Books like Room

In 2018, my wife and I walked the Pacific Crest Trail southbound with our four children—Canada to Mexico, 142 days, 2,650 miles. Aiden was sixteen, Georgie eleven. You cannot walk that far with your kids without thinking hard about what you are handing them, because you are handing it to them in real time, in front of you, all day. The books I keep returning to are the ones that take that seriously: inheritance that isn't money. A father's temper. A father's schemes. A way of staying put, or not. These are five that ask those questions, and the trail sharpened them for me.

I have been fascinated with ghosts since an early age (Casper the Friendly Ghost was a favorite childhood cartoon) because this is the supernatural being that could be in your home right now! I have read numerous ghost stories/novels and have learned all the nuances that spirits can present from poltergeist activity to seances to spiritual possession. I zoom in on those ghost stories where the past is critical to the intent of the haunting spirit, whether it be beneficial or malevolent in nature. As a neuroscientist and author of paranormal fantasy novels, my distinctive background also allows me to approach this genre in a unique way.

I spent my childhood treading the Aravalli jungles with my naturalist father, catching snakes and spinning yarns and I learnt early that the most dangerous creatures are rarely the ones with fangs. My father, Raza Tehsin, raised me with the rational approach of solving any mysteries that I came across—whether in nature or otherwise. I grew up to become a writer. Across my twenty-odd published books, from nature writing to my historical mystery novel The Witch in the Peepul Tree, I have experimented with form and genre across age groups and remained fascinated by mysteries. My latest, The Fourth Girl, is a psychological thriller about three friends and the girl who vanished from their lives. 

Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.

Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.

Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.

Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.

My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.

I spent my childhood treading the Aravalli jungles with my naturalist father, catching snakes and spinning yarns and I learnt early that the most dangerous creatures are rarely the ones with fangs. My father, Raza Tehsin, raised me with the rational approach of solving any mysteries that I came across—whether in nature or otherwise. I grew up to become a writer. Across my twenty-odd published books, from nature writing to my historical mystery novel The Witch in the Peepul Tree, I have experimented with form and genre across age groups and remained fascinated by mysteries. My latest, The Fourth Girl, is a psychological thriller about three friends and the girl who vanished from their lives. 

Growing up in theatre, I was completely immersed in plays, which tend to be deep dives of the human psyche, and I latched on to those examinations like a dog with a bone. I’ve always loved the complexities of the human mind, specifically how we so desperately want to believe that anything beautiful, expensive, or exclusive must mean that the person, place, or thing is of more value. But if we pull back the curtain, and really take a raw look, we see that nothing is exempt from smudges of ugliness. It’s the ugliness, especially in regard to human character, that I find most fascinating.