100 Books Like Music's Modern Muse

This book has the stunning feature of omitting the letter E entirely. It’s also a fascinating story. I confess I read it at least in part to see whether the author has slipped up anywhere or whether he had recourse to clumsy constructions, but he was a writer of too much skill and ingenuity for that!

Sometimes it's helpful, even encouraging, to discover that problems we face today were faced by people in the past.  Emile Zola wrote a series of novels about Paris in the mid-19th century at a time when the City of Light was being rebuilt along pretty extraordinary lines. At the same time that poor people were being tossed out of their substandard housing, some people were making fortunes speculating in real estate. The Kill focuses on the personal dramas of people on both sides of the equation, with quite a lot of sex thrown in to spice things up.

This beautiful tome, with endless photos, takes a tour of Paris through the années folles, from the end of the Great War in 1919 to the start of World War Two in 1939. Many histories of Paris in this period focus solely on the culture – understandable, as this outpouring of modernism was world-shaking. This book includes history, politics, law, Parisian café life, sex workers, immigration, and more. My copy is full of so many notes that I had to buy a second copy. Here I found the underground gay scene and the effect of the war on the working class. Schiaparelli’s surreal hats sat along an overview of soup kitchens during the Depression. The book shows Paris as it was lived in those years, and mostly through visual material, giving the impression that you could book a ticket and visit.

This biography gives you the inside experience of one of the most visible lesbians in Paris during the mid-twentieth century.

Genet was the pseudonym for Janet Flanner, The New Yorker’s correspondent for France. Flanner knew and wrote about everyone. Her column noting Anderson’s death is particularly touching. From Indiana to the City of Lights in one lifetime.

At first sight, the title evokes a certain Gallic hauteur, but it does not take long to see that this is simply a foretaste of the rich exploration of the myths of Paris – how the great city has been depicted, imagined, and perceived over time. This is the story of Paris as the capital of modernity, art, fashion, revolution, sex, pleasure, science, and crime. With writers, artists, poets, and visitors as witnesses, and lavishly illustrated, this is a colourful meander through the myths and illusions that have shaped the many images of Paris. 

Whatever the actual realities beneath these multiple faces, asks Higonnet at one point, ‘who could, in our culturally unanchored world, imagine life without this city?’    

Not only do we have a summer romance, but we’ve combined it with French pastry. Literally a recipe for success! Anne-Sophie Jouhanneau’s debut YA novel follows seventeen-year-old ballerina, Mia, as she travels to Paris for the summer for an elite ballet program. Of course, she meets the charming Louis, and together they explore all that Paris has to offer. Rife with beautiful descriptions of Paris and plenty of croissants, this is the perfect summer romance.

This classic is not a history book as such, but as a single source, it provides great insight into nineteenth-century park-making and context. It uses the Parisian situation as a pretext to recommend improvements to park provision in other cities, and I love it because the author is so direct and critical, not only with respect to the situation in the French capital but also elsewhere. He is an enlightened observer of fashion and governance.

Terse criticism is provided where required, and which I Iike, and sensible, practical recommendations that are intended to improve the situation in England and often still resonate today. I also like the horticultural detail provided and the sensuous lithographs of plans and views, and I adore the cover of the original edition, which I treasure. 

Do you want the gritty, pungent beauty of Paris during the heyday of the Romantics—the 1830s? You want perversion, decadence, a crazy, kinky plot revolving around sex, dominance, Sapphic passion, murder, and intrigue, set in the Trocadero neighborhood? Only Honoré de Balzac could dream up something this wild and get away with it. One of the wonders of this short novel is how, through casual descriptions, Paris comes to life. It’s not a picture-postcard version of the city. Au contraire. It’s a seamy, real place I recognize after 35 years living there. While I was reading The Girl with the Golden Eyes, I actually went out and found the locations. The city has changed less than you’d think in 190 years. Above all, the seamy, perverse side remains.

At long last the Vampire of Paris crawls from his crypt, a living legend emblazoned with magical sigils and muttering dire imprecations for 666 searing pages. A world-renowned artist and bold aesthete of the macabre, Nico Claux holds a Japanese cannibal as his role model and calls Satan his homeboy. This reclusive genius goes beyond the pale only to reveal himself as a regular bloke, albeit one with a taste for torture and blasphemy. Meant to be read in the darkest night!

This biography of the famous French authoress Collette explores the sensuously Parisian life of the famed and inflammatory author. It explores many of her sensuous love affairs along with her fabulous accomplishments. This biography marches through time in Paris, from the Belle Epoch to the lean years of the World Wars, to the shining beacon Paris became in the later half of the twentieth century. Through the life of the indomitable authoress Collette, the city of Paris truly sparkles as we see that her history is so entwined with the city’s history.