Here are 100 books that Paris Between the Wars fans have personally recommended if you like
Paris Between the Wars.
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I am captivated by memoirs that shed light on the deeper life experiences of their authors. My curiosity about inner life compelled me to learn about the psychological essence of memoir writers, resulting in my writing a memoir from an in-depth psychological perspective. My curiosity also led me to become a psychotherapist, which helped me better navigate dark and uncertain waters with my clients. By probing the inner psychological dynamics of such memoirs, I learned more about myself and became a writer with rare psychological insight. Such illumination served to ignite my very soul. My passion is fueled by tapping the mysteries of what lies within us all.
At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.
This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Sean Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I love the absolutely authentic atmosphere of this book – the clothes, the music, the booze -- and the exploration of the dark side of the 1920s.
I find some of the characters sympathetic, some repellent, and some impossible to understand, just as in real life. Regardless, I feel that I really get to know them by the end of the book, even if I still don’t understand them. I can’t help but make comparisons with that time period and now, a century later. So much has changed, yet so much remains the same.
I’ll be honest that it can be a depressing read, so I have to be in the right mood for it, but when I am, nothing else will satisfy.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
What I love about this book is the way it delves into all the intimate details of a group of artists/writers/creators in early 20th-century England who rebelled against the day-to-day strictures of a buttoned-up society and embraced eccentricity in even the most humdrum aspects of their lives.
What did they eat? What did they wear? Where did their children go to school? I wouldn’t necessarily imitate absolutely everything that these iconoclasts did, but the allure of their example is intoxicating.
Virginia Nicholson's Among the Bohemians is a portrait of England's artistic community in the first half of the twentieth century, engaged in a grand experiment.
Subversive, eccentric and flamboyant - the Bohemians ate garlic and didn't always wash; they painted and danced and didn't care what people thought. They sent their children to co-ed schools; explored homosexuality and Free Love. They were often drunk, broke and hungry but they were rebels.
In this fascinating book Virginia Nicholson examines the way the Bohemians refashioned the way we live our lives.
'Interesting, gorgeous, wonderful.... this book displays the best of bohemia itself…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I started reading about the 1920s after I read Among the Bohemiansby Virginia Nicholson in 2008. I kept reading about the 1920s, particularly 1920s Paris, through my Masters and then my Doctorate in war fiction. I would read about interwar Europe, or America, or Britain, when I needed to work on my doctorate but was too tired to read about trenches or trauma, and it became an obsession. Then it became the subject of two novels, which involved more and more particular research. I love the period's brittle gaiety, its dirty glamour, a time of cultural and political revolution as people fought for a better world.
This book should not be out of print. It is beautifully written – economical, witty yet discreet, and joyful. Bowen was a young woman from Adelaide, in South Australia, who set off to London to be an artist and landed there during the Great War. She had a long affair and daughter with writer Ford Madox Ford, painted and partied in Paris, moved her daughter back to England in time to watch German bombers fly overhead during the Blitz. This book became another guide for how to live the creative life, the bohemian life, a life full of honesty and art. Like Hemingway’s memoir, it’s full of anecdotes of other writers and artists that were her friends for a time. It reflects on what it means to be an artist, a woman artist, an artist and mother, ideas that still hold true as they are about the inner life of…
I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.
“I want a long, calm book about people with large incomes – a book like a flat green meadow and the sheep feeding in it… I read most of the time and I am happy.” First published in1939, this novel is a portrait of a woman who struggles in Paris. She is on her own and has no job or money.
The last of the four novels Jean Rhys wrote in interwar Paris, Good Morning, Midnight is the culmination of a searing literary arc, which established Rhys as an astute observer of human tragedy. Her everywoman heroine, Sasha, must confront the loves- and losses- of her past in this mesmerizing and formally daring psychological portrait.
I like books driven by characters who ride the same emotional rollercoaster as we all do in real life. Characters who love the wrong people or who lose the people they were right to love or who fail to match the norms expected by society. Characters I can empathise with, root for, and learn from. A fairytale happy ending is not necessary and can detract from the magic of a book. But I do like to be left with a feeling of hope. If a fictional character can learn to approach life more positively, then maybe I can too! This is what I try to achieve in my own books.
I have a very large ‘To Be Read’ pile and occasionally I discover a book has stagnated there for far longer than it deserves. Lost Property is one of those – I wish I’d read it and discovered the language of Helen Paris much sooner.
It’s the story of Dot Watson whose life veered off course when she lost her father and, instead of an exciting career, she makes do with working in the London Transport Lost Property Office. When a lost purse turns up, she finds her purpose and sets off on a mission.
Dot, like most of us, just needs a little help finding out who she really is.
'An enthralling read, full of rich descriptions and characters you can't help but love.' Hazel Prior
'A wonderfully rich, funny and brimming with heart book.' Beth Morrey _________________________
Dot Watson has lost her way.
Twelve years ago her life veered off course, and the guilt over what happened still haunts her. Before then she was living in Paris, forging an exciting career; now her time is spent visiting her mother's care home, fielding interfering calls from her sister and working at the London Transport Lost Property office, diligently cataloguing items as misplaced as herself.
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I love Paris. It is one of my favorite cities on Earth. One of the reasons I adore it so much is because it has such a palpable sense of enchantment. There is magic in its cathedrals and catacombs, its pâtisseries and feal markets, its rich tradition of art and joie de vivre. You can feel it in your soul as you walk through the city, under the gazes of its gargoyles and the charm of its cafes. Thus, I’ve always been drawn to stories that take this one step further—exploring a Paris that harbors actual magic.
Imagine National Treasure set in a magical Belle Epoque Paris featuring an ensemble of endearing thieves—I absolutely inhaled this story!
Chokshi’s writing is as luxurious as velvet, and her wit shines through in the antics of her characters as they set about solving riddles and stealing a series of magical artifacts. I fell in love with Severin and the rest of his crew, and I would give anything to wander the streets of this magical setting!
Paris, 1889: The world is on the cusp of industry and power, and the Exposition Universelle has breathed new life into the streets and dredged up ancient secrets. In this city, no one keeps tabs on secrets better than treasure-hunter and wealthy hotelier, Severin Montagnet-Alarie. But when the all-powerful society, the Order of Babel, seeks him out for help, Severin is offered a treasure that he never imagined: his true inheritance. To find the ancient artifact the Order seeks, Severin will need help from a band of experts:
An engineer with a debt to pay. A historian who can't yet…
Until I did my own animal-accompanied journey with Mollie and Peggy in 1984, my only association with animals on the trail was inadvertently with a collection of cockroaches in my backpack. It was when Bradt decided to add to their anthologies with a collection of stories about travelling with animals in 2018, Beastly Journeys, that I was able to read a wide variety of books on the topic. A delightful exercise!
I discovered this fascinating and extraordinary story when I was researching tales about travelling with animals for Beastly Journeys. Unlike the other four books in my list, this one has the animal as the central character. And what an animal! Zarafa was captured as a calf in what is now Ethiopia in a plan to cement relationships between the Ottoman Viceroy of Egypt and Charles V of France. The year was 1826 and a giraffe had never before been seen in France. Zarafa did the first part of her journey strapped to the back on a camel, and then – surely more comfortably – down the Nile and across the Mediterranean on a brigantine.
A hole was cut in the deck which allowed Zarafa to travel with her body in the hold, while her head and neck enjoyed the human company on deck. From Marseille she was walked, with…
In October 1826, a ship arrived at Marseille carrying the first giraffe ever seen in France. A royal offering from Muhammad Ali, Ottoman Viceroy of Egypt, to King Charles X, she had already traveled 2,000 miles down the Nile to Alexandria, from where she had sailed across the Mediterranean standing in the hold, her long neck and head protruding through a hole cut in the deck. In the spring of 1827, after wintering in Marseille, she was carefully walked 550 miles to Paris to the delight of thousands of onlookers.
The viceroy's tribute was politically motivated: He commanded the Turkish…
I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
Do you want the gritty, pungent beauty of Paris during the heyday of the Romantics—the 1830s? You want perversion, decadence, a crazy, kinky plot revolving around sex, dominance, Sapphic passion, murder, and intrigue, set in the Trocadero neighborhood? Only Honoré de Balzac could dream up something this wild and get away with it. One of the wonders of this short novel is how, through casual descriptions, Paris comes to life. It’s not a picture-postcard version of the city. Au contraire. It’s a seamy, real place I recognize after 35 years living there. While I was reading The Girl with the Golden Eyes, I actually went out and found the locations. The city has changed less than you’d think in 190 years. Above all, the seamy, perverse side remains.
Beginning with a visceral description of the society and politics of Paris, The Girl with the Golden Eyes considers the sex life of the upper class by its raw depiction of the underside of Parisian life. Henri de Marsay is a young, rich man who is nearly devoid of morals and virtue. After he meets Paquita Valdes, a mysterious and beautiful woman, he becomes infested with a deviant lust for her. When his plan to seduce her succeeds, Henri and Paquita maintain an intensely sexual relationship. However, when Henri starts to suspect Paquita is involved with another lover, he becomes…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I love Paris. This city endlessly stimulates both my head and my heart. Always in movement, everchanging, it, like all cities, is a living organism, manifesting the spirit of all those who live here, past and present. Through a bunch of different projects and a handful of books, I’ve been trying to map its creative DNA, seeking out and championing the people and places who contribute to forging Paris’s own distinctive identity today. Makers Paris (Prestel) and Makers Paris 2 (Ofr. Éditions) evolved out of more than a decade running slow-travel pioneer Gogo City Guides, and my latest book The Paris Flea Market (Prestel) is a new stop on this journey.
Paris has an incredibly vibrant food scene, and some of that energy is generated by a shapeshifting community of expat chefs and foodies. Hugh Corcoran, a Belfast born writer and cook, spent the most part of the last decade living and working in France, in Paris and beyond.
This lovely book is a collection of vignettes from his travels, simply and honestly written, remembering people he met along the way and the meals they shared. Each story ends with a recipe, including some French classics like roast chicken, gratin dauphinois, or carottes râpées.
If the book’s tone is gentle, it’s actually an urgent call to action, as the epigraph confirms: “Friends and neighbors, wet your mouths, for after death you won’t touch another drop.”
Two Dozen Eggs by Hugh Corcoran is a pocketbook collection of short stories and recipes.
Hugh Corcoran is a cook from Belfast who has spent the most part of the last decade living and working in the Basque Country and France.
This book contains a collection of short stories written over the period of a few months but based on the memories and experiences of those places and his childhood in Ireland.
Two Dozen Eggs features an introduction by Rachel Roddy and is illustrated by Peter Doyle.