Books like The Parks, Promenades, & Gardens of Paris

This book was my first introduction to planning parks for cities. That was produced with a well-illustrated text that evidenced the determination and commitment of generations of designers to provide cities with a healthy green infrastructure.

I liked it because it provided both a designer’s perspective as well as giving general context that I have since used as a starting point for my own observations and research. Due to its international remit, I also like to include it as a reference on any reading list for student work on public parks.

As an open space, garden, or park ‘open to and maintained by or for the public,’ the notion of the public park is primarily a Western concept that is interpreted and translated variously in different cultures.

I like this book because it links policy in the USA to the design of public parks and provides four typologies in its development from the mid-nineteenth century onwards. While I have not made much use of these typologies since they apply particularly to that American context, it has inspired me to look deeper into how what we do is directed by policies and how our designs reflect politics.

This book reminds me of a spell in Boston, in my first job, and I acquired it then as I was eager to take the opportunity to explore its famous park system. This title was recommended to me as the main source of reference. I was immediately attracted to it because it was well-illustrated and with a direct, clear, and accessible text that explained the progress of the project.

To me, it provided a concise context and background for the park system that became prototypical as ‘the emerald necklace,’ not only in the USA but also internationally. I like the way it also addressed the theoretical development, the design process, down to the very detail of the project, in what remains one of the few such critical monographs of a single landscape concept.

I like the way this book not only traces national and international influences on the development of public parks in Britain but also how they affected design and management. It is all set out in a clear narrative, and at the time of its initial publication, it was a pioneering study.

The contents of this volume have now been incorporated in an even more comprehensive volume ameliorated and edited by Paul Rabbits, which completes the story to the present day. I like it as a standard go-to and as a source of reference for the study of public parks in the UK, which served as such an important source of inspiration elsewhere. 

Why a book on Toulouse-Lautrec on a booklist about southern France? I might have asked myself that same question before visiting the region.

In the city of Albi, attached to the amazing 14th Century medieval cathedral there, I happened into the Toulouse-Lautrec Museum and learned he was born and raised in the town. After his death, his mother assembled the largest collection of his works, which are housed at this location. I became fascinated by his troubled and unusual life and followed him to Paris and the Moulin Rouge, where he became a famous Impressionist painter and pioneer of poster prints. 

This collection of essays by several experts deals not only with his unique early life, physical handicaps, and amazing, if troubled and short, career as an artist but also delves into the larger scene of turn-of-the-century Paris in 1900 at a time when the world of art was… show more.

I discovered this fascinating and extraordinary story when I was researching tales about travelling with animals for Beastly Journeys. Unlike the other four books in my list, this one has the animal as the central character. And what an animal! Zarafa was captured as a calf in what is now Ethiopia in a plan to cement relationships between the Ottoman Viceroy of Egypt and Charles V of France. The year was 1826 and a giraffe had never before been seen in France. Zarafa did the first part of her journey strapped to the back on a camel, and then – surely more comfortably – down the Nile and across the Mediterranean on a brigantine.

A hole was cut in the deck which allowed Zarafa to travel with her body in the hold, while her head and neck enjoyed the human company on deck. From Marseille she was walked, with… show more.

This book has the stunning feature of omitting the letter E entirely. It’s also a fascinating story. I confess I read it at least in part to see whether the author has slipped up anywhere or whether he had recourse to clumsy constructions, but he was a writer of too much skill and ingenuity for that!

While Poirier’s book covers the same period as Sebba’s, the mood is completely different. Her focus is on artists, with a cast that reads as your ultimate dinner-party guest wishlist: Juliette Gréco, Simone de Beauvoir, James Baldwin, Miles Davis... Such creators couldn’t help but salvage something from their war experiences, create a new world on their own terms. Poirier knows that history is made of people. And Paris is a rich source, for it’s a city that has attracted a multitude of movers and shakers for centuries. Poirier shows how such creators can produce much more than art, or a movement—they can mould an entire period. Poirier also knows that this personal telling of history makes reading it more enjoyable; her plotting is on point, her sprinkle of gossipy anecdotes just-so.

L’Origine by artist and writer Lilianne Milgrom is a unique, well-researched, and absolutely compelling book. Part history and part memoir, it tells the story of Gustave Courbet’s L’Origine du monde, a painting known as “the world’s most erotic masterpiece,” along with its effect on a young woman (the author) who set out to be its official “copyist.” Ultimately, it is the painting itself that liberates and transforms the protagonist—just as it will liberate and transform the reader! It certainly did that for me, cutting through all my ideas about the role of art and its depictions of the female body—in much the same way that Georgia O’Keeffe’s paintings, and the nude photographs she posed for, liberates and transforms the protagonist of my own novel. 

What’s not to love about a book set in Paris about a journalist who falls in love with a Frenchman? This book is a delight. Turnbull writes beautifully, and with modesty and humour about making every faux pas imaginable in Paris. It’s light and insightful at the time. The pages practically turned themselves.