Books like Fairyland — picked by fans

In this book, Alison Bechdel is obsessed with the triangular relationship between one’s parents, oneself, and literature, and, in my poetry, so am I.

Our parents are either puzzles we can solve or mysteries we cannot, but still we have to try. And in this book, again and again, Bechdel takes those insights and moments of beauty that literature offers, investigates her father’s life and death, and in this book (as well as the follow-up, Are You My Mother?), the meaning of her mother’s choices as well.

Now that I think of it, Fun Home is the story of how literature is always the child of what an author experiences in their life and what they read, the two brimming over into the impulse to make more words, understand more life. 

This book is so expansive, Audre Lorde invented a whole new genre for it. She terms it “biomythography,” bringing together autobiography, mythology, fiction, poetry, and other forms of writing to tell her story of queer life.

I fell in love with Zami in college back in the day and have been re-reading it ever since. From her childhood in 1930s and 40s Harlem to her coming out as the self-proclaimed fat black lesbian “warrior poet,” who would come to shape black feminism in the late 20th century and beyond, Zami charts the life, loves, and transformative ideas of one of our most important writers.

Zami is both muse and guide, showing us how the iconic feminist writer came to be, and how pleasure, power, creative expression, and community are indispensable to our own freedom today.  

One thing about being adopted is you have an in-built radar to seek out others who are too. I read Jeanette Winterson’s first novel, Oranges Are Not The Only Fruit when I was a teenager, and since then, I have been in awe of her as a writer and her ability to eloquently describe her personal experience as an adoptee. 

This book is her autobiography, and there were occasions while reading it that I had to stop and cry. Finally, someone else had written about what I had kept holed up inside me. Her final chapter, "The Wound," speaks so profoundly to me as an adopted adult. It is honest, sharp, and fierce.

Each time I read this American classic, it changes in meaning and relevance.

Told from Francie’s point of view, it’s a family’s coming-of-age story about overcoming personal and societal choices in order to persevere and grow, just like the tree in the title. Smith is one of the first authors to write about the real, human struggles of working-class Americans at the start of the 20th century.

A Tree Grows in Brooklyn is not a light, whimsical read but it’s one that sticks with me. I relate to Francie, a vulnerable, observant young woman who uses her writing as a way to process, explore, and eventually propel her into a different life, away from the trauma and poverty of her beloved Brooklyn.

This book is one that everyone needs to read and that I find myself going back to again and again.

Manhattan Beach is less experimental and more conventional than Jennifer Egan's A Visit From The Goon Squad and The Candy House, but it is every bit as moving, rich, and textured as those justly celebrated novels, and it contains one of the most touching father/daughter relationships that I've ever encountered in fiction.

A historical novel set in Depression and World War II-era New York City, Manhattan Beach begins with almost 12-year-old Anna Kerrigan accompanying her rakish father, Eddie, on a mission to a wealthy gangster. A few years later, Eddie disappears after abruptly walking out on his family with no warning or explanation.

Has he been killed? Is he in hiding?  Why did he abandon a family he ostensibly loved? Plucky, brave Anna devotes herself to the search for her missing father with the ingenuity and zeal of the detectives she reads about in fiction.

I reviewed Manhattan Beach for… show more.

Native Country of the Heart is, like my memoir, a mother-daughter story. Queer Chicana feminist Cherríe Moraga intertwines her own story with her mother Elvira from childhood onward. Her resilient mother had a rough life, starting with being hired out as a child by her dad to pick cotton in the California fields. I learned so much about Chicano culture and the Mexican diaspora that we never get in school. One stunning fact: when Dust Bowl survivors came to California, two million Mexicans were repatriated to Mexico to let the white immigrants work the same fields. Moraga beautifully layers her personal story with cultural insights and reflection. I was very moved by Moraga’s grief during the slow loss of Elvira to dementia and her death from Alzheimer's.

This book is a luminously honest, unflinching, and brave memoir by the marvelous Dani Shapiro, whose most recent memoir, Inheritance: A Memoir of Genealogy, Paternity, and Love, caused a sensation when it was published in 2019. 

When Slow Motion begins, Dani is in her early 20s, adrift, rebelling against her Jewish heritage, dabbling in acting and modeling, involved in a dead-end affair with a married man. 

Then one night, a phone call changes everything- her parents have been in a dreadful car accident. Her father dies a few weeks later, and her mother requires months of intensive rehab.

Dani's tragic loss of the father she idolized and adored prompts a reckoning with her choices and a reevaluation of her life. Slow Motion is beautifully written, wrenching, and unwaveringly candid.

I have bought multiple copies of One Drop as gifts for biracial family members, as well as friends.

Broyard is the daughter of Anatole Broyard, celebrated New York Times book critic in the 1960s and 70s. Only after his death did even his wealthy white wife and mixed children discover his Black heritage. The public—self included—was equally shocked.

Bliss Boyard researches his Louisiana roots, meets her Black cousins, and writes a fascinating, deeply personal story of “race,” showing its often bizarre contours as some family members may be classified as “white,” others “colored” or any number of other categorizations, from “octoroon” on.

A healing narrative, beautifully told.

One of the qualities of mystery fiction that continues to draw me to the genre is the complex interplay between past and present. Nava’s 8th Rios novel utilizes separate narrative lines that resonate and then, like a parallel perspective drawing, converge in a powerful emotional twist. The first line is the story of Bill Ryan, a young gay man who, after being cast out of his home in Illinois, flees to 1970s San Francisco to discover himself and the gay community. The second line is Rios’s recovery from alcoholism and his investigation of Ryan’s suspicious death during the beginning of the AIDS epidemic. Ryan and Rios serve as foils: Ryan is a man losing the war with his self-loathing. Rios, in contrast, is winning his war.

This luminous novel, written by former professional Joffrey Ballet dancer, Meg Howrey, follows the life of a dancer, beginning in NYC’s West Village in the 1980s.

It is a beautifully written rumination on not only dance but ambition, family, and secrets as well. Meg and I met for the first time when my daughter had just started on her pre-professional path, and her writing about dance is unmatched.