Here are 35 books that Mr. Brown Can Moo! Can You? fans have personally recommended if you like
Mr. Brown Can Moo! Can You?.
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As children, my brother and I were constant playmates. He was an early riser and often woke me up so our day of play could begin as soon as possible. I have sight, and my brother is blind. Play for us was an all-senses experience. We felt the rumble of our bikes on the street, listened to the screech of the metal swing set, and guessed spices by their smell. We also devoured stories. We listened to audiobooks, he read to me in Braille, and I read to him. All of these experiences, and more, prepared me to be an author of numerous children’s books with sensory details to make stories come alive.
I’m always drawn to books about books and making them accessible to all.
This biography is about Louis Braille in the early 1800s and his desire to read books. The system back then for blind readers was time-consuming and inefficient. When he was only 15, he adapted a finger code used on battlefields into a system of letters made of raised dots. His invention led to an easier way for blind people to read and write, and the system of Braille is named after him.
An inspiring picture-book biography of Louis Braille—a blind boy so determined to read that he invented his own alphabet.
**Winner of a Schneider Family Book Award!**
Louis Braille was just five years old when he lost his sight. He was a clever boy, determined to live like everyone else, and what he wanted more than anything was to be able to read.
Even at the school for the blind in Paris, there were no books for him.
And so he invented his own alphabet—a whole new system for writing that could be read by touch. A system so ingenious that…
As children, my brother and I were constant playmates. He was an early riser and often woke me up so our day of play could begin as soon as possible. I have sight, and my brother is blind. Play for us was an all-senses experience. We felt the rumble of our bikes on the street, listened to the screech of the metal swing set, and guessed spices by their smell. We also devoured stories. We listened to audiobooks, he read to me in Braille, and I read to him. All of these experiences, and more, prepared me to be an author of numerous children’s books with sensory details to make stories come alive.
I love this story for its simple language that recreates a walk through the city.
The main character uses a white cane, a simple indication that she is blind. Focusing on the sounds, both loud and quiet, the story lets readers soak in the atmosphere surrounding a young girl on her way to a violin recital. The illustrations, created in textured paper collage, are as layered as the words.
A young girl, who is visually impaired, finds much to celebrate as she explores the city she loves.
A young girl and her father spend a day in the city, her city, traveling to the places they go together: the playground, the community garden, the market, an outdoor concert. As they do, the girl describes what she senses in delightfully precise, poetic detail. Her city, she says, “rushes and stops, and waits and goes.” It “pitters and patters, and drips and drains.” It “echoes” and “trills,” and is both “smelly” and “sweet.” Her city also speaks, as it “dings and…
As children, my brother and I were constant playmates. He was an early riser and often woke me up so our day of play could begin as soon as possible. I have sight, and my brother is blind. Play for us was an all-senses experience. We felt the rumble of our bikes on the street, listened to the screech of the metal swing set, and guessed spices by their smell. We also devoured stories. We listened to audiobooks, he read to me in Braille, and I read to him. All of these experiences, and more, prepared me to be an author of numerous children’s books with sensory details to make stories come alive.
This award-winning book, first published in Mexico, is completely black, yet so colorful in its words and images.
The words describe colors with artful description, such as, “…green tastes like lemon ice cream and smells like grass that’s just been cut.” To fully engage the senses, the words are printed in Braille, and the images are raised, so they can be touched and “read” as well.
Living with the use of one's eyes can make imagining blindness difficult, but this innovative title invites readers to imagine living without sight through remarkable illustrations done with raised lines and descriptions of colors based on imagery. Braille letters accompany the illustrations and a full Braille alphabet offers sighted readers help reading along with their fingers. This extraordinary title gives young readers the ability to experience the world in a new way.
As children, my brother and I were constant playmates. He was an early riser and often woke me up so our day of play could begin as soon as possible. I have sight, and my brother is blind. Play for us was an all-senses experience. We felt the rumble of our bikes on the street, listened to the screech of the metal swing set, and guessed spices by their smell. We also devoured stories. We listened to audiobooks, he read to me in Braille, and I read to him. All of these experiences, and more, prepared me to be an author of numerous children’s books with sensory details to make stories come alive.
Pat the Bunny is designed for the youngest children learning to read, yet I remember this book on our shelf throughout my whole childhood.
Each page is interactive as children are invited to pat the soft bunny, smell the flowers, touch Dad’s scratchy face, and more. Besides learning to read, children learn to notice sensory details in the world around them.
The timeless children's classic full of interactive fun—a perfect gift for new babies and first birthdays.
For generations, Pat the Bunny has been creating special first-time moments between parents and their children. One of the best-selling children’s books of all time, this classic touch-and-feel book offers babies a playful and engaging experience, all the while creating cherished memories that will last a lifetime.
I’ve been collecting records since I was a teenager, and unlike many of my friends, I’ve kept all my records. I love music, but I also love album cover art. I’ve taken my interest and have written three books on album cover art that tell the story of dozens of album covers. I especially like discovering relatively unknown or anonymous artists and designers who created compelling record cover art. I am constantly looking for interesting records, and I am possessed by the desire to learn more about album cover art. I love to share my passion and let people know about the wide world of vinyl.
Wow. I was amazed to find this book. I am deeply impressed with the work that went in to gathering so many record covers by Andy Warhol. The book deepened my knowledge of Warhol’s art. I think of it as a focused history of album cover design.
I love the size (it’s big) and the reproduction quality of all the covers and related artwork.
Count Basie, Tchaikovsky, Aretha Franklin, Lou Reed, Diana Ross, John Lennon and the Rolling Stones all had their music promoted by Andy Warhol's record covers. This stunning volume reproduces all of the album covers, front and back, that Warhol designed over four decades. Hundreds of additional contextual illustrations present liner notes and inside covers, related works by Warhol and documentary images that trace the artist's visual sources. Author Paul Marechal explores Warhol's creative process, his relationship with artists and his fascination with all genres of music. The range of music represented through these record covers, from jazz to classical and…
I believe laughing together is a big part of the glue that bonds people together. Humor has gotten me through my toughest times—and given me much joy in the good times. Laughing over my books with one or both of my toddler grandsons will always be cherished memories for me. Likewise, I love hearing about moments of connection for other readers bonding over Applesauce Is Fun to Wear, Baby’s Opposites, Baby’s Firsts, and Pirate Jack Gets Dressed.
Picture books should appeal to the ear as well as the eye. Coming from a family of musicians, I’m partial to rhyme, as you might guess from most of my picks here.
This book is full of unexpected delights from beginning to end.
The first spread states, “ROAR!! Goes the…” opposite a cutout that shows a tiger driving. The next spread says, “…TRUCK that rumbles up the road,” and shows the tiger driving a truck with a crate of tacks tumbling onto the road.
Likewise, “Hiss…goes the CAR that gets a flat tire,” driven by a snake. A parade of vehicles gets held up behind them until a coyote-driven police car (Awooo!) and beaver-driven tow truck (chomp!) save the day.
Cushman’s illustrations contain even more visual jokes. The sloth passing the pile-up on the sidewalk while pushing a tennis-ball-footed walker made me laugh out loud, even without a vehicle- or animal-loving toddler to read it to.
With a nod to Richard Scarry, this inventive picture book surprises readers with every turn of the page!
Hiss! Screech! Roar! It's a noisy day in Bumperville! But are the sounds what you think they are? That Honk! must surely be a goose. But turn the page and it's the taxi that a goose is driving! Using cleverly placed die-cuts, this inventive book hints at what is making the sound, but with each turn of the page, it's an eye-opening surprise and part of an unfolding story that is part guessing game and part giggle-inducing caper. Abi Cushman is the…
I love the outdoors, and there are so many benefits to playing, imagining, and being outside. I grew up on a fruit farm in Southern Ontario, so I spent much of my growing years playing outdoors and enjoying the natural world. When I became a professional educator, I read the research about the very concrete benefits being outside every day has on young learners. Bring on the recess! Books have a way of sparking action. When we read about how someone else enjoys the outdoors, it makes us want to do the same. Books are inspiring.
Ten Ways to Hear Snow commemorates the sounds of winter. Lina sets off alone to visit her grandmother (another Little Red Riding Hood reference!) the morning after a blizzard. As she walks through the neighbourhood, she notices the sounds snow makes while building a snowman, shoveling snow, and more. At her grandma’s place, they form a new point of connection because her grandma can’t see well and so relies on listening.
One winter morning, Lina wakes up to silence. It's the sound of snow - the kind that looks soft and glows bright in the winter sun. But as she walks to her grandmother's house to help make the family recipe for warak enab, she continues to listen.
As Lina walks past snowmen and across icy sidewalks, she discovers ten ways to pay attention to what might have otherwise gone unnoticed.
We all know Little Richard’s great hits like "Long Tall, Sally", "Tutti Frutti" and "Good Golly Miss Molly" and Little Richard’s life was as wild as his records. It’s excess all areas as Spencer Leigh tells the story of Little Richard in Send Me Some Lovin. It is a biography of someone who transformed popular music. Spencer Leigh was born in 1945 and hearing Little Richard for the first time in 1956 changed his life. He is a world expert on the Beatles and he has written a series of music-based biographies – Frank Sinatra, Elvis Presley, Buddy Holly, Bob Dylan, Simon and Garfunkel – all of which are full of facts and opinions.
A two-volume biography of George Martin’s work as a record producer, full of colourful detail.
You get a full account of George’s work with the Beatles. The sound effects which George had to create for The Goons’ records helped him deal with the Beatles. I also loved reading about George’s spat with his fellow EMI producer, Norrie Paramor.
George Martin - the man, the mind, the music. This is the story of the legendary Beatles producer.
The first of two volumes, MAXIMUM VOLUME traces Martin's early life, from an impoverished childhood, through WWII, to becoming head of EMI's Parlophone Records.
There, he made waves in British comedy and saved Parlophone from ruin with records from the likes of Spike Milligan. Then one day he discovered a scruffy beat band from Liverpool...
As this dramatic story unfolds, the book transports you into the studio with Martin and the Beatles, exploring how his musical genius shaped their incredible body of…
I’ve been a writer all my life in one form or another, and I love to observe the world around me and the people in it. I’ve had a fascination with dusk, in particular, since I was a child. I remember having the most adventurous time playing with my sister and our neighborhood friends after dinner in the summertime and soaking in everything that time of day had to offer—from the beautiful colors of the sunset to the croaking toads to the smell of the freshly cut grass. Each time of day—sunrise to midnight—offers a sensory overload if you are open to it. These books I have recommended dive into that delight.
If the title doesn’t grab your interest, then open the book.
This story focuses on the subtle and simple sounds that you may hear during the beginning of a day. The illustrations evoke all things sunrise and the words match with their lyrical flow and call to action. This book will encourage everyone, even late sleepers like me, to throw off their covers, jump out of bed, and see what the day has to offer.
This beautiful companion to What Color Is Night? helps children explore and celebrate their morning routines.
At the first morning light, everything is quiet. Or is it?
Listen.
Welcome the day by exploring the subtle wonders-and exciting sounds-of the morning with this lyrical and picturesque story.
In the first morning light, all might seem quiet. In this companion to What Color Is Night?
Grant Snider explores the sounds-and silences-of morning. Ending in an
inspiring call to action-to toss off the covers, throw open the window,
and fill the world with your song-this uplifting book is sure to help
families feel…
Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.
In the words of Joni Mitchell, you “don’t know what you got till it’s gone.” Only a person who has gone deaf partway through life knows what it means to live with and without sound. And music.
In this evocative book, British journalist Bella Bathurst chronicles her profound loss of hearing starting at age 27—and twelve years later, its dramatic return. The health reporter in me gave a thumbs-up to her skillful exploration of the lesser-known science of hearing.
She introduces expert lip readers, soldiers who accept deafness as an occupational hazard, and the copper “ear trumpets” used by Beethoven as his greatest joy ebbed. When Bathurst regains her hearing, I was awed by her description of hearing music anew: “It was a thousand volts of birdsong.”
In 1997, Bella Bathurst began to go deaf. Within a few months, she had lost half her hearing, and the rest was slipping away. She wasn't just missing punchlines, she was missing most of the conversation - and all of the jokes. For the next twelve years deafness shaped her life, until, in 2009, everything changed again.
Sound draws on this extraordinary experience, exploring what it is like to lose your hearing and - as Bella eventually did - to get it back, and what that teaches you about listening and silence, music and noise. She investigates the science behind…