Here are 100 books that Pat the Bunny fans have personally recommended if you like
Pat the Bunny.
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As children, my brother and I were constant playmates. He was an early riser and often woke me up so our day of play could begin as soon as possible. I have sight, and my brother is blind. Play for us was an all-senses experience. We felt the rumble of our bikes on the street, listened to the screech of the metal swing set, and guessed spices by their smell. We also devoured stories. We listened to audiobooks, he read to me in Braille, and I read to him. All of these experiences, and more, prepared me to be an author of numerous children’s books with sensory details to make stories come alive.
I’m always drawn to books about books and making them accessible to all.
This biography is about Louis Braille in the early 1800s and his desire to read books. The system back then for blind readers was time-consuming and inefficient. When he was only 15, he adapted a finger code used on battlefields into a system of letters made of raised dots. His invention led to an easier way for blind people to read and write, and the system of Braille is named after him.
An inspiring picture-book biography of Louis Braille—a blind boy so determined to read that he invented his own alphabet.
**Winner of a Schneider Family Book Award!**
Louis Braille was just five years old when he lost his sight. He was a clever boy, determined to live like everyone else, and what he wanted more than anything was to be able to read.
Even at the school for the blind in Paris, there were no books for him.
And so he invented his own alphabet—a whole new system for writing that could be read by touch. A system so ingenious that…
When a girl in India discovers a Stone slab on a weedy patch of land she calls to her friends, "Look! Look!" The children clear away the weeds and garbage and find more stones. They called their families to come and see. Word travels to villages nearby and more and…
As children, my brother and I were constant playmates. He was an early riser and often woke me up so our day of play could begin as soon as possible. I have sight, and my brother is blind. Play for us was an all-senses experience. We felt the rumble of our bikes on the street, listened to the screech of the metal swing set, and guessed spices by their smell. We also devoured stories. We listened to audiobooks, he read to me in Braille, and I read to him. All of these experiences, and more, prepared me to be an author of numerous children’s books with sensory details to make stories come alive.
I love this story for its simple language that recreates a walk through the city.
The main character uses a white cane, a simple indication that she is blind. Focusing on the sounds, both loud and quiet, the story lets readers soak in the atmosphere surrounding a young girl on her way to a violin recital. The illustrations, created in textured paper collage, are as layered as the words.
A young girl, who is visually impaired, finds much to celebrate as she explores the city she loves.
A young girl and her father spend a day in the city, her city, traveling to the places they go together: the playground, the community garden, the market, an outdoor concert. As they do, the girl describes what she senses in delightfully precise, poetic detail. Her city, she says, “rushes and stops, and waits and goes.” It “pitters and patters, and drips and drains.” It “echoes” and “trills,” and is both “smelly” and “sweet.” Her city also speaks, as it “dings and…
As children, my brother and I were constant playmates. He was an early riser and often woke me up so our day of play could begin as soon as possible. I have sight, and my brother is blind. Play for us was an all-senses experience. We felt the rumble of our bikes on the street, listened to the screech of the metal swing set, and guessed spices by their smell. We also devoured stories. We listened to audiobooks, he read to me in Braille, and I read to him. All of these experiences, and more, prepared me to be an author of numerous children’s books with sensory details to make stories come alive.
This award-winning book, first published in Mexico, is completely black, yet so colorful in its words and images.
The words describe colors with artful description, such as, “…green tastes like lemon ice cream and smells like grass that’s just been cut.” To fully engage the senses, the words are printed in Braille, and the images are raised, so they can be touched and “read” as well.
Living with the use of one's eyes can make imagining blindness difficult, but this innovative title invites readers to imagine living without sight through remarkable illustrations done with raised lines and descriptions of colors based on imagery. Braille letters accompany the illustrations and a full Braille alphabet offers sighted readers help reading along with their fingers. This extraordinary title gives young readers the ability to experience the world in a new way.
Discover the first adventure in the Curious Bunny series!
In Boomer Sees the Town, Boomer leaves the forest to explore the wonders, sounds, and surprises of the big city. Perfect for curious minds and early readers, this heartwarming children’s story encourages imagination, discovery, and kindness.
As children, my brother and I were constant playmates. He was an early riser and often woke me up so our day of play could begin as soon as possible. I have sight, and my brother is blind. Play for us was an all-senses experience. We felt the rumble of our bikes on the street, listened to the screech of the metal swing set, and guessed spices by their smell. We also devoured stories. We listened to audiobooks, he read to me in Braille, and I read to him. All of these experiences, and more, prepared me to be an author of numerous children’s books with sensory details to make stories come alive.
This other classic book was one of our well-worn favorites. My brother and I read it so many times that I still can recite it by heart.
The pages are filled with the various sounds Mr. Brown can make: “He can go like the rain, dibble, dibble, dibble, dopp. Dibble, dibble, dibble, dibble, dopp, dopp, dopp.” The text also asks the reader to make the sounds, and the bouncy language is so much fun to try.
Moo moo! Hoo hoo! Cock-a-doodle-doo! Oh, the wonderful sounds Mr. Brown can do. Now see if you can do them too!
Oh, the wonderful things Mr. Brown can do! He can go like a cow. He can go MOO MOO. This fabulous and fun book from the one and only Dr. Seuss is ideal for teaching young children all about noises!
With his unique combination of hilarious stories, zany pictures and riotous rhymes, Dr. Seuss has been delighting young children and helping them learn to read for over fifty years. Creator of the wonderfully anarchic Cat in the Hat, and…
I am the co-author and CEO of The Wonder Weeks. I advise various global players in the field of babies and I'm a sought-after speaker at fairs and in daily exchange with mothers and fathers.
With all this knowledge I know the needs of parents and their children like no other, with my books and apps I stand for power to the parents!
As a Dutch co-author, I highly recommend the books of Miffy, the very known rabbit in the Netherlands and worldwide, who shares his experiences in colourful, child friendly and short books. This copy is about celebrating birthdays. I love the good colorful illustrations and the imagination of Miffy. For children, this is the perfect combination, as a child loves birthdays, presents and especially from grandparents.
Hip hip hooray! It's Miffy's birthday and her friends have all bought her lovely presents. Grandpa and Grandma Bunny give her a very special present.
Award-winning UK poet, Tony Mitton, has worked closely with Dick Bruna's Dutch publisher to create new translations for the classic Miffy stories that are true to the books' original voice, and yet have a contemporary feel to the language that makes them appealing to the modern young audience. The translations beautifully convey the warmth and friendliness of the original Dutch whilst maintaining a style that is inimitably Miffy.
I first read about Helen Keller when I was in 4th grade. When I took swimming, I had two classmates who were blind like Stevie Wonder because they had been born premature and placed in oxygen-enriched incubators. I became curious about what it was like to live in a dark world. I walked around my house and neighborhood with my eyes closed, learning my way around. I gave a book report to my class about Helen Keller’s autobiography, and my classmates became excited about her, too. I learned to read braille, and proofread books for the blind when I was in junior high. I also learned the deaf sign language hand positions.
Helen Keller became blind and deaf at the age of 19 months. She was just learning how to talk. Suddenly her world became dark and quiet.
This book gives a sense of what that must have been like. It dramatizes her exciting discovery that things have names, that communication is possible. The book shows how Helen sought an education and learned to support herself despite being blind and deaf.
She comforted soldiers who returned from war, suddenly blind or deaf. She showed the world that “We do not think with eyes and ears, and our capacity for thought is not measured by five senses.”
A heartwarming portrait of an unforgettable woman by the critically acclaimed author of Abe's Honest Words and Martin's Big Words.
This picture book biography is an excellent and accessible introduction for young readers to learn about one of the world’s most influential luminaries. With her signature style of prose laced with stirring quotes, Doreen Rappaport brings to life Helen Keller’s poignant narrative. Acclaimed illustrator Matt Tavares beautifully captures the dynamism and verve of Helen Keller’s life and legacy, making Helen's Big World an unforgettable portrait of a woman whose vision for innovation and progress changed America—and the world—forever.
I've been drawn to the experience of women on the home front since, at the age of seven, I witnessed my grandmother’s raw, unprocessed grief at the death of her favourite brother. Later, I read accounts by women and men caught up in that war who all displayed a breathtaking degree of selflessness. This novel is my homage to them. It meant a lot to me to write it, prompting tears several times while I typed. Evocatively written about sensitive issues, I wanted to capture the emotional toll that bravery involves and to write about the characters’ experiences with empathy and love. I hope it is a book you can curl up with.
Although my novel is set mainly on the home front, it starts in no man’s land and the trenches and returns to the front a few more times to demonstrate how close the links were between the home and war fronts. I wanted these passages to be realistic and needed facts, details, and knowledge from which to write.
I read John Lewis-Stempel’s meticulously researched book because it focuses on the experiences of Subalterns—young men who were made officers while they were often still at school. I found it moving, harrowing, and shocking—a book that stayed with me because it showed the impossibility of performing that role and surviving more than a few weeks. It proved invaluable for the first chapter of the book which is entitled The Subaltern.
The extraordinary story of British junior officers in the First World War, who led their men out of the trenches and faced a life expectancy of six weeks.
During the Great War, many boys went straight from the classroom to the most dangerous job in the world - that of junior officer on the Western Front. Although desperately aware of how many of their predecessors had fallen before them, nearly all stepped forward, unflinchingly, to do their duty. The average life expectancy of a subaltern in the trenches was a mere six weeks.
In this remarkable book, John Lewis-Stempel focuses…
The list reflects my interest in history and my own recollections of the days before the current era of mass tourism and online globalisation. I confess to a feeling of painful nostalgia for a time when we all had a very different worldview, and these books are all of that period. They feature temporal grief for an age that has passed. They are all highly readable books by writers at the top of their game.
The best novel ever about WWI. I was there with them in the trenches and finally understood how the generals came to have the mentality that allowed the slaughter to continue.
Forester is a superb writer and grossly underrated. He is a model for any aspiring writer. I must have read it four times at least, and each time found some new aspect to enjoy.
The book John Kelly reads every time he gets a promotion to remind him of 'the perils of hubris, the pitfalls of patriotism and duty unaccompanied by critical thinking'
The most vivid, moving - and devastating - word-portrait of a World War One British commander ever written, here re-introduced by Max Hastings.
C.S. Forester's 1936 masterpiece follows Lt General Herbert Curzon, who fumbled a fortuitous early step on the path to glory in the Boer War. 1914 finds him an honourable, decent, brave and wholly unimaginative colonel. Survival through the early slaughters in which so many fellow-officers perished then brings…
As intense as the Cold War was, I have always found myself looking toward the future. Nuclear annihilation was a real possibility in my youth. Even so, I have always been curious about the next threat beyond our current crisis would be. Beyond nuclear, biological, and chemical threats, I see that we now face possible dangers from rogue AI and climate change. If that’s not enough, let’s remember that conventional weapons are getting more powerful with the passing of each decade. That’s why the storyteller in me loves this stuff so much.
I particularly enjoy the way the author has blended apocalyptic imagery with epic space battles. As much as I enjoyed the origin story of Buck Rogers, I really was taken by the idea of a world recovering from atomic horror. It’s an action-adventure story that made me feel good about humanity’s future.
The groundbreaking novella that gave rise to science fiction’s original space hero, Buck Rogers.
In 1927, World War I veteran Anthony Rogers is working for the American Radioactive Gas Corporation investigating strange phenomena in an abandoned coal mine when suddenly there’s a cave-in. Trapped in the mine and surrounded by radioactive gas, Rogers falls into a state of suspended animation . . . for nearly five hundred years.
Waking in the year 2419, he first saves the beautiful Wilma Deering from attack and then discovers what has befallen his country: The United States has descended into chaos after Asian powers…
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
I love time travel stories. Stories where protagonists swap lives with other people are so much about acculturation and “passing.” Dislocation, confusion, etc. aside, the main issue is to not be found out. In the story, Charlotte is not always herself. Sometimes she’s in a boarding school in the fifties and sometimes she’s back in time at the same boarding school in the First World War. So we’re dealing with a borrowed life here. The life that Charlotte sometimes borrows belongs to Clare. Charlotte has very little in common with Clare. And even less knowledge of how establishments like this worked back in the day. Some quick learning and imitative skills are needed if she is not to be caught. For instance, she has to deduce what others expect and require of her. But she also has to not lose herself in all this pretense.
It is Charlotte's first night at boarding school, and as she's settling down to sleep, she sees the corner of the new building from her window.
But when she wakes up, instead of the building there is a huge, dark cedar tree, and the girl in the next bed is not the girl who slept there last night.
Somehow, Charlotte has slipped back forty years to 1918 and has swapped places with a girl called Clare.
Charlotte and Clare swap places ever night until one day Charlotte becomes trapped in 1918 and must find a way to return to her…
