Books like House of Sand and Fog — picked by fans

After I visited Sicily at 22 (the same age as Mariella in the book) and stayed with relatives in Siracusa, I fell in love with Sicily (and all of Italy) and wanted to know everything I could about it, its history, its customs, architecture, food, and especially to understand the collective psyche of its people. 

My grandmother was born in Sicily and never spoke English even after moving to the United States, and my uncles and father spent a good part of their childhoods in Catania, where the Sicily part of Becoming Mariella takes place. I had never before felt the deep longing of a cultural belonging, and this book, written in 1958, is one of the finest works of twentieth-century fiction (according to Daunt Books), and opened my eyes to the pride and richness of the Sicilian people and its aristocracy, their stubbornness and an understanding of how,… show more.

I love this book for the ideological shadows Ishiguro paints of the 1920s and '30s flashback period in the life of the protagonist, English Butler Stevens.

It doesn’t quite fit my title, but I didn’t want to leave it out because the period I mentioned gave me a glance at the respectable forms of fascist sympathy the wealthy European genteel held. This may not be the classic noir I truly love, but just this period of time with the flashback was enough to make me want to add this classic novel to my list.

This is a meta-fictional novel about the fragile state of memory and interpretation.

Stories can save us, and in the case of 13-year-old Briony Tallis, stories can ruin us. A single accusation is enough to destroy her sister, a young man’s life, and their future together. It shows us that the art of writing can be both sacred and profane.

It is a novel inhabited by ghosts, one that taught me the importance of absence in storytelling, of the silences and liminal spaces when writing about epic events. The style obfuscates the plot, then later renders it in vivid detail.

What lives between the lines is critical. It asks if forgiveness and acts of retribution can counter the death that eventually comes for all of us.

I first became acquainted with this 20th-century classic when it was turned into a popular miniseries, and I felt compelled to read the novel for myself.

Although the narrative traverses settings from London and a great English country house to Europe and even the Americas, the inception of the story is grounded in post-WWI Oxford, where the narrator introduces us to Waugh’s memorably charming but doomed character, Lord Sebastian Flyte.

Waugh’s portrayal of the exuberance of youthful college high-jinx juxtaposed against the perils of dissipation powerfully depicts the inner struggle of his narrator’s search for love, meaning, and ultimately faith.

I greatly admire Waugh’s hauntingly lyrical prose, which vividly captures the aching beauty and mystique of Oxford.

Iranian food is the best food in the world. The author does a nice job describing her family’s move from Iran to the US and her accomplishments in the food business, becoming a chef, all the while honoring her mother.

She captures themes that are important to me, the Iranian Revolution, immigrating to the US, respect for your mother as well as food. What a perfect combination.

Frederick Toates has been studying and writing about serial murder for many years. As a biological psychologist, he has authored many works about arousal and motivation. In this book, he and Olga Coschug-Toates, a fellow clinical scholar and noted author, present a biopsychosocial perspective of sexually motivated serial murders. They also highlight important concepts through case studies, making the presentation interesting and applicable. Although my recommended list revolves around elucidating the motives and means of FSKs, understanding how male serial killers commonly operate illustrates the stark differences between FSKs and MSKs.

I cannot ignore the turmoil that has become Syria over the past decade. Many books have appeared about the peaceful demonstrations that turned violent and a civil war and a proxy war for Iran, Russia, the US, and various Arab states. This book provides a detailed history of how Syria descended into such violence. It gave me a detailed understanding of how the ‘Opposition’ to the Asad government emerged in the country. And engages with the stories of the Opposition fighters in their exile in adjacent countries. Concluding that the war is not yet over, it provides some hope for those of us who watch from a distance as Russia and Iran reposition and redeploy in response to other critical global events.  

This all-American woman loved an Iranian student 25 years her junior. Her story takes you on an adventure, sparing no details of the emotional roller coaster ride, even learning his language. They created a bridge between East and West. She immersed herself to see life and Iranian customs through his eyes, willing herself to understand, hoping to influence him with American ways. Reading her story you will witness an extraordinary marriage and wonder if you could ever possibly do the same.

This is the go-to book for the early Communist movement in Iran. Unlike the Arab countries of the Middle East, where Communism slowly spread in the early decades of the twentieth century, Iran experienced Communism as Soviet foreign policy in a direct manner. Bordering the Soviet Union, northern Iran was the subject of early attempts to spread the Communist creed in the aftermath of the October Revolution. Zabih’s book tells the story of those early inroads and the Iranian activists supporting the new ideology. The early attempts failed, but by the 1940s, the Communist Tudeh Party had emerged as a popular mass party. Zabih’s narrative is lucid, and his research is based on Soviet and Iranian materials. 

Lisa Di Vita’s book takes a close look at how the Iranian Revolution changed everyday lives. Through the eyes of people from all walks of life, she shows how quickly everything can fall apart when a country is thrown into political chaos. The characters are deeply real, each one trying to hold on to their identity and dignity while the world around them unravels.

Their stories weave together to paint a larger picture of heartbreak, strength, and survival. With honest and moving writing, Di Vita gives us a powerful story about resilience and what it means to start over when everything has been taken away.