Here are 100 books that Music's Modern Muse fans have personally recommended if you like
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I published the novel Ehrenfried & Cohn in 2016 about the decimation of the Jewish fashion industry in Berlin by the Nazis. I studied at the University of Arts in Berlin and became a fashion reporter for newspapers. Later I worked as a producer and journalist for German Public Broadcasting, the BBC in London, and PBS and CBS in New York City. I currently share my time between London and Berlin writing fact books on Jewish fashion and as a lecturer on fashion history in the US.
When Bill (William John) Cunningham (1929-2016), son of an Irish Catholic family from Boston, moved to New York at the tender age of 19 in 1948, it became the life-defining step in his career as probably the most famous fashion photographer in the metropolis. He had been interested in fashion from an early age and sold his first hats. After returning from military service in Korea in 1953, he began photographing fashion and writing articles for Women's Wear Daily and the Chicago Tribune.
It is no exaggeration to say that Cunningham's fashion sense and photography quickly shaped a new style of fashion journalism. His "street style" brought fashion, no matter how expensive or luxurious, into the world of everyday life. Cunningham made fashion interesting again only through his point of view and photographs. The quiet, always curious and meticulous Cunningham also became known for his commitment to the gay…
"[An] obscenely enjoyable romp." -The New York Times Book Review
The untold story of a New York City legend's education in creativity and style
For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Growing up, I always loved reading young adult romances where first love and growing up seemed like the perfect kind of summer story. As an adult, and especially as an educator, I have too often seen the likes and interests of my female students dismissed as silly or frivolous, romance being at the top of this list. I love cultivating a diverse classroom library, one that includes books for everyone’s interest and background. Writing stories for young readers and about what interests them has been the great privilege of my life.
Not only do we have a summer romance, but we’ve combined it with French pastry. Literally a recipe for success! Anne-Sophie Jouhanneau’s debut YA novel follows seventeen-year-old ballerina, Mia, as she travels to Paris for the summer for an elite ballet program. Of course, she meets the charming Louis, and together they explore all that Paris has to offer. Rife with beautiful descriptions of Paris and plenty of croissants, this is the perfect summer romance.
As sweet as a macaron from Laduree, this romantic novel set in Paris about an American ballerina and a charming French boy isparfaitfor fans ofAmerican Royalsand Netflix'sEmily in Paris.
Mia Jenrow has always known she's destined to be a professional ballerina. In fact, it’s in her blood—according to family legend, her too-many-greats-to-count-grandmother once danced for the Paris Opera and was painted by Degas himself! Her parents say it’s just a fantasy, but to Mia it’s so much more than that. It’s her fate.
Mia is planning to spend a magical summer in France pursuing her dream, but as she…
I'm an author currently living in rural southern Vermont, though I’ve also lived in Chicago and New York City. When I was a child I wanted nothing more than to visit the city of lights and when I finally started going, I was awestruck by the beauty and the history of the city of Paris. It’s the little things about Paris, the crooked cobblestone, the myriad of bookstores, the flowers along the boulevards, and those steel metro signs that look like you’re about to enter a terrifying circus. It all comes together in the most lovely ways. My newest novel, Between Before and After, is in many ways a love letter to the city.
This biography of the famous French authoress Collette explores the sensuously Parisian life of the famed and inflammatory author. It explores many of her sensuous love affairs along with her fabulous accomplishments. This biography marches through time in Paris, from the Belle Epoch to the lean years of the World Wars, to the shining beacon Paris became in the later half of the twentieth century. Through the life of the indomitable authoress Collette, the city of Paris truly sparkles as we see that her history is so entwined with the city’s history.
The story of Sidonie-Gabrielle Colette, who, from her first appearance in Paris salons as a child bride in 1900, scandalised and enraptured all of France.
Mia Lark is running out of options. There is only one way to change the score: the fantasy planet Revivium.
Armed with the powerful magic in the helm and the friendly AI, Hex that goes with it, Mia throws caution out the window. It’s time to find the main guildhall…
I left home in Melbourne to spend a year travelling in Asia when I was in my mid-twenties. I ended up living abroad for a decade in London, Bangladesh, and Myanmar before returning to Sydney in 2016. My first book is about the four years I lived in Myanmar and I’m currently writing my second, which is about the year I spent backpacking from Cambodia to Pakistan. My third book will be about the three years I worked as a journalist in Bangladesh. My plan is to write a ‘trilogy’ of memoirs. Living abroad has enriched my life and travel memoirs are one of my favourite genres, both as a reader and a writer.
What’s not to love about a book set in Paris about a journalist who falls in love with a Frenchman? This book is a delight. Turnbull writes beautifully, and with modesty and humour about making every faux pas imaginable in Paris. It’s light and insightful at the time. The pages practically turned themselves.
Almost French takes readers on a tour fraught with culture clashes but rife with insight and deadpan humour - a charming true story of what happens when a strong-willed Aussie girl meets a very French Frenchman.
Backpacking around Europe, twenty-something Sarah Turnbull meets Frederic and impulsively accepts his invitation to visit him for a week in Paris. Eight years later, she is still there - and married to him. The feisty journalist swaps vegemite for vichyssoise and all things French, but commits the fatal errors of bowling up to strangers at classy receptions, helping herself to champagne, laughing too loudly…
The most important formative experiences of my life were contained in the years I spent living and traveling with Brenin, a wolfdog. I can safely say that just about every worthwhile idea I have had – I am a professor of philosophy and ideas are supposed to be my thing – stemmed from those years. I have written many books since Brenin died, all of them, in one way or another, concerned with the question of what it is to be human. I am convinced that we can only understand this if we begin with the idea that we are animals and work from there.
Commonly thought to be about death, and our fear thereof, what I find most striking about this book is its piercing and utterly haunting analysis of the role of memories in making us who we are. The most important memories are the ones that are lost, and then return in a new form, deeply woven into our bodies, emotions, and feelings – as blood, as glance and gesture, as Rilke puts it. Rilke was a poet; this was his only excursion into the art form of the novel. So, the book falls apart after a while. But if anyone has written anything better than the first fifty pages or so, I am unacquainted with it.
First published in 1910, Rilke's "Notebooks of Malte Laurids Brigge" is one the first great modernist novels, the account of poet-aspirant Brigge in his exploration of poetic individuality and his reflections on the experience of time as death approaches. This new translation by Burton Pike is a reaction to overly stylized previous translations, and aims to capture not only the beauty but also the strangeness, the spirit, of Rilke's German.
Living on the edge of a town, brought up by an enthusiastic nature-loving mother and a father involved in outdoor activities, I explored both natural and designed landscapes. When discovering that several of the natural landscapes I perceived were, in fact, (re-)designed by the nineteenth-century landscape gardener Lucas Pieters Roodbaard, my curiosity in cultural landscapes was raised. Soon, I explored a wider context and started collecting literature, ultimately studying landscape architecture, and always with a strong interest in history. The focus on public parks became inevitable when I ended up in landscape consultancy.
This classic is not a history book as such, but as a single source, it provides great insight into nineteenth-century park-making and context. It uses the Parisian situation as a pretext to recommend improvements to park provision in other cities, and I love it because the author is so direct and critical, not only with respect to the situation in the French capital but also elsewhere. He is an enlightened observer of fashion and governance.
Terse criticism is provided where required, and which I Iike, and sensible, practical recommendations that are intended to improve the situation in England and often still resonate today. I also like the horticultural detail provided and the sensuous lithographs of plans and views, and I adore the cover of the original edition, which I treasure.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
I’m an urban designer, author, and host of The Life-Sized City urbanism series - as well as its podcast and YouTube channel. I’ve worked in over 100 cities, trying to improve urban life and bring back bikes as transport. I came at this career out of left field and am happily unburdened by the baggage of academia. I've famously refrained from reading most of the (probably excellent) books venerated by the urbanism tribe, in order to keep my own urban thinking clear and pure. My expertise stems instead from human observation and I find far more inspiration in photography, literature, cinema, science, and especially talking to and working with the true experts: the citizens.
We are coded as homo sapiens to look at each other. To observe, study, analyse our fellow creatures. One of the reasons I’ll never live in the country is that I’ll miss observing urban life.
This is such a simple book with a simple premise. Perec recorded everything he saw while sitting at a café on a Parisian square over three days. When I lived in Paris in the 1990s, I had a dog-eared French version of this book and I dutifully went to the same place. Not to record my own observations but to try and see things that Perec might have seen twenty years prior.
A city-dweller regards their city. This book is at once nothing and yet it is everything about urban life. I found in Perec a comrade in arms. The romantic in me insists on believing that the seeds for my later urban observations lie…
"Take it with you to any cafe in any city, and Perec will be both your drinking partner and your tour guide, drawing your attention to each little detail coming and going.” –Ian Klaus, CityLab
One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one café window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and…
I love Paris. This city endlessly stimulates both my head and my heart. Always in movement, everchanging, it, like all cities, is a living organism, manifesting the spirit of all those who live here, past and present. Through a bunch of different projects and a handful of books, I’ve been trying to map its creative DNA, seeking out and championing the people and places who contribute to forging Paris’s own distinctive identity today. Makers Paris (Prestel) and Makers Paris 2 (Ofr. Éditions) evolved out of more than a decade running slow-travel pioneer Gogo City Guides, and my latest book The Paris Flea Market (Prestel) is a new stop on this journey.
The much-loved English bookshop Shakespeare and Company can at times feel like a victim of its own success (every so often I try and imagine solutions as if I were trying to save Venice!), but the place remains a refuge for writers and readers and a true beacon of bohemian values.
In my first Makers book, owner Sylvia remembers her father George describing Paris: “where poetry is part of life; where men are poets and life is a poem.” And now the bookshop has published its own collection of poems about Paris, illustrated with beautiful line drawings by the Italian illustrator Matteo Pericoli.
Alongside verses by Rimbaud, Gregory Corso, or Lawrence Ferlinghetti, Pericoli imagines the views from windows of poets who, at one time or another, made their homes here, like Gertrude Stein and Alice B. Toklas or Charles Baudelaire, or indeed Shakespeare and Company’s own beautiful view across the…
I started out as a religion major in college, but soon became frustrated with the abstract thoughts of privileged white males. I wanted to understand the passions and struggles of ordinary people, and soon became convinced that the examination of the distant past sheds important light on the present. It’s not that I don’t care about the world around me right now. Rather, I am convinced that those who look only at this decade, this century, or even the last century fail to recognize some of the most powerful cultural forces that have shaped our most fundamental understandings of gender, wealth, poverty, work, and so much more.
If we want to understand medieval or modern Paris, we need to gain some familiarity with all of the stages along the way. Robb provides some episodic portraits of some of those stages, and the chapter on the eighteenth-century architect Charles-Axel Guillaumot is one of the most arresting discussions I’ve ever seen of how the actions of those living in one epoch can reverberate for generations to come. Guillaumot literally saved Paris from collapsing in on its medieval past by bracing up the swiss-cheese-like network of tunnels that had been left behind by its medieval quarry workers.
This is the Paris you never knew. From the Revolution to the present, Graham Robb has distilled a series of astonishing true narratives, all stranger than fiction, of the lives of the great, the near-great, and the forgotten.
A young artillery lieutenant, strolling through the Palais-Royal, observes disapprovingly the courtesans plying their trade. A particular woman catches his eye; nature takes its course. Later that night Napoleon Bonaparte writes a meticulous account of his first sexual encounter. A well-dressed woman, fleeing the Louvre, takes a wrong turn and loses her way in the nameless streets of the Left Bank.…
Ramon Ramirez’s Dog is a collection of essays written over the years about the adventures and misadventures, mostly outside but occasionally inside the diplomatic career of a U.S. ambassador. Common threads weaving the stories together are a desire for a life well-lived, balancing career with family and friends, keeping physically…
I like to say I'm a born-again pedestrian. After a childhood in car-friendly Southern California, I moved first to the San Francisco Bay Area and then to Montreal. There I discovered the pleasures of living in walkable cities, and over the years I've explored them in a series of books about people, nature, and urban spaces in which the problems of spread-out, concrete-heavy cities take a front-row seat. The impact of the way we've built our cities over the last 100 years is becoming apparent, as carbon dioxide rises, driving climate changes. We must change the way we live, and the books I suggest give some insights about what to do and what not to do.
Sometimes it's helpful, even encouraging, to discover that problems we face today were faced by people in the past. Emile Zola wrote a series of novels about Paris in the mid-19th century at a time when the City of Light was being rebuilt along pretty extraordinary lines. At the same time that poor people were being tossed out of their substandard housing, some people were making fortunes speculating in real estate. The Kill focuses on the personal dramas of people on both sides of the equation, with quite a lot of sex thrown in to spice things up.
'It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.'
The Kill (La Curee) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola's narrative world. Conceived as a representation of…