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery."-Ira Berlin
From the author of Tacky's Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire.
In 1789, a free Black man living in London published a two-volume autobiography recounting his childhood in West Africa, kidnapping and sale to slave traders, forced migration to the Americas, and bondage under a variety of different British masters, and experiences after he purchased his freedom. The author, Olaudah Equiano, also known during his lifetime as Gustavus Vassa, presented eye-witness evidence that helped Britons to comprehend the brutality and cruelty of the transatlantic slave trade and the impact of Britain’s Atlantic slave system on African people.
After the publication of his Interesting Narrative, Equiano traveled throughout Britain lecturing on the evils of slave trading and slavery and became a prominent and outspoken abolitionist. His influential autobiography is still a must-read.
The Interesting Narrative of the Life of Olaudah Equiano, Or Gustavus Vassa, The African, first published in 1789, is the autobiography of Olaudah Equiano. The narrative is argued to be a variety of styles, such as a slavery narrative, travel narrative, and spiritual narrative. The book describes Equiano's time spent in enslavement, and documents his attempts at becoming an independent man through his study of the Bible, and his eventual success in gaining his own freedom and in business thereafter.
The Interesting Narrative of the Life of Olaudah Equiano was one of the first widely read slave narratives. Eight editions…
Author Nyasha Williams, fresh from an outstanding Kirkus review of her new picture book I Affirm Me: The ABCs of Inspiration for Black Kids, has created a unique Tarot deck brimming with dazzling artistic representation. Tarot reading with worldwide roots is a centuries-old practice. It has experienced a bonanza…
Based on painstaking analysis of the surviving records of the Commissioners of Slave Compensation, this book provides a comprehensive look at British slave-ownership in 1833, when the British government abolished colonial slavery and paid £20 million to slave-owners as compensation for their loss of human property. After emancipation the enslaved received nothing. Moreover, they were forced to remain on their plantations and continue to labor for their former masters under the apprenticeship system, which was not abolished until 1838. Draper concludes that slave-owning was widespread in metropolitan Britain and that many individuals, businesses, and institutions derived wealth from African slavery.
This book demonstrates that there is indeed a strong case for reparations and it is best read as a companion piece to University College London’s Legacies of British Slaveryproject, an extensive database tracing the impact of slave-ownership on the development of modern Britain.
When colonial slavery was abolished in 1833 the British government paid GBP20 million to slave-owners as compensation: the enslaved received nothing. Drawing on the records of the Commissioners of Slave Compensation, which represent a complete census of slave-ownership, this book provides a comprehensive analysis of the extent and importance of absentee slave-ownership and its impact on British society. Moving away from the historiographical tradition of isolated case studies, it reveals the extent of slave-ownership among metropolitan elites, and identifies concentrations of both rentier and mercantile slave-holders, tracing their influence in local and national politics, in business and in institutions such…
A Dark Inheritance explores how colonial authorities and planters in Jamaica, Britain’s most valuable Atlantic colony by the mid-eighteenth century, used blood lineage to justify hereditary racial slavery and limited rights for free people of African descent. Based on extensive archival work, it highlights the creative ways notions of ancestry and blood enabled white colonists in Jamaica to assert and defend their privileged racial, political, and socio-economic status while simultaneously defining and redefining who was a slave and who was not, and by extension who was “white” and who was not.
At the same time, it shows how enslaved and free people of African and multiple ancestries articulated a counterargument for freedom and equality with white subjects grounded in allegiance to the British Crown and their own understandings of blood lineage.
