Here are 86 books that Unlikely Angel fans have personally recommended if you like
Unlikely Angel.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
In 2022 she teamed with best-selling thriller author James Patterson on a novel about an aspiring country musician with a troubled past. AnnieLee hitchhikes her way to Nashville, but just as her musical career starts to gain traction, the demons from her past start to catch up.
Knowing Dolly co-wrote the story makes it hard to avoid reading her voice into the experiences of the youthful main character, but also into the voice of the older country music legend Ruthanna, who takes the struggling newcomer under her wing.
This book reminds you that Dolly, at her core, is a skillful storyteller.
From America’s most beloved superstar and its greatest storyteller—a thriller about a young singer-songwriter on the rise and on the run, and determined to do whatever it takes to survive.
Every song tells a story.
She’s a star on the rise, singing about the hard life behind her.
She’s also on the run. Find a future, lose a past.
Nashville is where she’s come to claim her destiny. It’s also where the darkness she’s fled might find her. And destroy her.
Run, Rose, Run is a novel glittering with danger and desire—a story that…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
Marissa centers on three contemporary songwriters, Kacey Musgraves; Maren Morris; and Mickey Guyton, to illuminate the experiences of country women more broadly during the twenty-first century. Facing closed doors and narrowed constraints, this trio carved channels for music business success, using new-century tools to reach audiences and ears. The industry-old guard was left to catch up.
The backdrop for their stories is the well-documented nosedive for women on country radio airwaves since 2000, but terrestrial radio matters less for this younger generation. Dolly’s own path-clearing journey inspired these artists. At one notable intersection of their stories and hers, Dolly’s surprise appearance onstage during an all-women performance at the Newport Folk Festival drew a reaction from musicians and the crowd alike. One close observer remembered it was like they had seen “f-ing Snow White.”
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history.
This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss.
For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
This book positions Dolly as an icon for women’s struggles for equality and autonomy, through the lens of working-class women Sarah knew growing up.
In songs like “Just Because I’m a Woman,” Dolly lays out issues of gender-based double standards just as clearly as any feminist analysis published in an academic journal, arguably, more clearly. Songs like “Eagle When She Flies” convey, in Sarah’s words, the “simultaneous vulnerability and deep power of women.” The first example was banned in its time on US radio, while many country radio DJs refused to play the latter during the early 1990s.
Sarah connects the dots and argues that Dolly’s feminism is embodied in her creative output and her actions, decade after decade. Dolly’s 2018 song “A Woman’s Right” makes a good follow-up.
In this Time Top 100 Book of the Year, the National Book Award finalist and New York Times bestselling author of Heartland “analyzes how Dolly Parton’s songs—and success—have embodied feminism for working-class women” (People).
Growing up amid Kansas wheat fields and airplane factories, Sarah Smarsh witnessed firsthand the particular vulnerabilities—and strengths—of women in working poverty. Meanwhile, country songs by female artists played in the background, telling powerful stories about life, men, hard times, and surviving. In her family, she writes, “country music was foremost a language among women. It’s how we talked to each other in a place where feelings…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
This book is a classic. Along with the Smithsonian Collection of Classic Country recordings and Bill Malone’s Country Music, U.S.A., my own interest in writing about country music began here.
When a senior scholar advised that country music lacked “respectability” as an academic topic, this book was among the small set of works that sealed my confidence to do what I wanted and figure it would all work itself out (Dolly does what she wants, too!).
In compiling biographical profiles of women in country music, this book also filled in a whole portion of history typically glossed over in most country music writing up until that point. It likewise planted seeds for future research and writing on the history of women in the genre, which continues to bear fruit today.
From country's earliest pioneers to its greatest legends, this work documents the lives of the female artists who have shaped the music for over 200 years. Through interviews, photographs, and primary texts, this work weaves a complex tapestry of personalities and talent. It gets to the heart of the special bond female artists have with their audiences. People seeking to understand the context out of which mega-stars such as Shania Twain, Faith Hill, and the Dixie Chicks emerged should look no farther than this guide. Some of the women discussed include Dolly Parton, Wanda Jackson, Patsy Montana, Alison Krauss, Martha…
As a lifelong country music fan and musician, I absolutely love to read about the lives of country music stars. I began reading about the history of country music when I was twelve years old out of my interest in such performers as Hank Williams, Patsy Cline, Ernest Tubb, and especially Jimmie Rodgers. There are quite a few really good books, so it was difficult to narrow down to five. But I think these can set anyone well along the road to learning about this uniquely American music and the colorful lives of its performers.
This book is particularly special to me. I have always been a huge Jimmie Rodgers fan and have loved Nolan Porterfield’s biography of him.
As important as Porterfield’s biography is, Barry Mazor’s Meeting Jimmie Rodgers shows the full impact of Rodgers's music while also updating his life story with newly-discovered information. This book, maybe more than any other, inspired me to write my book.
In the nearly eight decades since his death from tuberculosis at age thirty-five, singer-songwriter Jimmie Rodgers has been an inspiration for numerous top performers-from Woody Guthrie, Lead Belly, Bill Monroe and Hank Williams to Elvis Presley, Johnny Cash, Dolly Parton, Bob Dylan, and Beck. How did this Mississippi-born vaudevillian, a former railroad worker who performed so briefly so long ago, produce tones, tunes, and themes that have had such broad influence and made him the model for the way American roots music stars could become popular heroes? In Meeting Jimmie Rodgers, the first book to explore the deep legacy of…
I'm a Mexican writer and illustrator based in Los Angeles. I was always a bookish kid! Growing up I loved reading contemporary books, mostly about fearless girls trying to change the world! In my career, I’ve had the privilege to work creating cover artwork for a lot of middle-grade books, which in turn leads me to read a lot of really great stories. As a bonus, as the industry has become more diverse, so have the stories of outstanding girls, making the middle-grade space even more amazing than it was when I was a kid.
This is an odd one out, because it’s in audiobook form. Margarita is a part of her uber-famous country star sister and gets thrown into the limelight when the label gets into hot water for not being inclusive enough. This audible original truly shines with its amazing story and wonderful music! Personally, I liked the way the story tackles Margarita’s struggles to figure out her place within Latin culture and processing the feelings of what that means for her.
This middle grade story has it all: humor, heart, and country music - including original songs!
Margarita McCoy plays banjo and sings backup in her stepsister Stephanie McCoy’s wildly popular country music band.
Margarita isn’t particularly passionate about music, but she loves Stephanie and would do anything to help her - and that includes being thrust into the media spotlight after an article in the New York Times calls out country music for its lack of diversity. Since Margarita’s father is Mexican American, the McCoys' record label wants to use her to show that they aren’t as whitewashed as the…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.
Sometimes uncanny stories are the best place to start in discovering your new author. Lisa Hannett’s Songs for Dark Seasonsis a literary degustation that gives more than a hint of what to expect from this author. Her stories are clever and full of twists, wretched with longing yet swathed in hope. Fast-paced, tense, and transforming—all the reasons to familiarise yourself with South Australian Lisa Hannett’s magic.
With a twang in its heart and a song for luck on its tongue, Songs for Dark Seasons takes readers back to the lonesome dream counties introduced in the World Fantasy Award-nominated collection, Bluegrass Symphony.
Trailer parks and graves are only temporary homes for souls in these tales, where gods dwell in churches and parking lot groves. Friday night football stars mingle with sirens; hunters’ wives help their kids not to shoot, but to fly; Chanticleers spar their way into local government; and rash-afflicted men take dryads for lovers. In backwater towns, some witches have the know-how to pin pageant…
If you regard science fiction, fantasy, and horror as throwaway literature, think again. It is within such tales that the contest between good and evil is given center stage, wherein heroic acts are celebrated, and virtue discussed in all its many permutations. I would call speculative fiction a worthy successor to the medieval morality play, a dramatic form that used allegorical characters to teach moral lessons. To wit—stories are an instrument of culture, a way to promote common values and an important activity for any civilization that intends to stick around. You won’t find an abundance of this vibe in ‘serious’ fiction—and when you do, it’s not as much fun.
A short story compilation, within which the title ‘Uncle Einar’ made such an impression that I still, to this day, remember what it was about, who wrote it, and when I read it. I found it on my dad’s nightstand 65 years ago. That’s how much I liked it. Although the collection falls mostly into the fantasy genre, the title Uncle Einar is something of a crossover (Mutants!) and heartwarming to boot.
Many of these stories were first published in the pulp magazine Weird Tales, but keep in mind we’re talking about the 1940s and 50s. They called it ‘macabre fiction’. These days, we call it YA.
But this is, first and foremost, a work of literature, a timeless classic upon which the author made a splendid reputation, replete with lyrical prose, imaginative concepts, surprise endings, and persuasive dialogue. Also, an example of Magical Realism, a literary approach I…
The October Country is Ray Bradbury’s own netherworld of the soul, inhabited by the horrors and demons that lurk within all of us. Renowned for his multi-million-copy bestseller, Fahrenheit 451, and hailed by Harper’s magazine as “the finest living writer of fantastic fiction,” Ray Bradbury proves here that he is America’s master of the short story.
This classic collection features:
The Emissary: The faithful dog was the sick boy’s only connection with the world outside—and beyond . . . The Small Assassin: A fine, healthy baby boy was the new mother’s dream come true—or her worst nightmare . . .…
I moved from Ohio to southern Appalachia in 1978 to take a temporary job teaching philosophy at the University of Tennessee. I hadn’t planned to stay, but I fell in love with the mountains. Recently I retired after a fruitful 44-year career here. Concern for this land and for my children and grandchildren led me to environmental activism and shifted my teaching and writing from mathematical logic to environmental and intergenerational ethics. Eventually I wrote or edited four books on environmental matters (two specifically on the southern Appalachian environment) in addition to three on logic and (most recently) a tome on the tricky topic of incomparable values.
It rings with awe-struck musings on Bartram’s explorations, begun just before the American revolution, of the lush and bountiful landscapes of the southern British colonies. Bartram’s effusive descriptions of the astonishingly profuse flora and fauna, replete with taxonomic names, provide a baseline for gauging the steep ecological declines that followed. The Penguin edition includes an appreciative introduction by American writer James Dickey, best known for his novel Deliverance.
At the request of Dr. Fothergill, of London, to search the Floridas, and the western parts of Carolina and Georgia, for the discovery of rare and useful productions of nature, chiefly in the vegetable kingdom; in April, 1773, I embarked for Charleston, South Carolina, on board the brigantine Charleston Packet, Captain Wright, the brig——, Captain Mason, being in company with us, and bound to the same port. We had a pleasant run down the Delaware, 150 miles to Cape Henlopen, the two vessels entering the Atlantic together. For the first twenty-four hours, we had a prosperous gale, and were cheerful…
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
In this fourteenth book in the Country Club Murders series, Ellison Russell returns from a long honeymoon to find an older woman has been murdered in her bed. With a new husband, her mother in the hospital (targeted by the murderer?), her difficult sister as a houseguest, one too many animals, and a full social calendar, Ellison can’t catch a break. Ellison is smart and funny, and she’s found herself a new, inappropriate, and wonderful husband. The spoof of the 1980s country club society is spot on.
When Ellison Russell Jones returns from her honeymoon, she’s ready for a restful summer.
But while she was away, an older woman was murdered in her bed. And the police have questions only Ellison and her friends can answer.
She gets to be a sleuth. A real one! But with a new husband, her mother in the hospital (targeted by the murderer?), her sister as a house guest, one too many animals, and a full social calendar, Ellison can’t catch a break, much less a killer.
She’d better focus, or she may be the next victim.
