Here are 94 books that Native Country of the Heart fans have personally recommended if you like
Native Country of the Heart.
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I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
In this book, Alison Bechdel is obsessed with the triangular relationship between one’s parents, oneself, and literature, and, in my poetry, so am I.
Our parents are either puzzles we can solve or mysteries we cannot, but still we have to try. And in this book, again and again, Bechdel takes those insights and moments of beauty that literature offers, investigates her father’s life and death, and in this book (as well as the follow-up, Are You My Mother?), the meaning of her mother’s choices as well.
Now that I think of it, Fun Home is the story of how literature is always the child of what an author experiences in their life and what they read, the two brimming over into the impulse to make more words, understand more life.
DISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.
'A sapphic graphic treat' The Times
A moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family babysitter. When Alison comes out as homosexual herself in late adolescence, the denouement is…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’m a novelist and a professor of black queer and feminist literature at Georgetown University. But the truth is, my connection to these books goes deeper than that. These books give me life. When I was a little girl, I spent more days than I can count scouring my mother’s small black feminist library in the basement of our home in Harlem, poring over the stories of girls like me: fat, black, queer girls who longed to see themselves written in literature and history. Now I get to create stories like these myself, and share them with others. It’s a dream job, and a powerful one. It thrills me every time.
This book is so expansive, Audre Lorde invented a whole new genre for it. She terms it “biomythography,” bringing together autobiography, mythology, fiction, poetry, and other forms of writing to tell her story of queer life.
I fell in love with Zamiin college back in the day and have been re-reading it ever since. From her childhood in 1930s and 40s Harlem to her coming out as the self-proclaimed fat black lesbian “warrior poet,” who would come to shape black feminism in the late 20th century and beyond, Zamicharts the life, loves, and transformative ideas of one of our most important writers.
Zamiis both muse and guide, showing us how the iconic feminist writer came to be, and how pleasure, power, creative expression, and community are indispensable to our own freedom today.
One of the BBC's '100 Novels That Shaped Our World'
If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive
A little black girl opens her eyes in 1930s Harlem, weak and half-blind. On she stumbles - through teenage pain and loneliness, but then to happiness in friendship, work and sex, from Washington Heights to Mexico, always changing, always strong. This is Audre Lorde's story. A rapturous, life-affirming autobiographical novel by the 'Black, lesbian, mother, warrior poet', it changed the literary landscape.
I was adopted as a baby, so I have first-hand experience of the emotions and challenges this presents. I am passionate about shining light on this often misunderstood and complex family trauma through my writing. My memoir Blood and Blood, an emotive exploration of the search for my birth relatives, was shortlisted for the Mslexia Prize. My research extends to fiction and non-fiction, where the psychological effects of adoption are referenced or highlighted. I am always keen to chat with fellow care-experienced people. I hope you find the books on this list helpful.
One thing about being adopted is you have an in-built radar to seek out others who are too. I read Jeanette Winterson’s first novel, Oranges Are Not The Only Fruit when I was a teenager, and since then, I have been in awe of her as a writer and her ability to eloquently describe her personal experience as an adoptee.
This book is her autobiography, and there were occasions while reading it that I had to stop and cry. Finally, someone else had written about what I had kept holed up inside me. Her final chapter, "The Wound," speaks so profoundly to me as an adopted adult. It is honest, sharp, and fierce.
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.
In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival.
This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness,…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I'm the daughter of a charismatic and complicated father, the late theater and literary critic and Yale School of Drama professor Richard Gilman. My memoir, The Critic's Daughter, tells the story of how I lost him for the first time when I was ten years old and over and over in the ensuing months and years; the book is my attempt to find him. I'm a former professor of English literature at Yale and Vassar, the mother of two boys, a book critic for the Boston Globe, and a literature, writing, and meditation teacher.
Fairyland: A Memoir of My Father is a gorgeous, poetic memoir first published in 2013; it was recently turned into a film produced by Sofia Coppola that will be in theaters in late 2023.
Alysia is the only child of Steve Abbott, a bisexual writer, activist, and poet who raises her on his own after her mother dies in a car accident when Alysia is just a toddler.
Fairyland tells the story of Steve and Alysia's vibrant, bohemian life in San Francisco's Haight Ashbury in the 1970s and 80s, Alysia's grappling with the challenges of being raised by a queer man when few if any of the kids she knew were, Steve's illness and death from AIDS.
Alysia's clear-eyed depiction of her father as both abundantly loving and somewhat unreliable, exciting and dangerous but also steadfast and loyal, is a model for how to represent a complicated human being with…
In this vibrant memoir, Alysia Abbott recounts growing up in 1970s San Francisco with Steve Abbott, a gay, single father during an era when that was rare. Reconstructing their time together from a remarkable cache of Steve's writings, Alysia gives us an unforgettable portrait of a tumultuous, historic period in San Francisco as well as an exquisitely moving account of a father's legacy and a daughter's love.
Allison Levy holds a PhD in Italian Renaissance art and architecture from Bryn Mawr College. She has published five books on Italian visual culture, and has taught in the US, Italy, and the UK. She oversees the digital publishing program at Brown University.
This #1 New York Times bestseller grapples with what houses say about who we are—or want to become. Slip into a tragic entanglement between Massoud Behrani, a recent immigrant from Iran intent on restoring his family’s honor by purchasing a California bungalow up for auction, and Kathy Nicolo, the house’s owner, and a recovering drug addict determined to hold on to her family property. This penetrating novel will satisfy readers’ unquenchable thirst for stories that explore the psychological ramifications of emotional and social overinvestment in the promise of a house.
A recent immigrant from the Middle East-a former colonel in the Iranian Air Force-yearns to restore his family's dignity in California. A recovering alcoholic and addict down on her luck struggles to hold onto the one thing she has left?her home. And her lover, a married cop, is driven to extremes to win her love.
Andre Dubus III's unforgettable characters-people with ordinary flaws, looking for a small piece of ground to stand on-careen toward inevitable conflict. Their tragedy paints a shockingly true picture of the country we live in today.
As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
If the Armadillo World Headquarters is one central node of countercultural country music in Texas, Willie Nelson’s Fourth of July Picnics was the other. Where the Armadillo closed down in 1980, though, Willie’s picnics persist as an annual institution to this day. Author Dave Thomas has extensively researched the phenomenon and crafts its half-century history well.
The resulting volume is a riveting account that uses the sun-baked Texas ritual as a launching pad for stories encompassing all of America. A newspaper journalist, Thomas has an eye for detail and an ear for turns of phrase that kept me turning the pages long after I should have turned out the lights. If you ever wanted to read about a sort of country music, Woodstock Groundhog Day, this is that book.
In 1973, a forty-year-old country musician named Willie Nelson, inspired by a failed music festival the year before, decided he was going to hold his own party. He would stage it in the same remote and rocky field where the previous festival had withered. And he’d do it in July: not the hottest part of the Central Texas summer, but “damn sure close enough,” according to music journalist Dave Dalton Thomas. As unlikely as it seemed in 1973, Willie kept the event going, minus a year off here and there, for half a century.
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I’ve been thinking about and researching obscured narratives for a long time, now. As a lawyer, I learned about how systems and structures marginalize and hide important voices because of overt discrimination and implicit biases, and I took that knowledge with me while I earned a PhD in literary studies. I’ve learned — and am still learning! — that if we want to remedy exclusions from cultural histories, we’ve gotto learn to think about what voices are missing and why. I hope reading my book and those recommended here will give you a chance to learn with me. Let’s change the ways we think about so-called “definitive” histories of music.
There are incredible and powerful queer musicians making country music, but you wouldn’t know it given the ways a lot of journalism works.
This book is absolutely essential reading if you’re interested in untold stories of country music, and queer artists working against the grain and despite rampant discrimination.
Also, the University of Illinois Press is doing amazingthings for bringing smart books to public readers—don’t assume this book isn’t for you because it was published by an academic press! The opposite is true. This book is brilliant and accessible.
A Variety Best Music Book of 2022
A No Depression Most Memorable Music Book of 2022
A Library Journal Best Arts and Humanities Book of 2022
A Pitchfork Best Music Book of 2022
A Boot Best Music Book of 2022
A Ticketmaster Best Music Book of 2022
A Happy Magazine Best Music Book of 2022
Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. Queer Country blends ethnographic research with analysis and history to provide the first in-depth study of these artists and their work.…
I'm a Mexican writer and illustrator based in Los Angeles. I was always a bookish kid! Growing up I loved reading contemporary books, mostly about fearless girls trying to change the world! In my career, I’ve had the privilege to work creating cover artwork for a lot of middle-grade books, which in turn leads me to read a lot of really great stories. As a bonus, as the industry has become more diverse, so have the stories of outstanding girls, making the middle-grade space even more amazing than it was when I was a kid.
This is an odd one out, because it’s in audiobook form. Margarita is a part of her uber-famous country star sister and gets thrown into the limelight when the label gets into hot water for not being inclusive enough. This audible original truly shines with its amazing story and wonderful music! Personally, I liked the way the story tackles Margarita’s struggles to figure out her place within Latin culture and processing the feelings of what that means for her.
This middle grade story has it all: humor, heart, and country music - including original songs!
Margarita McCoy plays banjo and sings backup in her stepsister Stephanie McCoy’s wildly popular country music band.
Margarita isn’t particularly passionate about music, but she loves Stephanie and would do anything to help her - and that includes being thrust into the media spotlight after an article in the New York Times calls out country music for its lack of diversity. Since Margarita’s father is Mexican American, the McCoys' record label wants to use her to show that they aren’t as whitewashed as the…
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
In this fourteenth book in the Country Club Murders series, Ellison Russell returns from a long honeymoon to find an older woman has been murdered in her bed. With a new husband, her mother in the hospital (targeted by the murderer?), her difficult sister as a houseguest, one too many animals, and a full social calendar, Ellison can’t catch a break. Ellison is smart and funny, and she’s found herself a new, inappropriate, and wonderful husband. The spoof of the 1980s country club society is spot on.
When Ellison Russell Jones returns from her honeymoon, she’s ready for a restful summer.
But while she was away, an older woman was murdered in her bed. And the police have questions only Ellison and her friends can answer.
She gets to be a sleuth. A real one! But with a new husband, her mother in the hospital (targeted by the murderer?), her sister as a house guest, one too many animals, and a full social calendar, Ellison can’t catch a break, much less a killer.
She’d better focus, or she may be the next victim.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
Writing about history came to me rather late in life and I suppose it’s because the past now looks more inviting than the future. But there’s more to it than that. Everything has a history; it’s a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now I’ve just finished my fifth book.
No one can say exactly when Rock ’n’ Roll was born, including biographer, novelist, poet, and recently deceased journalist Nick Tosches, but he provides enough background musings to take us on a wild ride through American musical history.
His book reveals twisted roots indeed, some that provided me with reference material regarding a connection between minstrelsy and one of the most popular Christmas tunes of all time. And a country song breaks loose from the genre corral and into the world of pop music when it is made into one of the best-known ballads ever by a singing politician.
Celebrating the dark origins of our most American music, Country reveals a wild shadowland of history that encompasses blackface minstrels and yodeling cowboys honky-tonk hell and rockabilly heaven medieval myth and musical miscegenation sex, drugs, murder and rays of fierce illumination on Elvis, Jerry Lee Lewis, and others, famous and forgotten, whose demonology is America's own. Profusely and superbly illustrated, Country stands as one of the most brilliant explorations of American musical culture ever written.