81 Books Like Fear Dat New Orleans

When I first read Interview with the Vampire (I was 12), I was struck by how Anne Rice made darkness beautiful. The mood, the grief, the sensuality—it all felt so rich and strange and alive.

I didn’t just want to read about Louis and Lestat; I wanted to live inside that shadowed world, however painful. The power of her vampires was alluring, even as their sadness confused me. How could being immortal be such a torment?

This book taught me that supernatural fiction could be poetic, philosophical, even transcendent. There’s a reason this novel endures.

It made me want to write stories where beauty and horror dance together in candlelight.

My love of New Orleans started with Anne Rice and my love of mysteries began with Nancy Drew books.

So when I found New Orleans Mourning by Julie Smith, my obsession with both was satisfied. Skip Langdon is a New Orleans native and police detective.

With wonderful details about the city and its residents, and great mysteries, I read through the series as fast as I could.

Written by accomplished historian Carolyn Morrow Long, A New Orleans Voudou Priestess tells the true story of Voodoo queen Marie Laveau based on extensive archival research.

In telling her readers about this Creole woman of color who was deeply embedded in the culture of New Orleans in the 1800s, we learn the real story of a woman who was often glorified and denigrated by the press and by local authors who wrote many fantastical tales about her life misleading many about her character and her religion. 

No matter where I visit, I always try to buy a book about the town.

I never come home from a trip to New Orleans with one. It doesn’t matter whether it’s non-fiction or fiction, novels or short stories. French Quarter Fiction is a collection of short stories featuring my favorite part of the city, The French Quarter.

The variety of authors and stories is incredible and features such different views and aspects of this amazing neighborhood.

I love a biography that is as well-researched as it is immersive, and this book does not disappoint! Marie Laveau―a free woman of color who all but ruled New Orleans in the mid-1800s—may be the most legendary American practitioner of the magical arts, and in this book, Denise Alvarado—a New Orleans born, native Creole who studies African and Indigenous-based healing traditions from a personal and academic perspective—separates the myth from the fact.

Moving seamlessly between historical archives and her personal experience as a practitioner, Alvarado introduces us to the New Orleans Voodoo queen, her reign and legacy, and the spells, charms, prayers, rituals, and recipes that bring her magic to life.

Hurston’s Mules and Men is a classic work in which the author returns to her hometown, Eatonville, Florida, in the late 1920s to conduct anthropological research. 

In the work Hurston captures the complex texture of social life in a fully incorporated African American community. The result is a rich mix of character descriptions, masterfully crafted dialogues, and a collection of stories that reflect powerfully the deep knowledge and profound wisdom of Eatonville’s cast of characters. 

Robert Crais' private detectives, Elvis Cole and Joe Pike, inhabit the same traffic-choked freeways as Harry Bosch, but in a much brighter key. I'm drawn to Elvis' non-stop banter, which is often laugh-out-loud funny. Tough-guy Joe has a gift for understatement that makes him a perfect foil for Elvis. In Voodoo River, Elvis falls in love with Lucy Chenier. (His wiseguy courtship style is something you shouldn't try at home.) The novel's set in Louisiana, where Crais grew up. Elvis is investigating a blackmail scheme run by Milt Rossier, a wily ex-con backed up by a gun thug named Leroy; Rene, a 400-pound brain-dead monster; and a vicious snapping turtle named Luther. Elvis is not intimidated, but he wisely calls in Joe to improve the odds for the inevitable confrontation.

I often wonder about the generations of people who lived in my house before me, but for better or worse, that context is lost to history. Conversely, Sarah M. Broom is privy to 60 years of intimate history of her childhood home in New Orleans East.

Making a home is an act of love; sustaining one hinges on determination, work, and community. It also helps to be treated like you matter by those in power. Broom’s tribute to her tenacious mother and family, who kept their home through times of security and lack thereof, only to lose it to Hurricane Katrina, is stunning. The house still exerts a tumultuous pull on Broom and her family. The crossing threads of love and heartbreak are sewn through this vivid, haunting memoir.

This book provides an intimate look at Storyville, the legal New Orleans red-light district that operated in a grid of streets nestled between St. Louis Cemeteries no. 1 and 2 near the French Quarter from 1897 to 1917.

Although the book is a bit dated (it was published in 1974) and includes a few wild and unsubstantiated stories about certain historic New Orleans personalities, such as Marie Laveau, this mostly factual volume is a fascinating and detailed portrait of the "District," as Storyville was often called, and the colorful, sometimes tragic stories of the people who lived and worked there.

I discovered and used The World That Made New Orleans as a source for my book.

Upon opening the book, I was gleefully surprised to discover what an informative, interesting, and fun read it is. Sublette describes the French origins of the city in the early 1700s which involved wild parties, debauchery, tragic exploratory expeditions, and a massive Ponzi scheme that used Louisiana and the fictional gold mines there to defraud most every rich person in France, eventually crashing the entire French economy.

He then took me on a thrilling journey through the Spanish and early American periods to quadroon balls, Congo Square, and so many other fascinating places. I knew the city’s history was interesting, but reading The World That Made New Orleans blew me away.